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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Let Go Of The Reins, from J.P. Soars and he takes you on a wild guitar saturated ride. Opening with Been Down So Long, a cool funky blues country "Elvin Bishop" kind of thing, Soars really sets a strong groove. Soars sets a funky rhythm guitar and vocal lead base over drums by Tab Benoit, B3 by Tillis Verdin, bass by Chris Peet. His lead guitar soloing ins smart and funky with a cool blues edge. Excellent opener. Osark Mountain Daredevils hit, If You Wanna Get To Heaven is a fairly straight forward remake of the original but with rip roaring guitar picking replacing the trademark harmonica riff. Very cool. One of my favorite tracks on the release is funky instrumental, Crow's Nest with it's a great rhythmic beat, Soars' ultra funky guitar solos and a super B3 solo by Verdin. Nice! Lonely Fire is a radio style track with a solid melody but it's the acoustic Spanish guitar playing by Soars that really gets this track flying. Very nice. Django Reinhardt's instrumental, Minor Blues is another of my favorite tracks with a quiet, bass and drums backing and excellent, "Gypsy", guitar sound and very articulate guitar styling. Excellent! Old style country track, Old Silver Bridge, wraps the release featuring Benoit on acoustic guitar and Soars on lead vocal, acoustic guitar, dobro and Merlin Dulcimer for a quiet soothing closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, I Still Get Excited, by Terry Hanck and it's jam packed with sax infused blues. Opening with a rumble, title track, I Still Get Excited has a real nice boogie feel with excellent piano work buy Jim Pugh and cool guitar work by Johnny Cat Soubrand, with backing vocals by Whitney Shea and Lisa Leuschner Andersen, bass by Kid Andersen and drums by Butch Cousins. On Smooth Tyrone, Hanck leads on vocal and soulful sax with really nicely styled guitar work by Soubrand and again really nice piano work by Pugh. On Early In The Morning I particularly like Hanck's vocals and Chris Cain adds really strong lead guitar. I like Andersen's bass attack on this track and the backing vocals by Lisa are really nice. Pugh's B3 work on this track adds that additional dimension and June Core's drumming sets up a solid opening for Hanck to solo. Very nice. Harmonica great, Rick Estrin joins in on Come On Back playing tag with Hanck on sax. With a cool shuffle feel and a slick guitar solo by Soubrand, this is one of my favorites on the release. Slow instrumental, Rosita (No Wall Can Hold Our Love) is a really nice showcase for Hanck on his sax with warm undertones by Pugh on B3. Howlin' Wolf's Howlin' For My Darlin' maintains it's original arrangement and spunk. Soubrand's stinging guitar work are nicely highlighted on this track of course sharing the spotlight with Hanck on sax. Very cool. Tracy Nelson joins Hanck on lead vocal on Spring with Tim Wagner on bass, Butch Cousins on drums and a soulful sax solo by Hanck. Super. Wrapping the release is Feel So Bad with a lot of spring in the rhythm. A Stax feel really gets the blood flowing on sax and Hanck really knows how to play it. Soubrand plays some of his flashiest solos on this one and Hanck's vocals work really nicely with this style. Solid closer for a real cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Back To The Blues, by Scotty Dennis and it's a fat slice of blues, rock, pop and R&B all rolled into one. Opening with hot blues number, I'm Gone, shows solid vocal styling by Scotty Dennis with a swaggering rock beat and hot guitar riffs by Brandon Hudspeth with solid backing by Go-Go Ray on drums, Jerry Keller on bass, Willie Newell on organ and D'Angelo talent on backing vocals. Title track, Back To The Blues, is a classic R&B style ballad with a strong melody and a prominent melodic guitar solo. For Her Love shows a cool fusion between Latin and R&B with some of the best vocals by Dennis and strong lead playing by Hudspeth. Very cool. Soulful blues ballad, It's Crying Time has super call and response between Dennis on lead vocal and Hudspeth on guitar retort. A break out piano solo by Newell leading into a real nice guitar solo by Hudspeth sets this track apart nicely. Dennis' and Talbot vocal lead over the easy guitar work by Hudspeth is particularly cool and the organ work by Newell really warms the track nicely. Hudspeth pulls out the slide on shuffle track, When I First Met The Blues giving it a rowdy feel under the silky smooth vocals of Dennis. Jacque Garoutte on piano adds sparkle and Gharett Schaberg's horn work rounds it out. Wrapping the release is shuffle, Play Some Blues, with strong upfront vocals by Dennis and stinging guitar soloing by Hudspeth.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Bare Knuckles & Brawn from Blue Moon Marquee and it's a mix of blues, jazz and western swing of course among many other flavors. Opening with Latin influenced Big Black Mamba and A.W. Cardinal on lead vocal and guitar, with cool support from Jasmine Colette on bass, Darcy Phillips on piano/organ, Gerry Cook on sax and Jimmy Badger on drums. Swing number, Smoke Rings For My Rider has a great rag time feel excellent rhythm guitar and strong sax work by Cook. Hard Times Hit Parade is a sultry blues number featuring Colette on lead vocal and clean jazzy guitar work surrounded by smoky organ and echoes of trumpet work by Jack Garton. Very nice. Jazzy, The Red Devil Himself is one of my favorite tracks on the release with fluid guitar runs and some of my favorite vocals by Cardinal. Very cool. With a strong dose of New Orleans and a snappy beat by Badger on drums, 52nd Street Strut has strong horn work by Garten and Cook, and nice vocals by Colette. Another of my favorites is jazzy number, Wayward with it solid pace, Cardinals vocals and clean round bluesy guitar work. Wrapping the release is Lost & Wild, a slower ballad featuring Cardinal on lead vocal and guitar. Shimmering tones and a subdued backing by badger, Colette and Phillips makes for a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the newest release, Mississippi BarBQ, by Zac Harmon and it's a cool contemporary blues release. Opening with Gypsy Road, a R&B style blues number with Harmon's trademark silky smooth vocals and stinging guitar work, he's got another winner. Backed by Bob Trenchard on bass, Richy Puga on drums, Johnny McGhee on guitar, Dan Ferguson on keys, Mike Middleton on trumpet, Andy Roman on sax, Nick Flood on sax and Drake Domingue on trombone, this is a solid opener. Blues rocker, Smoke and Mirrors has a cool hook, punctuated by slick guitar riffs and nice backing vocals by Janelle Thompson, Shakara Weston, SueAnn Carwell and Corey Carmichael. Crossing over to a smooth soul radio groove and title track, Mississippi BarBQ, Harmon really lays it back nice and easy. Backing vocals by Thompson, Weston, Carwell and Carmichael and a sweet melodic guitar solo by Harmon make this an ideal radio track. One of my favorite tracks on the release is up tempo shuffle, Honey Pleez with Corey Carmichael on keys, Chris Gipson on bass, Ralph Forrest on drums and Texas Slim on rhythm guitar. BB King flavored, Sunday Morning After Saturday Night has really cool guitar styling by Texas Slim in answer to Harmon's lead vocals and punchy horn accents work nicely with the organ styling of Ferguson. Another R&B style track, Since You Been gone has a great melody and cool backing instrumentation. Harmon's melodic soloing over the tight bottom of Gipson and Forrest make it another strong radio candidate. Wrapping the release is Knocking On Heaven's Door with a real soulful/gospel treatment. Harmon really digs in vocally making this my favorite track on the release. Super closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Won't Stay Down, from Lauren Anderson and I like it. Opening Anderson shows her rich vocal skill immediately on pop track, Honey, Call Me Baby, a soulful track with a nice melody and Pretenders attitude. I particularly like the warm rhythm guitar tone and carefree soloing of of Jimi Greene, with Hutch on bass, William Adkins on keys and John Rodrigue on drums. Ballad, Too Little Too Late has pure radio appeal with nicely blended vocals with Meg Williams and Jenny Teator and the solid organ work of Adkins. Powerful. Title track, Won't Stay Down, is another solid track with just the right swagger and some of my favorite vocals on the release and a great bass line by Hutch. Cake has a cool Latin beat with super percussion and a really nice trumpet solo by Emmanuel Echem and Kiran Gupta. Hutch gets a quick solo that leads into a crisp solo by Greene but it's Anderson who stars in this show. Very nice. Wrapping the release is straight up rocker, Wild & Free with it's John Mellencamp form. Greene lays out a nice melodic solo followed by Adkins and Hutch and Rodrique drive the train with another solid vocal entry by Anderson. Cool closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Sweet or Mean, from Eliza Neals and joined by guitar player/band leader Popa Chubby, it's a screamer. Opening with Pawn Shop Blues, a solid shuffle Neals picks up where she left off with her gritty vocals and Chubby with romping slide guitar, backed by Dave Keys on keys, Chris Gambari-Vega on bass, John Medeiros Jr. on drums and including Ian Hendrickson on sax and Michael Leonhart on trumpet. Rocker, Bitten By The Blues has solid radio feel with it's lightly Latin flavored rhythm and smooth melody with Chubby playing a rocking, Santana influenced guitar lead style. Livin With Yo Mama is a cool, slinky, boogie track with sassy vocals and some of my favorite guitar riffs on the release. Knock Knock Knockin is a pared down blues rocker with Chubby on acoustic guitar bringing Neals' farther forward in the mix vocally. Very nice. Wrapping the release is a slightly different mix on Pawn Shop Blues, a sweet closer for a solid blues rocker.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent 2 cd release, Ann Arbor Blues Festival 1969 from Third Man Records and it's terrific! Opening with Dirty Mother For You, a classic by Roosevelt Sykes, this classic track really gets the ball rolling with his suggestive language and his classic piano style. JB Hutto and his Hawk do a terrific Too Much Alcohol with Hutto's dynamic slide work. An excellent contribution by Jimmy Dawkins, I Wonder Why shows exactly why his nickname was Fast Fingers. Luther Allison and the Blue Nebulae play a super log take on Everybody Must Suffer/Stone Crazy and really gives his guitar a workout... makes you sweat just listening to it. Excellent! Another really fat guitar laden track is Otis Rush and So Many Roads. This is an excellent closer for disc one.
Disc 2 opens with Muddy Waters and Long Distance Call. Muddy's vocals are super and he has that crying slide work, backed by Paul Oscher on harp. Very nice. Charlie Musselwhite really brings the tempo up with Movin and Groovin, a super harp boogie. Of particular interest is Shirley Griffith's delta style rendition of Jelly Jelly Blues accompanying himself on acoustic guitar. Very strong. T-Bone Walker performs his classic, Stormy Monday and a nice long 10 minute plus guitar duet with Luthur Allison. Must be heard. Big Mama Thornton performs her classic, Ball and Chain, supported by T-Bone Walker. I mean, what else could you ask for...really? Sam Lay performs Key To The Highway with Luther Tucker another stellar track with excellent piano by possibly Skip Rose. When you think this is winding down you get the triple whammy. Lightnin' Hopkins on Mojo Hand with Luther Tucker, James Cotton blowing the walls down on Off The Wall with Luther Tucker and Bill Nugent on sax and Lastly... Son House... Son House... on Death Letter Blues. I was born far too early. This concert is totally off the hook. Thankfully it is released by Third Man. Excellent!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Viva Las Vegas Live from Joe Louis Walker and it's really great! Opening with I'm Not Messing Around, a rolling blues rocker, Walker has lead vocal and guitar with the super Bruce Bears on piano, Lenny Bradford on bass Dorian Randolph on drums. Walkers guitar riffs are scorching and crisp and Bears' piano tight and precise. Excellent opener. Into low slung shuffle, Young Girls Blues, Walker's vocals are rich and Bears' piano work is grand. I have admired Bears' work for a long time and it's always super to hear him live where he can stretch a bit. Very nice. Ok...you want Walker. You want guitar and here it is! Sugar Mama, a slower blues number with extended guitar soloing. Walker has excellent chops and most of you already know and this track gives him the opportunity to let it all hang out... or should I say, he's more than 6 minute into the track before he starts to sing...think about that! Also showing excellent harmonica chops, and with strong piano reinforcement by Bears and the steady bottom by Bradford and Randolph, this is an absolute showstopper and it's just begun. There's a great low fret intro on Do You Love Me, a solid blues rocker with plenty of kick. Walker is showing clearly that he can do it all. With it's New Orleans kind of funk, Soldier For Jesus has a terrific feel and Walker is nicely backed vocally by Bears, Bradford and Randolph as his slide guitar playing is fat and rich. Excellent! You Don't Love Me Girl is a cool Latin jazz infused number and Bears gets a chance to really let the organ loose. Playing nicely off of Walkers guitar lead and the strong support of Bradford and Randolph, this is a really cool track. Cool boogie track, Too Drunk To Drive Drunk is another favorite with a great driving bottom and Walker's vocals riding high. Bears and Walker both got the chance to let loose and they are on fire. Very cool. Wrapping the release is Like It This Way with it's (fast) walking bass line and flaming hot guitar lead. Bears winds it up again and then as customary with many top performers bassist Bradford gets a chance to show his stuff. His solo is melodic and leads nicely into a drum showcase for Randolph. Walker returns and takes it home with his showcase style. No one could have left here without a smile on their face. Excellent show!
BTW... this is a DVD which includes as cd. I can't wait to get home and watch this show live on the real system!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release from Sunday Wilde & the 1 Eyed Jacks and she hasn't missed a beat. Opening with Willie Dixon's Evil, a slinky, bluesy number with glistening guitar riffs by Ari, and Wilde's trademark vocals, the band is rolling with Wilde on piano, Arek Chamski on bass and Collin Craig on drums. Dead Man's Clothes is an interesting number with a predominant modified walking base line, percussive rim shot rhythm and cool soaring guitar riffs. Sure to be a crowd favorite, Dead Presidents is a quirky boogie and the inference that everybody loves money... yes they do. Slow blues take on London's It Hurt's Me Too, is a dynamic vocal showcase for Wilde who accompanies herself on piano with only a basic bottom and a really nice guitar solo by Ari. One of my favorite tracks on the release is Spirits up My Friend with it's somber melody and Wilde's vocals paired nicely with her stark piano accompaniment over the solitary bass line of Arek. Wrapping the release is I Guess I Didn't Hear You Right, a simple bluesy ballad with the simplest of backing and iridescent guitar work and blues riffs by Ari.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to preview the most recent release, Blues Power, by Jeff Dale and the South Woodlawners, and it's different. As I listen to it I think... the blues meets Captain Beefheart (Willie the Pimp). Opening with Toxic Stew, a cool, unassuming Jeff Dale leads on vocal and slide guitar and there's that deep tone of Pat Zicari's bari sax...woah. Derek Phillips on keyboards, Charlie love on guitar, Orlando Wright on bass and Tim Austin on drums makes up a solid band. Title track, Blues Power has a "revival" sound with handclaps and acapella vocals. Winding up, Wright's bass line and Austin's drums provide an excellent bottom for Dale's slide work. Another cool, swampy track is Middle Class Moan with it's unwieldy swagger, funky vocals, and the great mix of instrumental players with the add of Glen Doll on sensuous harp and the trumpet riffs of Lee Loughnane and group backing vocals. Very cool. With a Bo Diddley beat compliments of Clark Pardee, Best Kind of Trouble is a party gone to rumble. With Dales vocal and slide, Sherry Pruitt and Marvin Etzioni on backing vocals, this track is gone to fast. with it's rockabilly feel, Let's Buzz is hopping. Pat Zicari has his sax humming and Jon Siembieda gets that guitar rhythm going. On Undercover Man, a funky New Orleans style blues rocker, Dale sets a really nice groove and Dale and Carmelo Bonaventura lays out some nice guitar soloing with Aaron Barnes on bass and Brian Lara on drums. broken down blues track, Black Crow is a cool, old style blues number with Dale on cigar box and slide guitar, Siembieda and Bonaventura on guitars and Aaron Barnes on bass. Wrapping the release is piano boogie, Can I Boogie running hard with Dale on vocal and full horn compliment. Zicari busts loose with another hot sax solo and Phillips piano work is really cool. Great closer for a fun release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, That's How I Roll, from Debra Power and it's a full boat of piano laden blues. Opening with All Night Playing The Blues, Debra Power knocks down the door with her powerhouse singing and terrific piano playing. Backed by Chris Byrne on bass and Lyle Molzan on drums, this track is rolling. Title track, That's How I Roll is a slick shuffle with Power way up front on vocal and punchy horns on the top with Mike Clark on tenor sax, Pat Bellveau on bari and Ian David Hartley on trumpet and featuring Tim Williams on slide guitar. Bluesy ballad, Don't Ever Leave Me, shows the richness of Power's vocals with my closest comparison being Rod Stewart. Her piano playing is solid and complimentary and Mike F. Little's B3 work making this one of my favorite tracks on the release. I'm Comin' Around is a cool piano boogie that really shows off Power's piano prowess and Joey Landreth adds real flair with his slide soloing. Very cool. R&B ballad, Let Me Love You Tonight is another solid showcase for Power's voice and Russell Broom's lead guitar work meshes really nicely with the piano and B3 work of Little. Wrapping the release is power blues rocker, Side On Sue with heavy handed drum work by Molzan and harp work by Steve Pineo. Byrne's rumbling bass line and guitar by Landreth makes this an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent self titled release by Michael Lee and it's terrific! Opening with Heart of Stone, a rumbling blues rocker, guitarist/lead vocalist, Michael Lee sets a great pace. With a strong swagger, anchored by Scott Lee on bass, Colin Campbell on B3 and Blaine Crews, Michael has it going here, backed by Preston Lewis on sax, and Evan Templeton and Jordan Carr on trumpet. Super opener. On soulful ballad, Don't Leave Me, Lee really gets the chance to show how great a vocalist he is with warm backing and Charley Wiles' blues guitar riffs topping it off. very nice. My absolutely favorite track on the track is deep drenched soul track, This Is with great vocal phrasing and harmonies and electrifying guitar work by Lee. I really like this release, but this track alone could carry a release. Excellent! Can't Kick You is a super radio track with a strong story line and a definite radio (shuffle) beat. Lee's rework of BB King's trademark song maintains a lot of the original soul of the original track, but adding a rock bass line and his own signature vocal and guitar style. Very nice. Another soulful ballad, Here I Am really showcases Lee's vocals again with strong horn support from Templeton and Carr. Another candidate for radio track and favorite track on the release. Having may favorites is a strong indication of an evenly strong release. Wrapping the release is bass driven rocker, Go Your Own Way starting out slow and deliberate and then double timing it with rock guitar riffs before bringing it back down a really hammering it on guitar. This is a really cool closer for a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Go Cat Go, by the Jersey Swamp Cats and it's a lot of fun. Opening with classic, Jump Jive and Wail, The Swamp Cats are running hard right out of the chute. With Gerry Gladston on lead vocal and piano, Don Leich on vocal and guitar, Larry Ghiorsi on bass and Chris Reardon on vocal and drums this group is really humming. With a hot guitar solo by Leich and a hot piano solo by Gladston, this track is a great opener. Boogie track, Cupcake! has a super swagger and call and response between Gladston and the band on backing vocals and Leich's guitar work is tasty and stinging. Very nice. Too Tired is a cool driving shuffle with a great loping bass line by Ghiorsi and strong vocals. I really like Leich's guitar lead on this track with a lot of movement and crisp riffs and again, Gladston is hot on the keys with excellent piano soloing. Very nice. With a great New Orleans feel, Tootie Ma Is A Big Fine Thing, has strong rhythmic bottom and a relentless guitar lead. Backing horns and solid vocals make this one of my favorites on the release. Wrapping the release is Shiny Gray Corvette, a driving rock n roller with a multi lead vocal format over pumping JLL style piano work and excellent guitar lead. This release is a bundle of energy that doesn't let up from the first note.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release (October 30, 2019), Burn It Up, by Cheyenne James and she's a vocal powerhouse. Opening with classic blues track, Grits Ain't Groceries, James establishes a firm footing and pounds it out, backed by Rock Romano on bass, Dave Carter on guitar, Randy Wall on keys, and Jim Brady on drums. In Chicago, Muddy Waters style James rolls into Gypsy Mama with great energy and featuring Steve Krase on harp. I Didn't Know has a bit of two step country flavor with Krase on harp and with Eric Demmer on sax and Lamar Boulet on Trumpet and Flugelhorn. Wall's keyboard work stands tall on this track highlighting James' vocals. On Latin rhythmed track, Lay Me Down, Mark May adds some real nice guitar riffs, paired with Wall's piano work and Krase on harmonica making it one of my favorites on the release. Pouring on the soul, a cover of Ashford and Simpson's Let's Go Get Stoned has great presence. I think it is James' most essential vocal work on the release with full horns by Demmer and Boulet and clean riffs by Carter. Very nice. Van Morrison's ballad, Steal My Heart Away, has a real nice feel with slide work by Carter and solid vocals by James and a warm organ blanket making this the most likely radio track on the release. Wrapping the release is Willie Dixon's, You Know You Love Me Baby and it's cool walking bass line by Romano. This track just clicks with great bari sax work by Demmer on the bottom, great vocals by James and harmonica by Krase in the middle and guitar riffs by Carter and Boulet on trumpet on the top. Super closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the newest release, Blues From Another Planet, from Jim Zeller and it's cool. Opening with blues rocker, I Grew Up In Black And White, Jim Zeller is back with his latest and most interesting release. With it's slightly funky, almost David Bowie like feel, the track has a great rhythm and Zeller's harp playing is very cool. Backed by Jimmy James on guitar, Carl Dutremble on guitar, Marc Deschenes on bass and Bernard Deslauriers on drums, solid opener. On shuffle, Life is Good, Zeller is solid on vocal and harmonica with cool guitar riffs by James and Dutremble and Zeller's harp work is hot. Very nice. Slower blues number, Violins Began to Play, is one of my favorites on the release with some of Zeller's best vocals and nice piano work by Larry Cohen. Featuring tasteful harmonica playing by Paqquale Cerascuolo, a real nice track. The man With The Harmonica is a real nice ballad with harmonica lead. A smooth, movie theme song style track which also features an excellent guitar solo, very nice. Wrapping the release is Lydian Bossa Nova, a short instrumental with Zeller on harmonica and only the minimal of percussion by Deslauriers and Olivier St-Pierre on shakers. Solid closer for Zeller's best release yet.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Hell To Pay, from Billie Williams and it's deep. Opening with Damn, a dark, lumbering blues rocker, Williams leads this tempest of a storm on vocal with strong guitar support from Stew Cutler, Jeremy Mage on power keys, Double Z on heavy bass and Tony Allen on tight drums. On radio track, Start All Over, Williams fleshes out the track with the addition of Rob Sussman and Dan Levin on trombone, Seneca Black and Jim Hynes on trumpet, Stan Killian and Chriz Eminizer on sax Manuel Quintana and Jeff Lipstein on percussion and a full round of backing vocalists. Drink From My Cup has a cool backbeat and a cool pace. Mage lays down some real nice piano lines and the snappy drumming by Allen and the punchy trombone work by Levine and Sussman really sets a great foundation for Williams. Wrapping the release is my favorite track, Ten Million Sisters, a modern plantation style track with rich vocals and stomping percussion by Williams and backing by Ardys Flavelle, Anni Krueger, Veronica Nunn, Gail Ann Dorsey, Eric Redd, Lindsey Webster, Double Z, Gabrielle Montoute, Marissa Von Bleicken, Ruth Ungar and Tracy Toler - Phillips. Excellent!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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