CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Tuesday, April 16, 2019

Cara Being Blue - Grit - New Release Review

I just had the opportunity to review the most recent release, Grit, from Cara Being Blue and it's got grit! Opening with title track, Grit, Cara Lippman shows a heap of swagger with thick, soulful lead vocals and solid backing vocals by Mandy Vixen. Guitar lead by Val Lupescu, keys by Eric Robert, drums by Flip Winfield and bass by Jonathan Nixon and solid horn punch by Miqui Gutierrez on sax, and Varney Green on trombone. Rock flavored ballad, One Day, has classic lines and nicely showcases Cara's voice. Lupescu's melodic guitar lead gives the track a regal feel and Tim Gonzalez on harmonica a bluesy flavor. Jack Pearson lays out a nice guitar intro on slow blues ballad, You Don't Wanna, with tight accents by Matt Doctor on drums. Robert's keyboard soloing on this track really adds a nice contrast to the overall tension of the track. Very nice. Nicely articulated guitar soloing by Lupescu gives Old Feelin' a great footing out of the gate, warmed by Gonzalez's gripping harmonica overtones. The tempo and overall feel of this track is very nice. Bring on the horns for Kind Kinda Man,  an up-tempo shuffle track. Robert's keys, cool trombone work by Greene and sassy sax work by Gutierrez are super accents to Cara's casual vocal attack. matt Doctor is up on drums on My Doggie giving it a pure "Stubblefield" rhythmic  funk. Cara manages the band nicely with blues phrasing and Gonzalez steps up nicely with fresh harmonica riffs. Very nice. Wrapping the release is country flavored, Some Fun with Winfield ripping some flashy "chickin pickin" riffs and Cara letting her hair down for some fun wrapping it up. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Monday, April 15, 2019

Omnivore Recordings artist: Henry Townsend and Roosevelt Sykes - Blues Piano and Guitar - New release review

I just had the opportunity to review the most recent release, Blues Piano and Guitar, live 1973 recordings of Henry Townsend and Roosevelt Sykes and it's really strong. Recorded live at Washington University, Graham Chapel, this is a great set. Opening with Townsend on Sloppy Drunk Again, the feel of a different era is alive and Townsend's percussive attack is a great accent for his perfect vocals. Tired Of Being Mistreated has great pace and Elmore style guitar riffs giving this track sensational life. Henry's Worry Blues is an excellent example of early blues with tight guitar riffs and excellent vocals. Roosevelt Sykes enters the stage with Night Time Is The Right Time and his distinctive piano style brings it all together. Piano boogie, Boot That Thing is one of my favorites on the first disc with excellent vocal and a great piano stretch. Dirty Mother For You (Don't You Know) is a humorous track by Sykes with solid piano work and vocal by Sykes. Contemporary blues listeners will recognize it as a standard in Buddy Guy's repertoire. Done Got Tired is an excellent Sykes/Townsend duet with Townsend on vocal and solid balanced soloing by both artists. I really love Sykes' dynamic piano work on Life Is A Puzzle. It's clean, bright and nicely accented. Another terrific piano boogie is Gulf Port Boogie. Sykes shows without a doubt why his style is popular. Henry's Guitar Boogie answers back with his own hot riffs getting the audience wound up. Vernell joins Henry on Tears Coming Rollin' Down, one of my certain favorites on disc two. Wrapping the release is Dangerous Man with Sykes on vocal and piano, This is a super conclusion for this 30 track set. Very nice. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Friday, April 12, 2019

Borealis Records artist: Michael Jerome Browne - That's Where It's At! - New Release Review

I just had the opportunity to review the most recent release, That's Where It's At!, from Michael Jerome Browne and it's quite fine. Opening with acoustic jazz instrumental, Don't Ask Me Why, Browne shows fleet fingered accuracy backed by the light and tight drum work of John Mc Colgan. Smoking opener with great chops. On shuffle track, Black Nights, Browne slips on the slide and settles down in a nice groove with bluesy vocals and again, Mc Colgan on drums. Harrison Kennedy joins on vocals on traditional delta blues styled Pharaoh, rich in tradition and earthy wealth. Very nice. Remember When is a cool folk ballad with clean acoustic picking and featuring vocal duet with Roxanne Potvin. Very clean. Rolling into Al Green's Here I Am (Come And Take Me) showing that Brown not only has the blues but a rich soul. His vocals are soulful and his guitar playing strong and supportive. Randy Newman's, Lousiana 1927, never sounded so sweet with solid vocals, intimate guitar soloing and sweet phrasing. Very nice. Where Is The Song? is a really nicely crafted closer for this truly remarkable acoustic folk/jazz/blues release. Browne's vocals and guitar work are very strong and his writing is really clean. Looking forward to hearing this on the home system at my leisure.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Thursday, April 11, 2019

Niche Records artist: Eric Jerardi - Occupied - New Release Review

I just had the opportunity to review the most recent release, Occupied, from Eric Jerardi and it's sopping with sweet soul sound. Opening with Do Right By Him, a super soulful track, Eric Jerardi shows his vocal chops over the solid horn work of the Muscle Shoals Horn section (Charles Rose - Trombone, Steve Herman - Trumpet, Doug Moffet - sax) and his own tasteful bluesy guitar riffs. Marie Lewey & Cindy Walker add vital, rich backing vocals over a solid bass by David Hood, piano by Clayton Ivey, Kelvin Holley on rhythm guitar and Milton Sledge on drums. Excellent opener. Jeff Healey's Don't Take It Personally maintains the R&B feel but leaning more to the blues rock styling, Jerardi shows a funky, wah wah guitar edge with soaring delivery. Very nice. Title track, Occupied, really has great bones with soulful vocals, a solid melody and great backing vocals, dressed with warm organ work and excellent blues guitar lead. Ultra funky, Never Let The Old Man In, is definitely one of my favorites on the release with excellent rhythm by Sledge, tight vocals and really tasty guitar riffs. Really hot! Wrapping the release is the radio track for the release, In My Life with a light but memorable melody and soothing vocals. This really is a stand out release and one should take notice.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Tuesday, April 9, 2019

Tony & Joe - Tin Can Tunes - New Release Review

I just had the opportunity to review the most recent release, Tin Can Tunes, from Tony & Joe (Tony Cuchetti and Joe Flip) and it's a cool retro blues rocker. Opening with stripped down, Mess Around, Tony has the lead vocal, acoustic guitar, and percussion and Joe holds tight on his famous Hayburner oil can guitar. Good opener. With a laid back tempo somewhat like JJ Cale, IJ has a cool melody and super underlying guitar lead. Six Feet Underground has a cool jazzy rhythm and is a nice showcase for Tony's pop vocals. Down Home Girl is a sultry ballad with warm vocals and bluesy electric guitar lead. Wrapping the release is real nice Hayburner guitar/harmonica (guest harmonica Indiana Sfair) cover of Amazing Grace. This is a very nice closer for a cool release.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Monday, April 8, 2019

VizzTone Label Group artist: Dennis Brennan & the White Owls - Live at Electric Andyland - New Release Review

I just had the opportunity to review the debut release, Live at Electric Andyland, from Dennis Brennan & the White Owls and I really like it. Opening with Johnny Guitar Watson's Cuttin' In, the band has a real strong sense of direction with Brennan on lead vocal backed by Tim Gearan on guitar, Andrew Plaisted on drums, Stephen Sadler on lapsteel guitar, Jim Haggerty on bass and David Westner on organ. Bobo Jenkins' shuffle, Nothin' But Love is up next and Brennan's vocals are solid with crisp harp accents. Original track, End of the Blues, has really cool feel a bluesy R&B feel. Underlying guitar riffs, answering the call of Brennan's vocals really gives the track a super feel and unleashed guitar soloing near the end of the track gives it a great kick in the pants reminiscent of the horsepower given Muscle Shoals tracks in the late 60's by Duane Allman. Cool lapsteel wail by Sadler opens The (New) Call of the Freaks and Brennan digs in deep on harp laying down some of the best riffs on the release. Willie Dixon's I Live The Life I Love has great swagger and Brennan's vocals are perfect for this track. Mose Allison's Foolkiller has a great Latin beat and with excellent steel guitar riffs and hot harp, is certainly one of my favorites on the release. Wrapping the release is a somber rendition of the Stones, No Expectations. Sadler's precision lap slide compliments the temperament of the track perfectly and Brennan's soulful vocals on what is a basically a country blues track are very cool.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Thursday, April 4, 2019

VizzTone label Group artist: Nick Schnebelen - Crazy All By Myself - New Release Review

I just had the opportunity to review the most recent release, Crazy All By Myself, from Nick Schnebelen, and it's quite good. Opening with blues rocker, Lil' Death, Schnebelen creates a strong bar on lead vocal and guitar, backed by Melodye Perry on vocal, Tony Braunagel on drums, Mike Finningan on keys, Hutch Hutchinson on bass, and Lionel Young and Ada Pasternak on violin. Piano boogie rocker, Ain't Got Time For The Blues is a full on mid west rocker with vocal harmonies and super piano work by Finnigan. Slow shuffle track and title track, Crazy All By Myself has a perfect blues pace highlighting Schnebelen's vocal and guitar work making it one of my favorites on the release. Up tempo. Altar Of Love, has a super driving drum lead by Braunagel and nice slide work by Schnebelen and hot harp work by Jason Ricci give this track real traction. With it's heavy kick and snare work on 2, Bad Disposition With The Blues is a really cool track bundling great vocals, harp (Ricci), bass (Hutch) and slide. Bad Dream is a funky, bass driven track with excellent blues vocal and guitar phrasing by Nick. Excellent!  Blues ballad, I Leaned My Heart On You features a real nice melody and on top of Nicks soulful vocals, a solid melodic (think Gary Moore) guitar duet with Davy Knowles. Wrapping the release is Holding On, a smooth blues shuffle somewhat in the style of B.B. King with smooth phrasing and almost George Benson like chords. Finnigan's warm keyboard fill really adds to the overall texture and Schnebelen's vocals are strong. With nice balance between vocal, jazz and blues guitar styling and organ warmth, this is a really solid closer for a great release. 



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Wednesday, April 3, 2019

Vegas Strip Kings - Jackpot - New Release Review

I just had the opportunity to review the most recent release, Jackpot, from Vegas Strip Kings, and it's a gutsy blues rocker. Opening with driving boogie, Rotgut Run, Rob Edwards on bass and Justin Truitt on drums set the pace. Jimmy Carpenter on sax adds fat sax work over his own solid vocal and Al Ek on guitar and harmonica. Strong opener.  Tex Mex track, Jesus on the Dash has a great feel with Truitt on accordion and a great melody. Blues ballad, Lately has real nice soulful vocals and Carpenter's sax work, complimented by cool rhythm and steel guitar by Ek and nice key soloing by Billy Truitt makes this a solid radio contender. Latin flavored, Screeching Halt really highlights Billy's excellent percussion work and nice sax work by Carpenter. Willie Love's V8 Ford has old school blues roots with cool slide guitar work by Ek. A musical gumbo forms when  Billy adds accordion and Carpenter sax but the solid blues spine is supported by rich slide work by Ek. Very nice. A huge dose of Cajun spices up Pawnbroker, with a snappy beat, tight accordion support and strong vocals. Ek takes his guitar for a straight walk giving the track a reference balance and his harmonica work pushes it off the edge. Very nice. Wrapping the release is country strong, Sharp As A Razor with chuggin train drum rhythm and "chickin pickin" guitar work. Edwards gets loose on bass for a few lines and really shows his stuff and Carpenter's "Randolph style" sax riffs give it a 60's vibe. A real cool closer for an interesting release. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Tuesday, April 2, 2019

NOLA Blue Records artists: Tiffany Pollack & Eric Johanson - Blues In My Blood - New Release Review

I just had the opportunity to review the most recent release, Blues In  My Blood, from Tiffany Pollack & Eric Johanson and I really like it. Opening with title track, Blues In My Blood with it's fat acoustic slide work, courtesy of Eric Johanson, this track sets a smoky stage for the powerful vocal lead of Tiffany Pollack. With Jack Miele on bass and percussion, Brentt Arcement on drums, organ and piano this is a super opener. Memories To Forget has a chilling guitar solo laid over a warm melody, lead vocal primarily by Johanson, haunting harmonica by Johnny Sansone and excellent drum accent by Acrement. Pollack demonstrated over and again the richness of her voice and her excellent blues phrasing. On ballad, Michael, she is rock solid and Johanson's amplified resonator body guitar work is really nice. A cover of Keith and Mick's No Expectations really flows nicely with Johanson back at the helm with ample harmony by Pollack. Very nice.  Shuffle track, Do I Move You is another really nice showcase for Pollack's vocals with poise and style. Johanson shows a really nice feel for straight blues guitar lead and with Phil Wang on bass and strong organ and piano work by John Gros this track sails. Pollack and Johanson venture deeper into blues rock on Slave Of Tomorrow with a super groove laid down by Miele and Arcement. Johanson's vocals are excellent and I love the lumbering pace. Excellent! Get Lost With Me is the absolute radio track on the release (except it's almost 5 minutes long) with a great Ray Charles feel and solid lead vocal and aggressive blues guitar riffs by Johanson. Super nice. Wrapping the release is an absolutely wonderful cover of Peter Seeger's If I Had A Hammer. Totally destructuring the original, putting it back together with a strong bottom line, organ excellent vocals and soulful guitar, this track is such an excellent closer. If you wonder if I liked this release...read the review again! 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Monday, April 1, 2019

Stony Plain Records artist: Colin Linden & Luther Dickinson - Amour - New Release Review

I just had the opportunity to review the most recent release, Amour, from Colin Linden & Luther Dickinson with the Tennessee Valentines and it's not only musically cool but a lot of fun. Opening with traditional instrumental, Careless Love, Linden on electric dobro and Dickinson on electric guitar, and only a minimal amount of percussion, a beautiful sound emerges with the thickness of a Mississippi swamp and the depth of morning fog. Excellent! On Jesse Stone's Don't Let Go, Rachael Davis and Ruby Amanfu join on vocal giving this popular track real spunk. Jimmy Reed's Honest I Do features Davis again on vocals, has a super blues swagger and reverb saturated guitar. Very cool. I really like the Sam Palladio lead/ Rachael Davis harmony on Ralph Mooney's Crazy Arms and Linden and Dickinson' guitar mix over Dominic Davis on bass, Bryan Owings on drums and Kevin McKendree on piano is pure gold. Billy Swan original, Lover Please, features Swan on lead vocal coupled with Davis making for a super country rocker with nice accordion work by Fats Kaplin. Ruby Amanfu takes center stage on Chuck Willis' What Am I Living For giving it a powerful rework. Luther and Colin add authentic country riffs and a tight structure over McKendree's organ work. Wrapping the release is  I Forgot To Remember To Forget featuring Jonathan Jackson on lead vocal and Luther and Colin playing ethereal electric guitar parts floating to the end of the release. Very nice.


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Thursday, March 28, 2019

Bigtone Records artist: Atomic Road Kings - Clean Up The Blood - New release Review

I just had the opportunity to review the most recent release, Clean Up The Blood, from Atomic Road Kings and it's killer. Opening with I've Got Time, Big Jon Atkinson is upfront on vocal joined by Eric Von Herzen on harp and Danny Michel on lead guitar, backed by Bill Stuve on bass, and Malachi Johnson on drums. With it's quiet, suspenseful pace and full bodied guitar work from Michel, this is a great start. With the heaviness of Dazed and Confused by Michel on guitar and hot lead by Tony Delgado, under the smoky riffs of Von Herzen,  Rumors will have you gasping for breath. Excellent! With it's Latin styling and surf like guitar riffs by Atkinson, Have Your Way is a cool track. The solid bass line and cool cymbal work is perfect. Atkinson's echo saturated wailing on guitar on title track, Clean Up The Blood, supporting his own solid vocal and eerie harp work by Von Herzen makes this an excellent lead track for the release. Vibrations is a slinky track with cool lead vocals by Big Jon, fat guitar soloing by Michel and excellent piano work by Bob Welch. Wrapping the release is Back Down South with a swampy Muddy Waters feel. Saturated harp tones by Von Herzon really gives this track heat and Atkinson's vocals confirm this excellent closer for a really strong release.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Wednesday, March 27, 2019

Severn Records artist: Big Joe and the Dynaflows - Rockhouse Party - New Release Review

I just had the opportunity to review the most recent release, Rockhouse Party, from Big Joe and the Dynaflows and it's super. Opening with super shuffle, Driving Wheel, Big Joe Maher on lead vocal and drums sets the pace with Tom Mookie Brill on bass, Kevin McKendree on keys, and Yates McKendree and Robert Frahm on guitars. A low slung blues rocker, this track is an excellent opener. Excellent guitar phrasing, coupled with powerful lead vocals on So Mean To Me makes it a real standout. Brill takes the lead vocal on slot on Eight Men and Four Women and his vocals are out of sight. This track, with warm key backing by Kevin, and vocal backing by Erin Coburn is excellent! Guitar shuffle, Overdrive is an excellent showcase for the McKendrees with nice phrasing and great pace. Uptempo Go With The Flow, is a real toe tapper with hot riffs and solid vocals. On Vibrate, a rockabilly romp, guitar flurry and stylized  vocals give this track high power. Wrapping the release is easy flowing, slow blues, Two Years of Torture. Big Joe's vocals are sweet and Kevin's piano work super. Rich lead guitar lines and chords give the track nice depth. This is a real nice closer for a surprisingly good release.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode


“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Tuesday, March 26, 2019

Gail Gunnis & The Dirty Roosters - New Release Review

I just had the opportunity to review the most recent self titled release from Gail Gunnis & The Dirty Roosters and it is a mix of classic blues artists with the bands cool personal arrangements. Opening with Freddie King's I Love You More Everyday, Gail Gunnis leads the way on vocal, backed by Fabio Parovel on guitar, Paul Kidd on sax, Chris Rooney on bass and Duncan McBain on drums. Solomon Burke's Cry To Me is up next with a great R&B feel. Pat Carey steps up with a rich sax solo and McBain's tight drums give the track just the right snap. Ann Peebles' I Can't Stand The Rain is one of my favorite tracks on the release with some of Gunnis' best vocals and a thumping bass line by Rooney. Another cool sax solo by Carey sets the track off nicely. Hot R&B track,  I Know, is a great track to pull out of the hopper with a super beat. again Carey is featured on sax and again, nice job. Since I Fell For You, another classic soul track written by Buddy Johnson, is one of the nicest showcases for Gunnis with smooth vocal lines and rich sax echo by Kidd and clean guitar soloing by Parovel. Wrapping the release is Jimmy Reed's My Bitter Seed with light electric rhythm and Robert Davis on harmonica. Real nice closer for a solid release. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

https://www.facebook.com/DirtyRoosters/videos/441021792774675

Monday, March 25, 2019

Provogue artist: Walter Trout - Survivor Blues - New Release Review

I just had the opportunity to review the most recent release, Survivor Blues, from Walter Trout and it's his most mature and cohesive release to date. Opening with powerful slow blues number, Me, My Guitar and the Blues Trout is back locked and loaded. I love his command of the volume swell, using it like an old master, making his guitar cry like a baby and his prasing is magical. With Michael Leasure on drums, Johnny Griparic on bass and Skip Edwards on keys, this is a terrific opener. On Woman Don't Lie, it's a slink funky beat that gives this track traction.Trading lead vocal with Sugaray Rayford and adding Teddy Andreadis on Wurlitzer really sets this one up or a guitar slam and Trout is all over it. Gone are the days of cramming every note into one measure and real feel and biting riffs carry this track high. Shuffle track, Please Love Me has great feel and tension with relaxed riffs with excellent punctuation work on a heavily pumped up BB King like style. Red Sun is a drum driven blues rocker with excellent bass lines by Griparic and relentless guitar soloing by Trout. very strong. Elmore James' Something Inside Of Me is one of my favorite tracks on the release with both sensuous blues attack and explosive note full barrages giving the track really nice dynamics. Very nice. Otis Rush's It Takes Time has super pace and allows Trout space to lay down some really nice solo lines. There's no question that he's laying it all out here. Robbie Krieger (The Doors) is featured on slide on Mississippi Fred McDowell's Goin' Down To The River and lays down smooth, mellow and cohesive blues riffs. Very nice. Wrapping the release is J.B. Lenoir's God's Word and Trout sings the words like he wrote them. Sounding very personal and focused while singing the lyrics he puts his shoulder into the guitar solo, driving hard and soaring with reckless abandon. Excellent closer for a very strong release. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

 

Friday, March 22, 2019

Big Daddy T - Judas Goat - New Release Review

I just had the opportunity to review the most recent release, Judas Goat from Big Daddy T and it's interesting. Opening with Let It Burn, a contemporary take on Chicago blues, finds Tony (Big Daddy) Wisler on bass and lead vocal with nicely expressed harmonica work by Johnny Pie, electric guitar by Billy Burke, Hector Herrera and K.C. Igler, and drums by Joe Chellman. Cool opener. With a more traditional look on the blues Burke pulls out the slide and strokes some really nice work on Nothing Left To Do But Cry with Big Daddy on lead vocal. Very nice. A sultry Latin rhythm drives Jockey Full Of Bourbon with full organ support by Stan Harrison, solid vocals and snappy guitar lead. With New Orleans overtones, God's Not Dead features tight drum rhythms, piano lead by Crystal Chavez and nice clarinet soloing by Joe Di Fiore. Rocker, Good Time Jake has a quick pace and slick, country like guitar picking giving this track that special something. One of my favorites on the release is slower blues ballad, Simon Pure Labrick Blues with supple vocals, piano and soulful guitar lead. Rich harmonica work by Pie adds some really nice spice to an already cool track. Wrapping the release is title track, Judas Goat a cool, rhythmic blues track with wailing harp. I really like the airiness of the track with the heavy bass/drum bottom under Big Dady's vocals. Although not Alvin Lee's guitar work, this track puts me in mind of early TYA music which I really like. Excellent closer.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Thursday, March 21, 2019

Stony Plain Records Sets May 17 Release Date for "Ear Worms," the New Album from Award-Winning Guitarist Duke Robillard





Stony Plain Records Sets May 17 Release Date for

Ear Worms, the New Album from Award-Winning Guitarist Duke Robillard



WATERDOWN, ON – Stony Plain Records announces a May 17 release date for Ear Worms, the new album from two-time Grammy nominee and multi-Blues Music Award winning guitarist Duke Robillard, which will be available in both CD and vinyl formats.



Here’s a link to pre-order the album, which also includes a special advance listen to “Don’t Bother to Steal Her Love:” http://smarturl.it/earworms



Ear Worms was conceived as an album of songs that I heard and was attracted to growing up,” says Duke Robillard about the new disc’s genesis. “They are not of one particular genre or style, but rather songs I heard in my pre-teens to my later teens, with the exception of a few songs which I threw into the mix to round out the overall album vibe; sounds that stuck in my head, in many cases before I knew what the blues was. I guess you could call them ‘ear worms.’ It can be a song you can’t get out of your head because you love it so much, or it can also be a mundane piece of drivel that haunts you like a bad dream. Hopefully, if these songs become ear worms for you, they will be good ones!”

Produced by Robillard and recorded at Lakewest Recording and Duke’s Mood Room, Ear Worms features Duke (guitars, vocal) and his long-time band: Bruce Bears (piano, Hammond organ); Brad Hallen (acoustic and electric bass); and Mark Teixeira (drums). Both Bears and Teixeira also sing lead vocal on one track each. Joining them on the sessions, besides some stellar additional musicians are several special guest vocalists: Chris Cote, Sunny Crownover, Mark Cutler, Julie Grant, Dave Howard and Klem Klimek.



The track listing for Ear Worms features a Duke-penned original, the rollicking “Don’t Bother Trying to Steal Her Love,” that kicks off the album in grand style, followed by a dozen songs –  some well-known, others not so much - including “Living with the Animals,” “I Am a Lonesome Hobo,” “Sweet Nothin’s,” “Dear Dad,” “Yellow Moon,” and “Yes We Can.” The repertoire demonstrates the breadth of Robillard’s skill and knowledge of so many styles of music.    

Duke Robillard tells a particularly interesting story about one of the tracks on the new album.    “‘Everyday I Have to Cry Some’ is a song written by Arthur Alexander that was additionally recorded by Steve Alaimo and Dusty Springfield,” he says. “There was another great young pop singer creating hits in England in the ‘60s named Julie Grant who also recorded it. She had many wonderful and successful records at a very young age. It so happens that for quite a few years Julie worked as a booking agent for one of the nearby casinos in Connecticut. One day we were talking, and she revealed that she was a British pop singer, so I googled her and was blown away by what a great singer she was, with a long list of hit records! So, this wonderful British lady that I had known for several years was a star and a fabulous vocalist! ‘Everyday I Have to Cry Some’ was a song I always loved and Julie’s version of it is my favorite. I took a chance and asked her if she would record it for this album. We recorded a few takes and spent the rest of the afternoon sipping wine and listening to stories of her teenage years in London: double dates with Paul McCartney and Jane Asher; stories about the Rolling Stones opening a tour for her; and so many other memories. I had wanted to put Julie and Sunny Crownover together for this and it worked out wonderfully. It was a ball to make the guitar arrangement for this song. We really worked at capturing the ‘60s vibe of Julie’s record while making it ours at the same time. I do hope everyone enjoys the ‘60s ‘wall of sound’ vibe here.”


Robillard cites several reasons for the inclusion of certain songs on the new album. “First of all, a large part of my musical make-up is from the production side,” he volunteers. “Since I was as young as 10 years old, the sounds on recordings always captured my imagination. ‘Why did they fade out at the time they did? How did they get that sound? Why does the reverb come up as the song fades out?’ Production was a mystical thing to me. Even though I had no idea what producers and engineers did, my ear was tuned in to a recording’s sound and the way the music and sound made me feel.

“When I was a young boy at the age of 10 to 12, my brother’s collection of the latest rock and roll singles of Chuck Berry, Fats Domino, Little Richard, Elvis, Buddy Holly, Bill Haley, etc. were my strongest influence, along with Hank Williams. “We are talking about the late ‘50s/early‘60s, and AM radio was still the way you heard music on the airwaves. I find it amazing what was played on the air in those days. I remember hearing Slim Harpo’s ‘Scratch My Back’ on AM radio in Rhode Island. I can still recall where I was, who I was with, and how that sound just went through me like a bolt of lightning! I am a believer that all music that you hear affects you in some way, so by about 1970 I started steering away from pop/rock music for a long period, preferring not to be influenced by anything but the blues and jazz from the ‘30s, ‘40s and ‘50s. That part of my life created the purist part of me.”

Peppered in with all the vocal-track songs are several instrumentals, showcasing Duke’s unique takes on “Careless Love,” “Soldier of Love,” “Rawhide” and “You Belong to Me,” with “Rawhide” having a special affection from Robillard. “‘Rawhide’ is my tribute to one of my heroes, Mr. Link Wray! Just pure unadulterated Rock and Roll here friends; nothing more, nothing less. I played this song in many early bands and even in Roomful of Blues on a few occasions. It never fails to rock!”



Since starting his musical career in 1967 by founding and fronting Roomful of Blues, Duke Robillard has been at the forefront of Blues, Swing and classic R&B/Jump blues for over 40 years, earning him his legendary status while influencing and inspiring countless legions of musicians and fans worldwide. Leading his own group, Duke has toured non-stop for the past 30-some years, recording more than 30 critically acclaimed CDs under his own name. He has toured as a guitarist with Tom Waits and the Fabulous Thunderbirds and recorded with the likes of Bob Dylan, Ruth Brown, Jay McShann, Pinetop Perkins, Kim Wilson, Jimmy Witherspoon, Rosco Gordon, Maria Muldaur and many more.



“Robillard is a soloist of stunning force and originality” – The New York Times

“Most everything Duke Robillard has done as a guitarist during the past four-plus decades bears witness to his musical intelligence and his dedication to his craft.” - DownBeat





Duke Robillard Tour Dates

3/22                       The Funky Biscuit                                                             Boca Raton, FL
3/23                       Center for the Arts                                                          Bonita Springs, FL
4/4                         Zeiterion Performing Arts Center                             New Bedford, MA
4/11                       The Iridium                                                                         New York, NY
4/12                       Zlock Performing Arts Center                                     Newtown, PA
4/26                       Iron Horse Music Hall                                                     Northampton, MA
4/27                       German American Cultural Society                           Pawtucket, RI

Additional dates forthcoming ….

Glenco Records artist: Glen Clark - You Tell Me - New Release review

I just had the opportunity to review the most recent release, You Tell Me, from Glen Clark, and it's a solid set of low key country fused R&B style tracks. Opening with title track, You Tell Me, Glen Clark leads the way on guitar and vocal, backed by John Bryant on drums and vocals, Jim Milan on bass and vocal and Sam Swank on guitar for a solid radio bound country style track. Cool opener. Kicking into real R&B flavor, Accept My Love pulls in Jim Foster on trumpet and Ron Jones on sax with a cool melody and nice electric keys by Clark. Walk On has a definite radio feel with a great melody and strong vocals, supported by Clark on keys, James Pennebaker on guitar and Pat Peterson and Benita Aterberry providing rich backing vocals. Very nice. One of my favorite tracks, When The Time Is Right, has a funky blues feel with stinging guitar riffs and a great beat. Wrapping the release is up tempo pop track, That's Where You Come In with Clark out front on vocal and organ, backed by Swank's guitar work and solid bottom by Bryant and Milan. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Tuesday, March 19, 2019

Paul Nelson - Over Under Through - new release review

I just had the opportunity to review the most recent release, Over Under Through, from Paul Nelson and it's interesting. Opening with Go Down Ezekiel, a floating track with solid but JJ Cale like vocals by Nelson, seductive slide work by Kevin Barry and tom tom by John Sands, this is a real nice opener. My choice for radio track on the release is Secret with a really nice melody and vocals and nicely interwoven guitar and steel guitar parts over light snare drum. My favorite track on the release is an interpretation of Johnny Cash's I Walk The Line with a remarkable arrangement, nice vocal harmonies with Kristin Cifelli, Ellis Paul and Nickie Fuller and reverb saturated guitar. Excellent! Lumbering rocker, Silent Majority, has a really nice feel with solid vocals and a super arrangement. This track, again with superior vocal qualities and rich guitar backing make it an ideal radio track. Wrapping the release is somber ballad, There Is Weeping, with Nelson singing upfront with only a minimal of rich guitar dressing. This is a really nice track and a solid closer for a solid release. 

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE