Shemekia Copeland's OUTSKIRTS OF LOVE Set For September 11 Release

SHEMEKIA COPELAND'S OUTSKIRTS OF LOVE

SET FOR SEPTEMBER 11 RELEASE

Shemekia’s a ball-of-fire vocalist with a voice that’s part Memphis, part Chicago and all woman… devastatingly powerful. She’s a great singer, period.

--Chicago Sun-Times

Shemekia captures the timelessness of the blues while spinning it forward with remarkable maturity.

--USA Today

Alligator Records has set a September 11 street date for Outskirts Of Love, the genre-smashing new release from trailblazing vocalist Shemekia Copeland. With a voice that is alternately sultry, assertive and roaring, Shemekia’s wide-open vision of contemporary blues, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach. Whether she’s belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else. The Chicago Tribune said Copeland delivers "gale force singing and power" with a "unique, gutsy style, vibrant emotional palette and intuitive grasp of the music." NPR Music calls her “fiercely expressive.”

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic, performing roots rock, Americana, and blues with power and authority, nuance and shading. Produced by The Wood Brothers’ Oliver Wood, Outskirts Of Love is a musical tour-de-force, with Copeland rocking out on the title track, taking charge in Crossbone Beach, honoring her father, the late Johnny Clyde Copeland with her Afrobeat-infused take on his Devil’s Hand, tackling homelessness on Cardboard Box and showing off her country swagger on Drivin’ Out Of Nashville. She puts her stamp on songs made famous by Solomon Burke (I Feel A Sin Coming On), Jesse Winchester (Isn’t That So), Sonny Terry and Brownie McGhee (The Battle Is Over), Creedence Clearwater Revival (Long As I Can See The Light), ZZ Top (Jesus Just Left Chicago), Albert King (Wrapped Up In Love Again) and Jessie Mae Hemphill (Lord Help The Poor And Needy). Friends including Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart, Will Kimbrough and Pete Finney all add their talent with unbridled enthusiasm. The result is Copeland’s most decidedly contemporary and musically adventurous album of her still-evolving career.

When Shemekia first appeared on the scene at age 18 in 1998 with her groundbreaking debut CD, Turn The Heat Up, she instantly became a blues superstar. Critics from around the country celebrated her music as fans of all ages agreed that an unstoppable new talent had arrived. News outlets from The New York Times to CNN took note of Copeland's talent, engaging personality, and true star power. She followed up with 2000's Grammy-nominated Wicked, 2002's Talking To Strangers (produced by Dr. John) and 2008’s The Soul Truth (produced by Steve Cropper). In that short period of time, she earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. Two highly successful releases on Telarc (including 2012's Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR's All Things Considered, "embodies the blues with her powerful vocal chops and fearless look at social issues." USA Today says, "Copeland is a singer with fervor and funk, power and range.”

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She is a mainstay on countless commercial and non-commercial radio stations. She's sung with Eric Clapton, Bonnie Raitt, B.B. King, Buddy Guy, Mick Jagger, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “f*cking amazing.” Santana says, “She’s incandescent…a diamond.” At the 2011 Chicago Blues Festival, the City of Chicago and the State of Illinois officially declared Copeland to be “The New Queen Of The Blues.” In 2012, she performed at the White House for President and Mrs. Obama. Afterward, Jagger (with whom she sang) sent her a bottle of champagne.

With Outskirts Of Love and a packed tour schedule, Copeland has her eyes fixed firmly on the future as she continues to break new musical ground. "I want to keep growing, to be innovative," she says. “I’m a lifer, singing about things that bother me, using my music to help people. My dad always said ‘we’re all connected.’ I’m an old soul marching to the beat of my own drum,” she continues, “And right now I’m making the most exciting music of my career.”

New video from dynamic roots artist!

NEW VIDEO FROM VICTOR WAINWRIGHT! "Stop Bossin' Me Baby" first release from the new Boom Town CD Blind Pig Records has released "Stop Bossin' Me Baby" as the first video from Boom Town, the new CD from Victor Wainwright and the WildRoots.  The Nashville Blues Society called the song "the tale of an overbearing lover right out of the Little Richard canon, a frenzied-pace stop-time rocker." To watch the video please click HERE. Wainwright, two time winner of the prestigious Blues Music Award as "Pinetop Perkins Piano Player of the Year," is a raucous, high-octane dynamic performer and a crowd pleaser with soul to spare. Boom Town is a tour de force of progressive roots music - high-octane boogie piano, big soul sounds, powerhouse blues, roadhouse rock, and stirring gospel  - highlighted by excellent songwriting and a unique and edgy sound that captures the energy of the band's live shows.  Upcoming Tour Dates: July 16 Panama City Beach, FL Panama City Beach Summer Music Series July 17 Birmingham, AL Ranelli's July 18 Merigold, MS Crawdad's July 19 Memphis, TN Levitt Shell at Overton Park July 23 Martinsville, VA Rives Theater July 24 Durham, NC Blue Note July 25 Washington, DC Madam Organ's July 26 Lake Harmony, PA Pennsylvania Blues Festival July 27 Ellicottville, NY Balloon's July 29 Tuscarawas, OH Canal House July 31 Woonsocket, RI Chan's Aug. 1 Damariscotta, ME Dam Blues Festival Aug. 2 Kingfield, ME Sunday Blues in the 1827 Barn Aug. 3 Rockland, ME Time Out Pub Aug. 6 Magnolia, DE Jonathan's Landing Aug. 7 Ellicottville, NY Balloon's Aug. 8 Ellicottville, NY Balloon's Aug. 9 Wheeling, WV Heritage Music Bluesfest Oct. 11 Daytona Beach, FL Daytona Blues Festival Oct. 24 Beverly, MA The Larcom Theatre

OUT FRIDAY 7/17: Blinddog Smokin' (Grammy Nominees--Best Blues) readies 'High Steppin''

GRAMMY-NOMINATED FUNK COLLECTIVE BLINDDOG SMOKIN’
MAKES HIGH-ENERGY ROOTS MUSIC
WITH HUMOR, DEPTH AND SOUL

High Steppin’ features wild-man raconteur Carl Gustafson’s epic tales plus eclectic sounds; reunites band with producer Donny Markowitz;
set for July 17 release date on Silver Talon Records exclusively
distributed by City Hall Records in tandem with The Orchard

LARAMIE, Wyo. — Blinddog Smokin’s larger-than-life new album High Steppin’ is a kaleidoscopic romp through the wild side of roots music. The disc’s nine songs ricochet from rock ’n’ roll to juke joint blues to New Orleans jazz to raw Americana, all supported by the band’s twin pillars: hot ’n’ greasy funk and frontman Carl Gustafson’s epic storytelling. High Steppin’ follows 2014’s Decisions, a collaboration with soul-blues legend Bobby Rush that earned a Grammy nomination for Best Blues Album. Decisions includes the song “Another Murder in New Orleans,” which enlisted another legend, Dr. John, to tell its tale of street violence. The tune was widely played on Americana and blues radio, and was used by the New Orleans Crimestoppers organization to raise awareness. Blinddog Smokin’s imaginative video for “Another Murder in New Orleans” mixes performance footage, cartoons and live action actors, and has received more than 110,000 views on YouTube. Blinddog Smokin’s 11th release, High Steppin’ kicks off with “Pimp Shoes,” an ebullient, percolating funk gem that displays the group’s spectacular ensemble.  “’Pimp Shoes’ is not about pimps or shoes,” says Gustafson. “It’s about attitude. When a man becomes the captain of his soul, and he’s mastered who he is, it comes out in his posture, in his pose, in his walk. That’s what that song’s about.” On a more literal note, there’s “Big Behind,” an ode to a lady’s posterior largess that straddles funky soul-blues, rock and — with its sweeping pedal steel guitar — honky-tonk country. High Steppin’ is set for a July 17th release date on Silver Talon Records exclusively distributed by City Hall Records in tandem with The Orchard.  “I Caught Her Lyin’” goes deeper into the country tradition to offer Blinddog Smokin’s version of a mountain lament — surrounding Gustafson’s heartbroken yarn with an Americana-perfect framework of crying violin, grinding guitar and his appealing worn-leather voice. “Lady’s Playin’” changes the locale to New Orleans. That song’s a Crescent City funk powerhouse, with bold horns, a scalding six-string solo and chanting group vocals that celebrate la difference. Similarly, “Don’t Put No Money on Me” — a wickedly funny loser’s lament — sounds like a drunken Mardi Gras street parade, while “Tell ’em Shuffle” is a straight-up Chicago blues. Blinddog Smokin’s marvelously eclectic sound and approach is the result of Gustafson’s literal and musical world travels. He and the band have toured the planet numerous times since 1994, putting more than a million road miles on their vehicles — which include Gustafson’s bicycle. “When we get to a new town, I like to take my bike off the bus and ride the backstreets,” he says. “When you travel the alleys, you learn about people. The front yard is for show; the backyard shows the way they live. And when I run into old-timers, I stop and listen to their stories.” Gustafson, who describes himself as an adventurer and philosopher, has plenty of tales of his own. And his book It Ain’t Just the Blues, It’s Showtime: Hard Times, Heartache and Glory Along the Blue Highway chronicles Blinddog Smokin’s experiences on the road.  “I come from a time before television, when telling stories was part of the fabric of life,” he offers. “So I’m a songwriting machine. I’m constantly coming up with new lyrics and our producer and friend, Donny Markowitz, has provided much of the music based on his skills and his knowledge of how we think and play as a band.” That knowledge is deep. Markowitz is the Oscar-, Grammy- and Golden Globe-winning writer of the song “(I’ve Had) The Time of My Life” and the composer of soundtracks for the hit Steve Carell film Crazy, Stupid, Love and many others. And High Steppin’ is the third album in a row he’s produced for Blinddog Smokin’. “We didn’t hit our stride in the studio until we started working with Donny,” Gustafson says. The other essential ingredient to Blinddog Smokin’s broad stylistic mastery is the ability of its players. The core members of the group comprise one of the finest modern bands in American roots music. Dynamic drummer and vocalist Chuck Gullens started with the Blinddogs in 1994 in Laramie, Wyoming, shortly after Gustafson and the band, then named Bluestone, returned from traveling the Middle East and Mediterranean, playing for troops on a 49 day DOD tour. Versatile bassist Roland Pritzker joined in 2000, followed by keyboardist and exceptional vocalist, Mo Beeks — whose own, earlier band, Lock & Chain, gave R&B singer Chaka Kahn her start back in 1972. In 2009 came back-up singer and bassist Chris White, and virtuoso guitarist Chalo Ortiz also entered the fold, followed quickly by backing vocalist Linda Gustafson, who plays feminine yin to her husband’s hot-dogging, high stepping yang in concert. “I couldn’t ask for a better group of performers to share the stage with,” says Gustafson. “They can go anywhere at any time, and get along, and that’s a rare thing in any style of music.”  Gustafson’s own musical tale begins in Laramie, his hometown. “My first exposure to blues was hearing Willie Dixon,” he recounts. “My parents went to a little club outside Cheyenne, and my brother and I — we were six and eight years old — stayed in the car. When we heard the music, we were absolutely fascinated by it, so we peeked in the windows. Then I started sneaking around listening to blues whenever I could. I had to sneak, because my father was a classical pianist and said the blues was ‘Satan’s music’ and ‘not culturally acceptable.’ He’d only gone to the club to socialize with relatives.   “When I was 16 I ran away from home,” Gustafson continues. “There was a little after-hours café down by the railroad tracks called the Pic-a-Rib. I went down there and lived with a black boy I played football with, whose mother, Miss Peggy, ran the café. I stayed with them, hiding from my mom and dad, and I learned how to appreciate blues. I learned how to dance. I learned how to sing. It was a really cool, isolated pocket, of black culture in a completely white conservative environment.” Gustafson says that High Steppin’ reflects those early life lessons and the myriad others he’s learned along the way. “This album shows me as a philosopher; as somebody who analyzes life and adjusts from honest vulnerability to establish a fun swagger. There’s a journey here that can only happen to an introspective person who loves life, people, stories, and never believes that you have to stay in the station where you are. And until the day I die, I plan to grow as an artist and storyteller.” BLINDDOG SMOKIN’ TOUR DATES Wed., June 24 PHOENIX, AZ The Rhythm Room Thurs., June 25 NEW ORLEANS, LA Old U.S. Mint Mon., June 29 CHICAGO, IL  Martyr’s Fri., July 3 OKLAHOMA CITY, OK  Bourbon Street Sat., July 4 MCPHERSON, KS Fri., July 10 LARAMIE, WY  Jubilee Days Sat., July 11 LARAMEE, WY Jubilee Days Tues., July 14 OVERLAND PARK, KS Kanza Hall Thurs., July 16 JACKSON, MS  Underground 119 Thurs., July 23  TORONTO, ON  Hard Rock Café Thurs., July 30 RAWLINS, WY  Rawlins in the Park Fri., July 31 LARAMIE, WY  Alibi Sat., Aug. 8  ROCK SPRINGS, WY Blues & Brews Festival  Thurs., Aug. 13 THEMOPOLIS, WY  Fri., Aug. 14 CASPER, WY  The Attic Sat., Aug. 15 SINCLAIR, WY  Platte River Festival Sun., Aug. 16  CENTINNIAL, WY  Bear Tree Sun., Sept. 6  LARAMIE, WY  Snowy Range Music Festival Sat., Nov. 15  HIGH POINT, NC High Point Theatre