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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Saturday, November 5, 2011

Robert Nighthawk


Robert Lee McCollum (November 30, 1909 – November 5, 1967) was an American blues musician who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk.
Born in Helena, Arkansas, he left home at an early age to become a busking musician, and after a period wandering through southern Mississippi, settled for a time in Memphis, Tennessee where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learnt to play slide guitar, and with whom he appeared on the radio in Jackson, Mississippi.

After further travels through Mississippi, he found it advisable to take his mother's name, and as Robert Lee McCoy moved to St. Louis, Missouri in the mid 1930s. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois as well as recordings under his own name, including "Prowling Night-Hawk" (recorded 5 May 1937), from which he was take his later pseudonym.

These sessions led to Chicago blues careers for the other musicians, though not, however, for McCoy, who continued his rambling life, playing and recording (for Victor/Bluebird and Decca) solo and with various musicians, under various names. He also became a familiar voice on local radio stations; then Robert Lee McCoy disappeared.
Within a few years, he resurfaced as the electric slide guitarist Robert Nighthawk, and began recording for Aristocrat and Chess Records, the latter of which was also Muddy Waters' label; in 1949 and 1950, the two men's styles were close enough that they were in competition for promotional activity; as Waters was the more marketable commodity, being more reliable and a more confident stage communicator, he received the attention. Though Nighthawk continued to perform and to record, taking up with United and States 1951 and 1952, he failed to achieve great commercial success.

In 1963, Nighthawk was rediscovered busking in Chicago and this led to further recording sessions and club dates, and to his return to Arkansas, where he appeared on the King Biscuit Time radio programme on KFFA. As late as 1964, Nighthawk could be found playing on Chicago's, Maxwell Street. He had a stroke followed by a heart attack and died of heart failure[ at his home in Helena.

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Tut Taylor Instrument Collection


I know a lot of you are musicians and love the technical stuff that I have presented. Tut Taylor as I have posted in the past is possibly the best Resonator (Dobro) player on the planet. He has played on numerous recordings along with his own. We are fortunate that he has made a few videos illustrating his collection. I really dig this! I hope that some of you do as well

Enjoy!
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Friday, November 4, 2011

Step it Up and Go - Boo Hanks


Boo Hanks, a descendant of Abraham Lincoln on his mother’s side, is the greatest Piedmont Blues rediscovery in many years. He sings and plays guitar in the style of the legendary Blind Boy Fuller. At the age of 79, he made his first recording and at 82 he has enjoyed performances around home as well as Lincoln Center and Belgium.

Born: April 30, 1928
Repertoire Summary: Acoustic Blues
Current Location: Virgilina, VA

More about Boo:
James Arthur “Boo” Hanks is an acoustic Blues guitarist, who began 75 years ago, with roots in the Piedmont string band and Blues traditions. He saved money for his first guitar by selling packets of garden seeds and it was with this guitar that he began picking out the same old-time songs he heard his father playing after long days in the tobacco field.

As a young man in the 1940s, Hanks earned pocket change playing guitar at barn dances with his cousins accompanying him on mandolin and spoons. His rich musical repertoire reflects his multi-ethnic heritage (his ancestors were white, African American, Ocinneechee Indian and family folklore believes they are descendants of Abraham Lincoln’s mother Mary Hanks.)

Today, Boo Hanks lives in Virgilina, Virginia, just over the North Carolina border, a stones throw from the rolling hills where he was born. Drawing from the deep musical well of his region, Boo Hanks showcases his virtuosity in the driving time and delicate finger-style guitar of the classic Piedmont Blues made famous by Blind Boy Fuller.
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Stains of Blue



Here's a cool new band I just came across. They have a unique sound. I really like it. I hope some of you do as well.Solna, Stockholms län, SE

Stains of Blue är Sveriges musikaliska fanbärare och egentligen för skickliga för det här gråtrïsta landet. Det är exakt så magnifikt som ni tror- Golvet fattar eld och från skyn faller grodor när vi rockar oss blodiga in i historieböckerna! Stains of Blue repade tidigare under namnet Reloaded i Granbackaskolans musiksal. När bandet sen signade upp sig på Black Sheep, en musikverksamhet för ungdomar, så var samtliga bandmedlemmar eniga om att ett namnbyte var aktuellt. Det var först inför en spelning på Råsunda Torg som bandet beslutade sig för att sätta spiken i kistan och hålla fast vid den senaste namnidén. Innebörden av "Stains Of Blue" betyder att bandet i grund och botten är väldigt influerade av blues-genren, vilket kanske inte framgår i bandets alla låtar
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Women Have A Way With The Blues - Coco Montoya


Coco Montoya (born Henry Montoya, October 2, 1951, Santa Monica, California) is an American blues guitarist and former member of John Mayall & the Bluesbreakers.
Montoya's career began in the mid 1970s when Albert Collins asked him to join his band as drummer. Collins took Montoya under his wing and taught him his "icy hot" guitar style. The two remained friends even after Montoya left Collins' band.

In the early 1980s John Mayall heard Montoya playing guitar in a Los Angeles bar. Soon after Mayall asked Montoya to join the newly reformed Bluesbreakers. He remained a member of the band for 10 years.
Montoya is left-handed but plays "upside-down right-handed" guitar. In other words he can play a guitar strung for right-handed playing, with bass strings at the upper edge of the fretboard and treble strings at the lower edge, rotating the guitar so he stops the strings with his right-hand and picks them with his left hand. Thus for him the treble strings are at the upper edge, and the bass strings are at the lower edge. Few other blues guitarists play their guitars left-handed and strung differently, although two exception would be Doyle Bramhall II and Albert King. This contrasts with the style of fellow left-handers Jimi Hendrix and Tony Iommi, amongst others, whose guitars are re-strung for left-handers or who just play left-handed guitars without restringing (which is of course nowadays a bit easier because of enough left-handed guitars available).

Most current pictures of Montoya playing show him with a guitar such as a Fender Stratocaster, with a left-handed body (a mirror image of the right-handed body), a neck and headstock typical of a right-handed Stratocaster, so the tuners are on the bottom edge for him, and the strings arranged "upside-down" relative to the left-handed body.
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New Verve Release :For True - Trombone Shorty : Review


I just got the new release from Trombone Shorty (Troy Andrews). Wow! This is a great recording! I was first introduced to this type of music on a TV show called Lonesome Pine Special a long time ago. I saw on there a band called the "Rebirth Marching Brass Band" and they were over the top. Little kids mostly playing this foreign blues/jazz/soul/funk music primarily on brass instruments and horns. It was incredible. We those little kids have grown up and we are now seeing the result of the seed that was planted on national television. Trombone Shorty has now put out this second release (his first,"Backatown" was "Grammy®-nominated in 2010)and it is an incredible mix of everything like a gumbo of blues, soul, jazz funk,hip hop and bounce. Andrews wrote or co wrote all 14 tracks on this recording and shows his deep roots and broad knowledge of musical styling. This release is like a non stop party. As on a lot of recordings there are a number of guest artists but the one who stands out in my mind is Jeff Beck.... Yeah...that Jeff Beck. As most of you know, Jeff beck is my main dude and it's hard for him to do any wrong! His playing stood out on Do To Me and it is immediately recognizable as him... but I got to tell you. My favorite of all the terrific tracks on this recording is the soul tune "Then There Was You" (I could swear D'Angelo is hiding in there somewhere).

Yes...you're getting two videos on this admission. The second video soundtrack does have Jeff's guitar solo but Jeff didn't show up for the video recording.
This is really great to listen to and you're missing out if you don't pick up a copy!


Really!!
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On Tour:
11/3 Charlotte, NC @ Visulite Theater
11/4 Asheville, NC @ The Orange Peel
11/5 Virginia Beach, VA @ The Jewish Mother
11/6 Carrboro, NC @ Cat's Cradle
11/8 Pittsburgh, PA @ The Rex Theater
11/9 Washington, DC @ 9:30 Club
11/10 Washington, DC @ 9:30 Club
11/11 New York, NY @ Terminal 5
11/12 Pawtucket, RI @ The Met
11/13 Philadelphia, PA @ Union Transfer
11/15 Amagansett, NY @ Stephen Talkhouse
11/16 Bridgeport, CT @ The Klein Memorial Auditorium
11/17 Toronto, Ontario, CA @ Opera House
11/18 Detroit, MI @ Saint Andrews Hall
11/19 Cleveland, OH @ Beachland Ballroom
11/20 Phoenix, AZ @ JW Desert Ridge Blues Festival
12/23 New Orleans, LA @ House of Blues
12/27 Aspen, CO @ Wheeler Opera House
12/28 Denver, CO @ Bluebird Theatre
12/29 Denver, CO @ Bluebird Theatre
1/9-1/14 Ft. Lauderdale, FL @ Jam Cruise 10

Born Under A Bad Sign - Michael Williams Band


Michael is a one of the few guitarist for the new generation who can truly claim to draw inspiration from a bloodline of Blues musicians. As a young boy, Michael grew up watching the performances of his father, Larry “Junior Medlow” Williams, considered a legend in the Texas Blues circuit for his performances throughout the 80‘s and 90’s. Michael embodies this past, yet blends his own soulful voice and commanding stage presence with passionate guitar playing. In early 2001, Michael moved to Seattle and formed the Michael Williams Band. He recorded and released his first full album in 2007. King of the Dead is a hard-hitting, Texas-blues album full of signature licks and rich tones in electric, slide and acoustic guitar. It was during this time that he laid the foundation for what is building today.
Latest CD music release, Fire Red, produced by Eddie Kramer.

Michael Williams is quickly gaining recognition among industry critics and guitar-loving enthusiasts as “one to watch” during discussions regarding the Next Great Blues Guitarist. Combing a mastery of traditional blues, soulful songwriting, dynamic voice, blistering licks, and intense performance energy, Michael is bridging the gap between the traditional blues lovers and younger fans. When he is joined onstage by Ryan Shea Smith (keys), Gerald “Tugboat” Turner II (bass), and Darin Watkins (drums), this powerful quartet is attracting major attention with a unique blend of blues-rock and powerful live-performances.

The Band is currently on the FIRE RED Summer 2011 CD Release Tour. Since June 2011, they have opened for Buddy Guy, Jonny Lang, Eric Johnson, & Robert Cray.
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B-Movie Boxcar Blues - Delbert McClinton


Delbert McClinton (born November 4, 1940) is an American blues rock and electric blues singer-songwriter, guitarist, harmonica player, and pianist.

Active as a side-man since 1962 and as a band leader since 1972, he has recorded several major record label albums, and charted singles on the Billboard Hot 100, Mainstream Rock Tracks, and Hot Country Songs charts. His highest-peaking single was "Tell Me About It", a 1992 duet with Tanya Tucker which reached #4 on the Country chart. He has also had four albums that made it to #1 on the U.S. Blues chart, and another that reached #2.

He was inducted into the Texas Heritage Songwriters Hall of Fame, in March 2011, along with Lee Roy Parnell, Bruce Channel, Gary Nicholson and Cindy Walker.
Delbert McClinton was born in Lubbock, Texas, United States, but relocated with his family to Fort Worth, Texas when he was age 11.
He worked in a bar band, The Straitjackets, who played backing to Sonny Boy Williamson II, Howlin' Wolf, Lightnin' Hopkins, and Jimmy Reed. McClinton recorded several regional singles before hitting the national chart in 1962, playing harmonica on Bruce Channel's "Hey! Baby."
On a subsequent package tour to the United Kingdom, McClinton instructed John Lennon on the finer points of blues harmonica playing
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Thursday, November 3, 2011

What An Attitude - KING MO


KING MO’s first and accidental gig was in September 2008. They started touring in April
2009.
Five experienced musicians, with an excellent vibe. Added together in
earlier bands they had already played numerous international festivals. Some
more then once. North Sea Jazz, Noorderslag, Moulin Blues, BRBF Peer,
Kwadendamme to name a few.

6 months after they started touring, after the summer ‘09,
the word was spread. KING MO was then considered by bookers, critics and crowds
as top of the bill ! The band was already headliner at major festivals like
Drijf-In Giethoorn.
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How You Want Your Rolling Done - Sonny Boy Nelson


He was born Eugene Powell, in Utica, Mississippi, the child of an interracial affair and his white father soon abandoned the family. His family soon moved to a plantation at Lombardy, near Shelby, Mississippi. Nelson learned to play the guitar by the age of seven. Together with his half brother Ben on a mandolin, Nelson began to play as a novelty act at picnics and suppers, and for prisoners at the Mississippi State Penitentiary. In 1915, his half brother, Bennie "Sugar" Wilson, may have been the inspiration for Nelson to learn the banjo-mandolin. Nelson became friends with the Chatmon family (see Sam Chatmon), as both families worked together on the Kelly Drew Plantation in Hollandale, Mississippi.

He later married fellow singer, Mississippi Matilda.

Nelson played many musical instruments, including banjo, guitar, harmonica, horn, mandolin, violin, and played lead most of the time when accompanied with another musician. Nelson's guitar was a Silvertone and he inserted an aluminium resonator into it similar to those found on the National guitar. He also fitted a seventh string, using the 12 string models as his inspiration. The extra string was a 'C' an octave higher than the conventional string. Later electric styles overhadowed his fame, and he went on to live a quiet life until his death.

Nelson died in November 1998, in Greenville, Mississippi, at the age of 89
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Bman's Exclusive Interview - King Hat Review


Bman:How did the King Hat Review project begin?

KHR:We got the idea to do this project about 5 years ago and started writing it about 2 years ago. Its all written and now rehearsals are beginning and we are in the studio to record the sound track CD. All of the performers you are about to meet are dear friends and creative collaborators of mine and are seasoned professionals who have shared the stage and recording studios with the biggest names in music. It’s an amazing cast of singers, musicians and dancers, Special effects and video artists.

Bman:Tell us in depth about the concept behind KHR.

KHR: It is a multi media stage musical that tells the story of American popular music and traces it’s history from where and when it all started. In the blues and folk blues that emanated from porches, bayou docks & juke joints in the deep south and with the help of a hand full of pioneer DJs spread all over the US and the world and has become the music we know and love today. Original American music, blues, Rhythm & Blues, jazz, rock & roll.

Bman:Who are some of the main principals (individuals) involved in the project?

KHR:
John Lee Williamson Co creator/producer-rhythm guitar-vocals
Bobby Bragg C Co creator/producer-lead guitar-vocals
David Morgan-Keyboards
Chantz Powell-vocals-trumpet-dancer
Ruby Etoile-vocals
David Chamberlian-Bass
Paul Brown Co-producer

Bman:Who are some of the musicians (past and present, alive and/or deceased) that have influenced KHR the most?

KHR: Jimmy Reed, Elmore James, Muddy Waters, Ray Charles, James Wee Willie Wayne, The Spiders, Clovers, Dixie Hummingbirds , Robert Johnson, on through the British invasion , George Thoroughgood, Buddy Guy, Gary Moore

Bman: Are there plans to take the KHR project on tour?

KHR: Tour will begin with a debut gala in Los Angeles and then tour across the US and travel to 15 major cities and then will tour Europe.

Bman: Anything else you would care to share with our readers about the King Hat Review?

KHR: The show begins with a huge on stage movie screen as a featurette tells the story of an archeological dig in the future where an old chest is unearthed and artifacts from the past are discovered. As the switch is turned on, on an old Victrola, the audience is launched back in time to the beginning of the era that gave us this music and the journey begins. The first act is all acoustic set on a dock in the delta and represents the era before this music was discovered by the DJs. The main character is forced to pawn his guitar and the show follows this guitar as it is handed down through each era and tells the story of the blues. The second act moves to a slightly electrified era of American Blues and continues on through the eras with reenactments of the DJs of each respective era as a guide. The show explores all the decade between the late 30s to present and show the influence that the blues has on all American popular music even today.

Bman: Thanks. I appreciate your time.
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Rock-it Science Nov 3, 2011 Playlist - Greg Lewis









Playlist Songs---SONG----ARTIST---ALBUM----



Every Day You're Running, King Mo, King Of The Town
Start: 20:01:00 End: 20:04:21 Duration : 3:21



The Last Open Road, Chris Rea, The Santo Spirito Blues
Start: 20:06:00 End: 20:10:19 Duration : 4:19



Crossroad, Demian Band, Tattoo'd Fish
Start: 20:10:19 End: 20:13:40 Duration : 3:21



That's Why I'm Living, Studebaker John & The Hawks, Between Life And Death
Start: 20:13:40 End: 20:19:34 Duration : 5:54



24/7, Savoy Brown, Voodoo Moon
Start: 20:24:34 End: 20:29:04 Duration : 4:30



Hellbound Train, Damon Fowler, Back On My Good Foot
Start: 20:29:04 End: 20:39:01 Duration : 9:57



Debris, Ian Mclagan & the Bump Band, Spiritual Boy
Start: 20:43:11 End: 20:47:06 Duration : 3:55



Good Question [Outtake], Pete Townsend & Ronnie Lane, Rough Mix [reissue]
Start: 20:47:06 End: 20:50:39 Duration : 3:33



Ongoing.., Snowy White & The White Flames, Realistic
Start: 20:50:39 End: 20:53:06 Duration : 2:27



Angel In a Black Dress, Jon Amor Blues Group,
Start: 20:53:06 End: 20:56:41 Duration : 3:35



Watch Out, PG's Fleetwood Mac, The Blues Years
Start: 20:56:41 End: 20:59:56 Duration : 3:15


hr 2 I Wish You Would, Stringbean & The Stalkers, leaflets Vol 2 2000-2006
Start: 21:01:56 End: 21:08:56 Duration : 7:00



Miss You, Dani Wilde, Shine
Start: 21:09:56 End: 21:15:07 Duration : 5:11



Melody, Bill Wyman & The Rhythm Kings, Collector's Edition Box Set
Start: 21:15:07 End: 21:19:15 Duration : 4:08



Love In Vain, Todd Rundgren, Todd Rundgren's Johnson
Start: 21:19:15 End: 21:22:45 Duration : 3:30



Stud Spider, Ian Siegal and the Youngest Sons, The Skinny
Start: 21:26:57 End: 21:32:27 Duration : 5:30



Roosevelt And Ira Lee, Tony Joe White, Tony Joe White...Continued
Start: 21:32:27 End: 21:35:31 Duration : 3:04



Cool Fool, David Bennett Cohen, Cookin' With Cohen
Start: 21:35:31 End: 21:40:51 Duration : 5:20



Speechless, Oli Brown, Heads I Win Tails You Lose
Start: 21:43:36 End: 21:48:08 Duration : 4:32



Get Back, S.Fish C. Taylor D. Wilde, Girls With Guitars
Start: 21:48:08 End: 21:51:29 Duration : 3:21



Can't Keep Living Like This, Joanne Shaw Taylor, Diamonds and Dirt
Start: 21:51:29 End: 21:56:41 Duration : 5:12



Feel Like Going Home, Cash Box Kings, Holler And Stomp
Start: 21:56:41 End: 22:00:00 Duration : 3:19

Bman's Exclusive Interview: Jimbo Mathus


Bman: Hi Jimbo.I first became aware of your work back in the early 2000's. I don't remember exactly when but I know that you were touring with Buddy Guy. I actually went to see Buddy with a fellow picker and you opened and I said "who is this guy". I mean you blew us away. We weren't expecting a great group cause in Arizona a lot of times the bigger acts don't bring along such talent. Later I realized you were also playing in Buddy's band as well. I think that you were playing an old Bobcat or something. I immediately went home and dug into your earlier releases, trying to figure out how I had missed you. I mean I have blues antennae all over and wow!! Enough about me. The Knockdown Society was a great band.

Are you still playing any songs from that band or are you all Tri-State Coalition now?


Jimbo:I PLAY A MIX OF MATERIAL GOING BACK TO THE "SONGS FOR ROSETTA" ALBUM, ALL THE WAY UP THROUGH THE CONFEDERATE BUDDHA. I USUALLY CUSTOMIZE MY SET LIST TO THE TYPE OF AUDIENCE I'M PERFORMING FOR.

Bman: Yeah. That makes a lot of sense with the diversity of your music. Back around 2004 or so I understand that you opened your own studio with great old gear. I am a big fan of non digital everything so I know where you're going there... tell me how opening the studio has changed your schedule. Does it require a lot of your time?

Jimbo: MY STUDIO IS CALLED DELTA RECORDING CO-OP. I PURCHASED MY BASIC RECORDING GEAR BACK IN THE 1990S WHEN SNZ (Squirrel Nut Zippers) STARTED RECORDING OUR OWN MUSIC. MY BASIC GEAR CONSISTS OF FOUR TELEFUNKEN PRE-AMPS FROM THE 1950S, AN RCA-77 RIBBON MIC AND AN RCA-44 RIBBON MIC.

Bman: You just can't get the rich sound from newer gear. I know that having the studio has got to be a lot of work but getting the right sound is a lot of the battle. Are you expanding the studio or are you keeping it small?


Jimbo: I HAVE USED THE SAME GEAR THE WHOLE TIME, HAVEN'T PURCHASED ANYTHING NEW IN QUITE A WHILE.

Bman: I notice from watching your schedule that you play a lot close to home. Can't blame you to not want to "live" on the road. Is that the thought behind the Ground Zero Club? I know you get a lot of great talent down there.


Jimbo:
CAN'T ANSWER, IN REGARD TO GROUND ZERO. IT'S NOT MY CLUB AND I DON'T DO ANYTHING THERE EXCEPT PERFORM. MORGAN FREEMAN AND BILL LUCKETT ARE THE OWNERS.

Bman: I appreciate that clarification. I thought that I had actually read that you were one of the partners.

I can imagine that as you traveled north there was a lot of confusion (like a foreign language) with your music until you hit NYC. It is really sophisticated and crafty. Is it getting through to middle America? I grew up there which is what raises the question.


Jimbo: I THINK MY MUSIC IS SLOWLY FINDING ITS AUDIENCE. MY MUSIC IS WRITTEN ABOUT THE SOUTH, SO SOUTHERNERS "GET IT" BEFORE ANYONE ELSE, BUT THAT'S NOT TO SAY I DON'T HAVE FANS FROM COAST TO COAST.

Bman: Oh, you definitely have fans across the country and overseas. I grew up in the Northeast around Pittsburgh and now live in the southwest. I have friends and readers in all corners.

The Tri-State Coalition is a bit of a change in direction from the Knockdown Society. All of your music has a common thread which to me is warmth and honesty. Tell me what you see the progression to be. How is it changing and where is it going?


Jimbo: THE MAIN DIFFERENCE BETWEEN THE KNOCKDOWN SOCIETY SOUND AND THE TRI-STATE SOUND IS THAT I'VE BROUGHT MORE OF A COUNTRY AND SOUTHERN ROCK INFLUENCE INTO THE MUSIC. I'VE ALWAYS LIKED TO MIX UP THE BLACK AND WHITE MUSIC AS I FEEL THAT IS WHERE MY TRUE SOUND LIES.

Bman: I can see that. A lot of the early blues musicians from the south have a lot of country influence (or vice versa). As music has become more available outside of regions, how music is perceived has changed considerably. Much of today's "country" music is more like "pop" than say Marty Robbins or Porter Wagoner and a lot of the "blues" has to be really polished and have a lot of notes in the solos to sell. I was watching some old Porter Wagoner shows on RFD the other day and thought "a lot of this has more kin to the blues than some of the stuff I hear today".

I can tell you're having a lot of fun with what you are doing but it's obviously very serious. You seem to be a very prolific writer. Are you working on new material right now?


Jimbo: I WRITE ALL THE TIME. I'M ACTUALLY WORKING ON NEW MATERIAL, GOT A NEW GROUP OF SONGS TOGETHER THAT I'M VERY EXCITED ABOUT. IT WILL DEFINITELY BE IN THE "BUDDHA" VEIN, WHICH IS COUNTRY-TINGED SOUTHERN ROCK WITH MORE STORYTELLING ELEMENTS.

Bman: That sounds great! I know I'm looking forward to it. I really like the new Confederate Buddha cd... "Who'll Sop My Gravy". How do you come up with something like that? I mean that is so on it!


Jimbo: GLAD YOU LIKE THE BUDDHA, BUT "SOP MY GRAVY" IS ON "SONGS FOR ROSETTA."

Bman: Yeah, I know. It was just a fleeting thought...something that occurred to me.

I started out as a kid listening to Duane Allman and found my way back through the blues to the Delta. Although I really like some of the newer style (polished) players, I really find a tremendous love for players like Skip James, Charley Patton and Robert Pete Williams. What is it about the south that breeds these sounds?


Jimbo: THE SOUTH IS A STRANGE AND BEAUTIFUL INTOXICATING MIXTURE OF OPPOSITES. ART IS BEAUTY, BUT THE ARTISTS YOU MENTION WERE A PRODUCT OF SLAVERY AND OPPRESSION OF AN ENTIRE CULTURE AND RACE. THAT IS NOW CALLED "THE BLUES." THOSE ARTISTS STROVE TO PURSUE THEIR MUSIC AGAINST EVERY POSSIBLE OBSTACLE. JUST BEING A "BLUES SINGER" PUT THEM EVEN OUTSIDE OF THEIR OWN SOCIETY. THEIR MUSIC MUSIC WAS "DEVIL MUSIC," RELEGATED TO LIQUOR AND WHOREHOUSE ENVIRONS.

Bman: Even your description of the music is poetic. Do you write your songs as a group or is it all composed in your head. I for some reason bet that you think... "the piano will play this here and I'll have this lick there" when you're penciling it in your head.


Jimbo: I WRITE AND ARRANGE ALL MY OWN SONGS WITH MY PARTICULAR BAND IN MIND.

Bman: Are there any photos of your studio that you might like to share with your fans. I was walking through a turn of the century cotton gin yesterday and I just dug the aesthetics. Now I'm sure that your studio is way cool but I just have this imagined notion that it is really raw... the way a guys place would be if there were no women.

Jimbo: YOU CAN CHECK OUT MY STUDIO, IN COMO MISSISSIPPI, IN MY VIDEO FOR "CONFEDERATE BUDDHA" -- PARTS WERE SHOT IN THE ROOM WHERE WE ALL RECORD.


Bman: Oh yeah. Now that you mention it I can see that. It never occurred to me. By the way I dig that "buckskin" jacket. I couldn't pull off the "Manuel" outfit though! Are you making your way out west again any time soon?


Jimbo: YES, THANKS FOR ASKING--HOPE TO MAKE IT OUT WEST SOMETIME IN THE SPRING OF 2012. BOOYAH.

Bman: We'll be waiting for an update and watching your schedule. I really appreciate your time.
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New Release: Live In Shanghi - Sam Hooper Group - Review


I just got a copy of Sam Hooper Groups new cd "Live In Shanghai". This recording is killer. This recording includes a few originals as well as a number of old blues standards and a few "classic" pieces. Sam takes a very broad look at the blues with a jazz, funk blues take with jaw dropping instrumentals. Only the Allman Brothers "Southbound" is even slightly predictable. I have been listening to this recording pretty much non stop for a few days and it's just great! Each song is a great opportunity for the extremely talented band to stretch out into long jam interludes. Now by long I don't mean boring. I mean intense and jam packed. Sam, who plays a mean guitar and sings is joined by Jordan Scannella on Bass and vocals (wow!!) and Akira Nakamura on drums. This band is really stacked and it really hits a groove!
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Peter Frampto kicks off the 35th Anniversary UK Tour at the Manchester Bridgewater Hall on Friday 11th November.

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Tickets on sale Thursday May 5th at 10am
National Ticket Hotline: 08700 603 777
Book Online: www.seetickets.com

Following his critically acclaimed new album "Thank You Mr Churchill", Grammy® winning guitarist and songwriter Peter Frampton will tour the UK this November in celebration of his multi-platinum-selling live album "Frampton Comes Alive!"

The tour will see Frampton perform the legendary double live album in its entirety. Tickets for the highly anticipated UK concerts will go on general sale Thursday May 5th at 10am.

click for hi res Photo Credit: © Denis O'Regan

The 3-hour show will feature a complete performance of Frampton Comes Alive! including the singles Baby, I Love Your Way, Do You Feel Like We Do and Show Me The Way, along with highlights from Frampton's extensive album catalogue.

Originally released in January 1976, Frampton Comes Alive! is one of the best-selling live albums in chart history. It spent a total of 10 weeks at the top of the American Billboard 200 and sold over 17 million copies worldwide.

click for hi res Photo Credit: © Denis O'Regan


National Ticket Hotline: 08700 603 777
Book Online: www.seetickets.com

Date:Friday 11 November 2011
Venue:Manchester Bridgewater Hall

Venue Box Office:0161 907 9000
Book Online:www.bridgewater-hall.co.uk
Venue Address:Lower Mosley Street, Manchester, M2 3WS

Date:Saturday 12 November 2011
Venue:Cambridge Corn Exchange
Venue Box Office:01223 357 851
Book Online:www.cornex.co.uk
Venue Address:Wheeler Street, Cambridge, CB2 3QB

Date:Sunday 13 November 2011
Venue:London Hammersmith Apollo

Venue Box Office:0843 221 0100
Book Online:www.hammersmithapollo.net
Venue Address:45 Queen Caroline Street, London, W6 9QH

Date:Tuesday 15 November 2011
Venue:Birmingham Symphony Hall

Venue Box Office:0121 780 3333 / 0121 357 0000
Book Online:www.thsh.co.uk
Venue Address:Broad Street, Birmingham, B1 2EA

Date:Wednesday 16 November 2011
Venue:Glasgow Royal Concert Hall

Venue Box Office:0141 353 8000
Book Online:www.glasgowconcerthalls.com
Venue Address:2 Sauchiehall Street, Glasgow, G2 3NY

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You Know I Love You - James Peterson


Born in Russell County, Ala., Peterson heard the blues early on while working at his father's juke joint, according to a biography posted on Answers.com.

Peterson took up the guitar after leaving home, and became a club owner himself in 1965, opening the Governor's Inn House of Blues in Buffalo, N.Y. Jimmy Reed, John Lee Hooker, Howlin' Wolf, Junior Wells, Koko Taylor, Muddy Waters and Buddy Guy were among the blues greats to play the club.

Peterson relocated to Florida in 1980 but had all but ceased performing by the mid-'80s.

His son, Judge Kenneth "Lucky" Peterson, though, a gifted guitarist, organist and singer, was active in the Tampa area, playing with Gene "Sarasota Slim" Hardage. The elder Peterson joined his son and Hardage onstage in 1987 or 1988, Hardage remembers.

"He had such a good time he came back the next week," Hardage says. "That was the beginning of James' involvement in Tampa's blues scene."

From then until he moved back to Alabama about five years ago, Peterson was a consistent presence on Tampa area stages, known for raunchy blues and energetic showmanship that found him walking through the crowd playing his cordless electric guitar, joking with audience members.

He also was beloved by area musicians who played in his band, sat in with him or were encouraged by him.

"He was he was always a great teacher," says George Harris, who runs Panda Studios in Clearwater. "Knowingly or not, MANY great artists owe him a debt we can only repay by passing it on."

Scott Peterson, no relation, of local blues act The Quivering Rhythm Hounds, played with James Peterson for the better part of a year.

"He kind of took me under his wing and allowed me to be his drummer when the Hounds weren't playing," Scott Peterson says. "I learned more about the blues in that year or so then any other time in my career. And I grew up on the south side of Chicago!"

Peterson's son, who grew up hearing his father and the blues greats who played at his nightclub, is a world-renowned player. A child prodigy who learned under the tutelage of blues giant Willie Dixon and jazz organist Jimmy Smith as well as his father, Peterson led bands for Little Milton and Bobby "Blue" Bland, before establishing his own solo career.
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ALLIGATOR RECORDS SIGNS AWARD-WINNING BLUES LEGEND JOE LOUIS WALKER

NEW ALBUM SET FOR JANUARY 2012 RELEASE


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Alligator Records is pleased to announce the signing of celebrated guitarist/vocalist/songwriter Joe Louis Walker, the man Blues Revue called "one of contemporary blues' most dynamic and innovative musicians, who releases consistently exciting music. No matter what he's singing, Walker's approach is soulful, heartfelt and spellbinding." According to Living Blues, he is "one of today's modern musical masters." Walker's Alligator debut will be released in January of 2012.

Alligator president Bruce Iglauer is thrilled to have Walker on board. "Joe Louis Walker is one of the most exciting and passionate bluesmen of his generation. He's a major talent whose music speaks to both blues and rock fans. We're excited to help bring his music to a larger audience than ever."

And Walker's in full agreement. "Alligator has clearly been one of the most important blues labels of our time and I am proud to say that I am an Alligator artist. I look forward to being part of the Alligator family."

Over his 27-year career, Walker has released 24 albums and toured worldwide. He won four Blues Music Awards, including the 2010 Album Of The Year Award for Between A Rock And A Hard Place (Stony Plain Records), and has been nominated for 43 more. He's also recorded as a guest with some of the blues world's best-known artists, including appearances on Grammy-winning records by B.B. King and James Cotton.

Joe Louis Walker was born in the Fillmore district of San Francisco on December 25, 1949. By the time he was 16, he was working the local club scene steadily as an in-demand guitar player. When Walker was 19 he befriended famed guitarist Michael Bloomfield. Bloomfield introduced Walker to many of the day's top rockers and helped push Walker's blues into a more rock-fueled direction. The two were close friends until Bloomfield's death in 1981.

In 1985 Walker released his debut, Cold Is The Night, on Hightone Records, his first of many outstanding albums. Firmly rooted in blues, gospel, R&B and rock, the album caught the attention of music fans everywhere. Over the course of the next 26 years, with each subsequent release, Walker's audience continued to grow, as his touring schedule continued to expand. He's played major European festivals, including Northsea Jazz Festival, Glastonbury, Notodden and Montreux, as well as festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil. He's appeared on national television, including performances on Late Night With Conan O'Brien, The Don Imus Show and Later With Jools Holland in the UK.
Fans and critics have been celebrating Walker for years. Living Blues said, "His fretwork is indelibly stamped with his own trademark blend of emotional heat and impeccable precision -- even at his most flamboyant, Walker sounds as if he's playing ideas, not just notes."

The New York Times raved, "Walker is a singer with a Cadillac of a voice. He delivers no-nonsense, gutsy blues. His voice is weather-beaten but ready for more; his guitar solos are fast, wiry and incisive, moaning with bluesy despair."
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Travelin' Bone - Dale Boyle


Dale Boyle is a Gaspé born, Montreal-based award-winning folk, country, and blues singer-songwriter. He has been called “One of the best to emerge from north of the border” (AmericanaHomeplace.com) and “an accomplished musician, a fine singer, and an exceptionally thoughtful, meticulous songwriter" (CanadianBlues.ca).

Dale's songs tap into a number of subject areas, from the out-of-work miner to the First World War veteran; the local bartender to the small town painter.

He is an International Narrative Song Competition Winner; Lys Blues Songwriter of the Year award Winner; Two-time Lys Blues Folk/Blues Artist of the Year award Winner; International Songwriting Competition and USA Songwriting Competition finalist.

Dale has appeared in the CBC ENJEUX documentary film Le Mystère Coffin and his music has been included in the Learning Landscapes online journal and the audio version of Daniel Levitin’s best selling book, The World in Six Songs: How the Musical Brain Created Human Nature.

His live performances reflect a casual demeanour, sense of humour, and storytelling approach also found on his solo acoustic recordings: In My Rearview Mirror: A Story From a Small Gaspé Town (2004) and his most recent, Small Town van Gogh (2007), which reached number 15 on the Euro Americana Chart.

Dale is also the founder of Song Routes (SongRoutes.com), an online magazine that explores the art of songwriting through feature interviews with established songwriters, producers, authors, etc.

Dale's PhD research at McGill University explores the role that music can play in teaching across academic disciplines and Dale teaches the McGill Education course, "Music Listening for Education."
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You know I Love You Baby - Lee Gates


Lee Gates has an incredible presence, standing well over six feet tall, his entire body draped with muscles from a life of hard work.

He also has Blues genes, since he’s a first cousin to Albert Collins. If Lee isn’t a true-Blue, Mississippi Delta Bluesman, then nobody can carry that moniker. He’s also a Luther Allison-style blues rocker from Pontotoc, Mississippi. Lee hasn’t had any of the breaks that many other less-skilled blues-rockers have had in spite of his blazing guitar work and good writing skills.

Lee Gates was born in Mississippi and moved to Milwaukee in 1959 as a teenager where he has been playing his brand of down home Blues for the past 50 years. Blues legend Albert Collins is his first cousin (although it wasn’t until ‘74 that Lee met him) and you can hear the family influence in Lee’s fluid guitar style and tone.

My daddy’s brother had a lot of kids out there in Texas. I never met them as a child, but we all knew of each other. When Albert came to Milwaukee I showed him around and we did some gigs together. Every time he came to town we would go out and eat supper together, he was a good friend to me.

In October of 2003 Lee called Music Maker and announced that he was coming to NC to make a MMRF CD. Tim Duffy, MMRF president, asked Lee to travel to Alabama to record with producer/drummer Ardie Dean. Two days later, Lee caught a Greyhound to Huntsville. Missing a layover in Nashville, Lee arrived early in the morning, went straight to the studio with Ardie and proclaimed the record done in three hours.

One must rejoice in the “happening” of Lee’s first CD, Lee Gates & the Alabama Cotton Kings, with MMRF, especially the glorious tone of his guitar. After performing for 52 years, Lee has finally started his recording career. Since his first album with Music Maker, Lee has recorded two more albums, Black Lucy’s Deuce & Touring with Lucy, released in September of 2009.
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Wednesday, November 2, 2011

Long Saturday Night - Terry Quiett Band


In last few years the Terry Quiett Band has logged 200,000+ miles and played
close to three-hundred shows across America’s Heartland. From 6th Street in
Austin to the Windy City of Chicago,they are mesmerizing audiences with their
original and contemporary blues-soaked sound. They also,pay their share of dues
(and tolls) traveling the Rocky Mountains of Denver, the blue grass of Kentucky
and on Beale Street in Memphis and every state in between, winning fans and
expanding their core grassroots audience with each performance.

In 2010 they entered the studio and recorded the album “Just My Luck” with
world renowned, Grammy-winning producer Jim Gaines(Stevie Ray Vaughan, Carlos
Santana,Steve Miller Band, George Thorogood,Luther Allison, Albert Collins)
taking their sound to an entirely new level.Hightone Music Group in Chicago
released it in June 2011. It debut at #21 on the Roots Music Report on Blues
Radio charts and maintained for 12 weeks.

Along the way the Terry Quiett Band has shared the stage with international
guitar legends including Jonny Lang, Robert Cray,38 Special,Doobie Brothers,
Edgar Winter,Kenny Wayne Shepherd,Walter Trout,Robin Trower, Tab Benoit, Eric
Sardinas,Albert Cummings,Robert Randolph and the Family Band, Bernard
Allison,Bugs Henderson,Big Head Todd and the Monters, and Devon Allman as well
as numerous talented regional artists.

Terry Quiett Band has a com­manding presence onstage and explodes every power
trio cliché by cutting a broad swath of striking original material from
haunt­ing Delta blues and sophisticated jazzy swing to chesty rock featuring his
flawless guitar technique and deeply soulful vocals. His latest release Just My
Luck, produced by the legend­ary Jim Gaines is a modern master­piece of highly
charged, blues-based music.~ Dave"Doctor Blues Man"Rubin

"...one of the hottest power-trio outfits on the scene today. They successfully
mix the blues of the Delta with the psychedelia of the Sixties...its apparent
that Terry Quiett is ready for much bigger things in the blues world, and "Just
My Luck" is an excellent starting point!!!"
-Sheryl & Don Crow, Nashville Blues Society

"...beautiful guitar work...the solos speak volumes a la Clapton and Larry
Carlton...this guy makes wonderful compositions and can sing beautifully. Yes
for me a big surprise this album, check it out."
-Frank van Engelen, Bluesmagazine.nl

"There is the rawness and beauty of windswept plains and harsh weather in his
unvarnished sounding vocals. Lucky in love hasnt been the hand dealt to
Quiett,but we are fortunate to hear the musical result."
-Doug Hill, The Norman Transcript

"...shows that blues/rock power trios can adapt to the 21st century without
relying on clichés by adding the versatility needed to deal with todays genre
bending times. Fun beer blast music that'll get every middle aged white running
to get his air guitar out of its case so he can jam."
-Chris Spector, Midwest Record Review
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