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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Friday, December 4, 2020

Whiskey Bayou Records artist: Alastair Greene - The New World Blues - New Release Review

 


I just had the opportunity to review the most recent release, The New World Blues, from Alastair Greene and it's a solid blues rocker. Opening with Living Today, a straight up blues rocker, Alastair Green is upfront on mic and lead guitar with Tab Benoit on drums and harmony vocal and Corey Duplechin on bass and backing vocal. Adding a cool funk (think Sly and the Family Stone) on Lies And Fear brings out a whole different flavor. With funky rhythm and really warm blended harmony vocals, this track is super. Benoit shows great drumming dexterity driving Greene's guitar soloing to a new place and Duplechin's bass work is spot on and tight. Excellent! With a dash of JJ Cale styling, When You Don't Know What To Do, is a solid rocker giving Green a wide open field to really punch it. His bluesy riffs balance nicely with Benoit's snappy drumming. One of my favorite tracks on the release is No Longer Amused with it's tight bluesy bottom and soulful guitar soloing by Greene. Very nice. Instrumental, Back At The Poor House is a really cool shuffle with Greene taking full reins in developing a solid groove. This is definitely a great ride. Another track with a strong bottom courtesy of Duplechin is Find Your Way Back Home with Greene carving out blues riff after blues riff. Super. With it's heaver blues rock approach, Alone And Confused is another favorite with excellent guitar runs, strong vocals and an overall gripping feel. Excellent! Wrapping the release is title track, The New World Blues, with it rock bottom and great slide vamp. Greene takes a looser approach both vocally and on guitar, not unlike Johnny Winter, on this track and he really lights it up. I really like this track and the release overall. 


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Monday, November 30, 2020

Al Gold - Al Gold's Paradise - New Release Review


 I just had the opportunity to review the most recent release, Al Gold's Paradise, from Al Gold and it's raw funky blues rock. Opening with That's My Baby, guitarist/vocalist, Al Gold is joined by Jerry Cordasco on drums, Mitch Eisenberg on guitar, Jared Gold on organ, Eric Heilner on piano and Baron Raymonde on bari sax. Cool opener. Shuffle, Paradise (Downhome), features Gold on slide guitar and Johnny Sansone on harmonica. Loosely crafted blues styling on Mr. Banker has the vitality of a Hill Country blues track that I really like with tight snare drumming and rhythm guitar riffs. Piano boogie, Got A Mind has Eric Heilner on keys and a hot bari solo by Raymonde complimenting Love's own guitar work and rowdy vocals. Smokin. My favorite track on the release is slow blues, Won't Sleep Tonight with it's glistening chords, soulful vocals and enchanted lead guitar work. Wrapping the release is cool, Latin infused, Maplewood Limbo. With it's cool guitar lead and tight drums and percussion, this is a great closer. 


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Friday, November 27, 2020

ZOHO Roots artist:Jay Willie & James Montgomery - Cadillac Walk - New Release Review

 I just had the opportunity to review the most recent release, Cadillac Walk, from Jay Willie & James Montgomery and it's tasty. Opening with Leiber and Stoller's Three Cool Cats with it's jazzy blues feel featuring Montgomery and Willie on vocal, Montgomery on harmonica, Willie on guitar, Paul Opalach on bass, and Bobby T Torello on drums. Solid opener. A more traditional blues take on the Stones' Satisfaction is pretty cool. With grittier guitar work by Willie and complimentary harmonica work by Montgomery takes this track from the rocky streets of England into the streets of Chicago. Very cool. Easy shuffle, Detroit Blues, has a solid groove and plenty of space for soulful riffs by Montgomery Willie. Very nice. High energy, Montgomery Boogie, is a smoking rock fused instrumental featuring Montgomery leading the way and hot accents by Willie on guitar. Johnny Winter's I'm Yours and I'm Hers gets a little bit of rock fused into a great blues track but maintaining the "Winter" slide style. One of my favorite tracks on the release, Willie fires it up and Montgomery fans the flames. Wrapping the release is another Winter track, Mean Town Blues, with that great blues rock pace and strong vocal delivery by Willie. He shows adept slide fluidity running through Winter's riffs and keeping the track ripping. Super closer. 


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Wednesday, November 25, 2020

VizzTone Label Group artist: Erin Harpe - Meet Me In The Middle - New Release Review

 I just had the opportunity to review the most recent release, Meet Me In The Middle, from Erin Harpe, and it's a cool, acoustic country blues release. Opening with self penned, All Night Long, Harpe on acoustic slide and lead vocal, backed by Jim Countryman on ukulele bass and backing vocals. With a slight boogie beat and a touch of swing, this is a cool opener. Sippie Wallace's Woman Be Wise is a great showcase for Harpe's vocals and her guitar work is clean and tight. Lucille Bogan, well know for her suggestive lyrics, penned I Hate That Train Called the M&O, and Harpe does a great job of delivering the goods with a powerful voice and tight blues riffs. On blues classic, Rollin' and Tumblin' Harpe hangs tight on slide over the thumping bass line of Countryman. A cool interpretation, possibly my favorite on the release. Geeshie Wiley's country blues track, Pick Poor Robin Clean, has a lot of spunk and piedmont playing, accompanied by Harpe on kazoo gives the track real spunk. Next up is Memphis Minnie's What's the Matter With the Mill, a great little track and Harpe delivers it nicely. With cool little acoustic riffs and pure vocals, the release is steady and cool. Wrapping the album is original track, One Fine Day, with super vocal harmonies and clean, crisp guitar picking. Solid closer for a solid release. 


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Tuesday, November 24, 2020

VizzTone Label Group artist: Danielle Miraglia - Bright Shining Stars - New Release review

 I just had the opportunity to review the most recent release, Bright Shining Stars, from Danielle Miraglia, and it's a solid contemporary acoustic blues release. Opening with original track, Sounds Like Home, Miraglia on lead vocal and acoustic guitar, backed by Laurence Scudder on viola has the sound of the delta. Ma Rainey's C.C. Rider has a strong country feel on a slow, guitar driven pace and accents by Scudder adds a real nice contrast. Janis Joplin's Turtle Blues shows Miraglia's own take on Joplin's style, blended with acoustic folk styling and some real tasty guitar chops. One of my favorites tracks on the release is Keb Mo's You Can Love Yourself with it's country blues style picking and with the addition of some real nice slide work by Peter Parcek. Bob Dylan's Meet Me In The Morning has reall nice dynamics with some of Miraglia's best vocals on the release. Her tight slide riffs add significantly to the feel of the track and Richard Rosenblatt's harmonica work is just right. Another cool interpretation is Tampa Red's When Things Go Wrong (It Hurts Me Too) with solid vocal and guitar soloing by Miraglia. Wrapping the release is s cool acoustic ballad, Bright Shining Stars, penned by Tom Bianchi. Pure vocals by Miraglia and a light touch on her guitar accompaniment make for a solid closer. 


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Monday, November 23, 2020

VizzTone Label Group artist: Ben Levin - Carryout Or Delivery - New Release Review

 


I just had the opportunity to review the most recent release, Carryout Or Delivery from Ben Levin and it's solid R&B and blues. Opening with You Know, a cool Chicago style  shuffle, Levin on piano and lead vocal nails it. Backed by Aron Levin on guitar, Chris Douglass on bass, and Oscar Bernal on drums, this is a hot opener. I really like Too Good For Me with it's electric piano sound and Levin's New Orleans styling. Very nice. With the phrasing of a key Elmore James track, Have You Lost Your Mind? has solid vocal delivery and with a strongly reinforced rhythm, super organ soloing. Instrumental, NOLA Night really captures the New Orleans sound with super piano and tight rhythms by Bernal. My Back Scratcher is a cool R&B track with a real Booker T feel reinforced by Levin on organ and tight rhythm from Douglass and Bernal. Papercut is another New Orleans R&B blues track with traditional, one note piano rhythm, single snare drumming and cool electric guitar touch from Aron Levin. Bill Nettles' Hadacol Bounce has a great boogie feel with New Orleans turnarounds and traditional vocal styling. A cool old track with new life. Wrapping the release is Floyd Dixon's Time Brings About A Change with it's soulful melody and featuring some of Levin's best vocals on the release, tightly cradled by the warm guitar lines of Aron Levin. Excellent closer. 


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Thursday, November 19, 2020

Slide Records artist: Paul Boddy & The Slidewinder Blues Band - Friends of Tuesday - New Release Review

 I just had the opportunity to review the most recent release, Friends of Tuesday, from Paul Boddy & The Slidewinder Blues Band and it's a cool rocking boogie release. Opening with Over The Hump, a cool rocker with attitude, featuring Paul Boddy on lead vocal and guitar. Chuck Hearne on bass, Glenn Hale on keys and Jim Bowman on drums. With it's firm straight ahead beat, it's a solid opener. Another solid blues rocker, Money on Love, has a cool country blues feel with strong vocal and slide work by Boddy and snappy drum rhythm by Bowman. With a southern rock swagger, Knock My Boots has plenty of kick and a JJ Cale energy. Bowman's tight drum rhythm and Boddy's slide work continue to set the theme for the release. Wrapping the collection is boogie shuffle, Pretty Kitty with a super bass line by Hearne and Mikey Jr. laying down some hot harp riffs. Hale steps up with some real nice electric keys and Boddy circles back with some cool blues guitar riffs making this a solid closer. 



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Wednesday, November 18, 2020

The McKee Brothers - A Time Like This - New Release Review

 I just had the opportunity to review the most recent release. A Time Like This, from The McKee Brothers, and it's bright and bouncy. Opening with How Can I Miss You Baby?, a cool swing blues with a taste of Lyle Lovett. With Denis McKee on lead vocal and guitar, Bobby West on keys, Bobby Watson on bass, Steve Stephens on drums, Lee Thornburg on trumpet, Doug Webb on sax and featuring Tim Douthit on harmonica, it's a cool opener. Soulful shuffle, It Is What It Is, has that easy swing feel that was so much a part of the Memphis sound. McKee, backed by Maxayn Lewis on vocal and with great work on keys by West really carries it nicely. With gospel overtones, Realize has a cool funky feel. The groove is really nice and strong lead work by McKee and backing vocals by Lewis, along with a little Latin spice and Thornburg and Webb's horn punctuation really makes this track one that stands out. With it's driving Fats Domino feel, Bluer Than You has that classic New Orleans piano rhythm and R&B vocal style. Joey Delgado adds some real tasty guitar work under easy shuffle, Putt Putt Hustler, complimented by Douthit's harmonica and the focused horn work by Thornburg and Webb really makes it shine. Rocker, Dawg, has a driving rhythm with Lewis' vocals more prominent and with some real nice slide work from Stan Budzynski and tight drums work by Stephens. Wrapping the release is radio track, Surreal Love, with it's vocal driven lead and smooth melody. Solid closer for a flavorful release. 


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Tuesday, November 17, 2020

Severn Records artist: Nora Jean Wallace - Blues Woman - New Release Review

 


I just had the opportunity to review the newest release, Blues Woman, from Nora Jean Wallace and it's packed full of soul. Opening with shuffle, Martell, Nora Jean Wallace (formerly Bruso) means business with her thick rooted voice. Backed by Johnny Moeller on guitar, Steve Gomes on bass, Kevin Anker on organ, Steve Guyger on harmonica, Stanley Banks on keys and Robb Stupka on drums, this track is a strong opener. With a strong dash or R&B, I Can't Stop has a great feel a romping bass line and with David Earl on guitar. Victim is a bluesy ballad featuring Wallace's vocal up front with super soulful feel and some real nice guitar work by David Earl. I've Been Watching You is a real cool track with a funky kind of bas line. Wallace really works this track, making it one of my favorites on the release. Wrapping the release is I Don't Have to Beg You to Love Me with it's lumbering bass line and floating Wallace's rich vocals is the lush guitar lead of Moeller. This is a strong release and a definite female vocalist to watch. 


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Monday, November 16, 2020

Cleopatra Records artist: Kirk Fletcher - My Blues Pathway - New Release Review

I just had the opportunity to review the most recent release, My Blues Pathway, from Kirk Fletcher and I really like it. Opening with R&B flavored, Ain't No Cure For The Downhearted, Fletcher is front and center on lead guitar and vocal over a pumping bass line by Travis Carlton and drums by Lemar Carter, with Jeff Babko on keys, Joe Sublett on sax and Mark Pender on trumpet. Strong opener. No Place To Go is one of my favorite tracks on the release with is stepping pace, strong vocals and the horn work of Sublett and Pender accenting crisp guitar riffs by Fetcher. Very nice. Slinky blues, Struggle For Grace, is in the vein of King's Thrill is Gone with solid lead vocals and stinging lead guitar by Fletcher, David Kida on drums and warm horn support by Sublett and Pender. Super. Slow blues, Heart So Heavy really finds Fletcher in a nice groove with his trademark soulful guitar bends and fluid runs and his vocals sound as good as ever. Excellent! Sonny Boy Williamson's Fattening Frogs For Snakes is up next and using a cool shuffle feel driven by Babko on keys and Kida on drums and Carlton on bass. Fletcher gets a nice grip on his guitar and has it squealing for more. Very cool. Instrumental, D is for Denny is a pretty straight forward shuffle with Fletcher laying down the melody. His use of the lower fretboard for the melody, paired with Sublett and Pender on horns really gives the track a retro blues feel. Wrapping the release is Juke Boy Bonner's Life Gave Me A Dirty Deal with Charlie Musselwhite on harmonica, Josh Smith on National Resophonic guitar and Fletcher on guitar and lead vocal. With it's more acoustic delta feel, this is a solid closer for a really strong release. 
 
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Friday, November 13, 2020

Ruf Records artist: Jeremiah Johnson - Unemployed Highly Annoyed - New Release Review

 I just had the opportunity to review the most recent release, Unemployed Highly Annoyed from Jeremiah Johnson and it presents a fresh take on southern rock. Opening with Burn Down the Garden, Johnson on lead vocal and guitar leads the way with his tight knit crew, Paul Niehaus IV on bass and keys and Tony Antonelli on drums. Nicely crafted melody and some heavy tom tom work makes this track a solid opener. One of my favorite tracks on the release is bluesy, Cherry Red Wine with it low slung feel and call and response interaction between Johnson's guitar soloing and the the key organ work by Niehaus on a strong bass line. Very nice. Title track, Unemployed Highly Annoyed has a funky rock beat and a thumping bass line. A strong rocker with plenty of space gives Johnson room to lay out some nice guitar solos. Another of my favorite tracks on the release is Different Plan For Me, with it's soulful lead guitar work and warm backing. Johnson sings sparingly but his jazzy approach on delivery and bluesy riffs makes this track a stand out. Wrapping the release is rocker, Rock N Roll For the Soul with flashy Chuck Berry flavored guitar riffs and boogie bass lines. Niehaus drives the bottom home and Johnson rocks it on. Strong closer.




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Thursday, November 12, 2020

Matay Records artist: Dione Taylor - Spirits In The Water - New Release Review

 I just had the opportunity to review the most recent release, Spirits In The Water, from Dione Taylor and it's a mix of pop, blues and rock. Opening with Water, a pop oriented track with blues roots, Dione Taylor on lead vocal and tambourine joined by Joel Schwartz on guitar, Lyle Molzan on drums, and Mark McIntyre on bass. With warm backing and a swaying rhythm, Down The Bloodline is a cool track and nicely complimented by Schwartz on banjo. Bluesy ballad, One More Shot is a real nice track that showcases Taylor's voice nicely. Cool dobro work by Schwartz adds another dimension and just the simplest of drum work by Molzan makes it one of my favorites on the release. Darkness is my choice for the radio track on this release with a solid melody, vocal layering and interesting guitar work sounding a bit like Fleetwood Mac. Wrapping the release is pop rocker, Running, with it's simple rhythm and solid melody. Taylor has put together a solid package with a broad variety of music.


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Wednesday, November 11, 2020

American Blues Artist Group: Dudley Taft - Cosmic Radio - New Release Review

 I just had the opportunity to review the most recent release, Cosmic Radio, from Dudley Taft and it's reinforces Taft's reputation as a blues rocker with dark metallic overtones. Opening with title track, Cosmic Radio, Taft and company storm into the grooves with that trademark pounding rhythm and well blended vocals by Taft and Ashley Charme. High energy blues rocker, The Devil mixes traditional blues riffs and more modern metal style figures giving this track a hot rocking sound with Taft's fluid finger work and vocals. Backed by Kasey Williams on solid bass and Walfredo Reyes Jr. on drums this track hums. I like the modified funk bass line on One In A Billion with it's almost stroll tempo. The classic metal overtones in Taft's work always gives it a classic rock sound and the blues undertones gives it a fine complexity. Blues ballad, Relentless, features lead vocal by Taft's daughter, Ashley Charmae, and with it's radio craving melody and nicely crafted lead guitar solo, it's likely to be the top player choice. One of my favorites on the release is lumbering, All For One with it's heavy bottom and fused vocals and jagged, obtuse guitar soloing. A lighter footed approach on I'm A Believer uses vocal dynamics and snappy drum work propelling Taft's soaring guitar lead to real advantage. Wrapping the release is soft ballad, I Will Always Love You with almost the texture of Queen with smooth vocal lead and warm harmonies. Solid closer for a cool release. 


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Tuesday, November 10, 2020

Grooveyard Records artists: Head Honchos - Blues Alliance - New Release Review

 I just had the opportunity to review the most recent release, Blues Alliance, from Head Honchos, and it's a rocking jam party. Opening with Stuck Between The Middle, Head Honchos had a heavier, rockier sound than on earlier releases with the addition of Mike Boyle on bass and Will Wyatt on drums. Rocco Calipari Sr. and Rocco Calipari Jr manage the guitar leads handily with sr on lead vocal as well. Mr. Bad keeps that driving rock beat and with head snapping drum work milks a scorching guitar tone from the axes. Adding in a little rhythmic funk on She Got That Thang, Sr's vocals add swagger on a southern rock flavored entry. Mark Landes adds keys on this track and guitar soloing it strong. Can't Be Satisfied is another track with a funky underpinning and a "Jimi" like attack on guitar gives it a turbo boost. Wyatt's drumming on Willie Dixon's Evil is intense and overall reminds me of a supercharged Warpigs attack with excellent "metal" fused guitar soloing. Driving boogie, Rock 'n Roll sets up a real nice platform for paired lead vocals by the Caliparis and after a flurry of solid riffs, breaks back into a cool blues jam. Very nice. Wrapping the release is a total acoustic blues rework of Al Green's I'm A Ram. With cool acoustic slide work , paired with simple acoustic guitar, light percussion and soulful vocals, a different take on an often covered track. Nice closer. 


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Thursday, November 5, 2020

Kurt Allen - Whiskey, Women & Trouble - New Release Review

 I just had the opportunity to review the most recent release, Whiskey, Women & Trouble, from Kurt Allen and it's a solid rocker. Opening with Graveyard Blues, Allen wastes no time showing the grit in his voice and his guitar rumble. Backed by Lester Estelle Jr. on drums, Craig Kew on bass and Beaux Lux on keys, a super opener. Slick shuffle, Watch Your Step, has a a cool pace and tight horn unit made up of Pete Carrroll on trumpet and Trevor Turla on trombone giving Allen a broad stage to lead both vocally and on slide guitar and with solid work by Estelle and Kew. Slow blues, How Long has a nice melodic guitar lead, working nicely with Allen's vocal and horn compliment. With it's potent lead bass line and electrifying soloing, this is likely a crowd favorite for the release. Tom tom driven title track, Whiskey, Women and Trouble has an up tempo shuffle beat and plenty of blues riffs to go around. My favorite track on the release is bass driven, Funkalicious, with it's ultra funky sound. Great rhythm guitar and perfect horn work surround those raspy vocals. Excellent! With a Latin rhythm, Cry Mercy, moves nicely. Allen's vocals are solid and hi-sticking drum work really sets the track apart. Wrapping the release is rock n roller, Sweet T with it's driving rhythm guitar and keen piano work by Lux. Allen really winds it up on guitar under his lead vocal and gets the blood pumping. Solid closer. 


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Tuesday, November 3, 2020

Justin Saladino Band - Live - New Release Review

 I just had the opportunity to review the most recent release, Live, from Justin Saladino Band and it's a cool rocker with plenty of radio potential. Opening with Take What You Need, Saladino on lead vocal and guitar, joined by Antoine Loiselle on guitars, David Osel-Afrifa on keys, Denis Paquin on drums, Gabriel Forget on bass, and Lucie Martel on vocal and percussion. Continuing with it's happy go lucky pace and beat, Honey has a great melody and some real nice guitar work. On Tom Petty's You Don't Know How It Feels, Saladino adds in a little slide and some heavy organ giving the track a more bluesy feel. On blues ballad, Peace With You, Saladino really works the vocals laying down the best track on the release. Nicely phrased lead guitar soloing and a quiet background really elevate this track. Very nice. Another favorite on the release is Purple Girl with overdriven guitars with traces of Jimi or Gary Clark Jr. Really a cool blues rocker. Wrapping the release is No Worries a springy rocker with heavy overtones. I like the Haynes like guitar accents to the vocal lead and tight rhythm section on this track. This is a cool closer for a solid release. 


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Monday, November 2, 2020

Dustin Arbuckle and the Damnations - My Getaway - New Release Review

I just had the opportunity to review the most recent release, My Getaway, from Dustin Arbuckle and the Damnations and it's a solid blues rocker.  Opening with Say My Name, Dustin Arbuckle, formerly of Moreland and Arbuckle, is upfront on harmonica and lead vocals, backed by Branden Hudspeth on guitars, Dr Mark Foley on bass, and Kendall Newby on drums. With a solid rhythm and the strong vocals that M&A was known for, this is a strong opener. With a familiar Muddy Waters like melody, ramped up tempo and Arbuckle's soulful vocals, Across The Desert is a great follow up. You Got To Go crosses further into the rock arena with R&B rhythm and soulful vocals. With a strong harp vamp and a cool guitar riff, Arbuckle's vocals ride high on top like Peter Wolf on JGB. Very cool. Darlin' Dear is a really nice radio track like Jackson Browne meets Marshall Tucker Band. Nicely blended vocals, and a strong melody are the key to this track. Another interesting track is When A Song Comes Along with just a bit more country and western flavor. It has just the right amount to make it cool and works well with Arbuckle's voice. Very nice. Wrapping the release is jazz influenced instrumental, Swingling featuring Arbuckle on lead harmonica over Hudspeth on guitar. Foley's walking bass line sets a great anchor and an eventual solo is tight. Hudspeth shows he knows a thing or two (at least) about jazz structure taking the track to another level. Excellent closer. 


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