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Showing posts with label Omnivore Recordings. Show all posts
Showing posts with label Omnivore Recordings. Show all posts
OMNIVORE’S REISSUE OF
RU-JAC RECORDS CATALOG
CONTINUES WITH TRUE ENOUGH: GENE & EDDIE WITH SIR JOE AT RU-JAC
Gene & Eddie and Sir Joe were stars of Baltimore
soul and R&B label. Compilation, out September 2, available on
CD, digital and blue vinyl.
BALTIMORE, Md. — Omnivore
Recordings
continues its restoration and reissue of the mid-’60s
Baltimore-based R&B/soul label Ru-Jac
Records with True
Enough: Gene & Eddie With Sir Joe at Ru-Jac,
the first-ever compilation of single sides by Washington D.C.’s
sensational soul duo Gene & Eddie.
Also included are the rare sides by Sir Joe,
otherwise known as Joe Quarterman, producer/songwriter/artist, who
produced and wrote many of the Gene & Eddie sides for Ru-Jac.
The compilation is
scheduled for September 2, 2016
release on CD, blue vinyl LP (with download card) and digital.
Emerging from the very
active East Coast ’60s soul scene, Gene, Eddie and Joe had been in
bands and recording from the early part of the decade. They formed,
or joined, regional acts with names like The
Nightcaps, The Knights, Don Downing, The El Corols and
The Maidens,
sharing stages with bigger, national artists such as Major
Lance, Garnet Mimms, Joe Simon, The Soul Children,
and The Emotions.
For all their ambitions,
wider, national success never found them, and with only one local
chart hit to their name, “It’s So Hard,” they eventually all called
it quits to pursue other endeavors. However, these restored tracks
give us a window onto a time when East Coast doo-wop met the soul
explosion and got a little funky as it headed into the early
’70s.
Featuring rare photos and
extensive liner notes, this is the definitive musical history of
Gene & Eddie and Sir Joe Quarterman — True Enough!
Omnivore’s
Ru-Jac reissue initiative launched with the March 25 release of Mr. Clean: Winfield Parker
at Ru-Jac.
Track
listing:
1. I
Would Cry
2. I Tell
You
3. Nobody
Beats My Love (Sir Joe)
4. If You
Give Up Your Love (Sir Joe)
5. You
Don’t Fool Me
6. Let Me
Go Easy
7. It’s
So Hard
8. Sweet
Little Girl
9. Let Me
Go Easy (Alternate Version)
10. She’s
True Enough 11. Baby, I’d Drop Every Thing (Sir Joe)
12. Every
Day (I’ll Be Needing You) (Sir Joe)
13. It’s
No Sin
14. You’ve Got To Love Me Sometimes
15.
Darling I Love You
16. Why Do You Hurt Me
Bonus
Tracks:
17. It’s
So Hard (Eddie & Gene
and the Nightcaps)
18. Check
You Later (Eddie & Gene and the
Nightcaps)
19. A Guy
For You* (Sir Joe)
20. You
Don’t Fool Me (Stereo Mix)*
21. Let
Me Go Easy (Stereo Mix)*
*Previously
unissued
LP consists of tracks 1-16 with download card of entire CD program
Country meets soul on this inspired collection of jukebox
singles featuring Stax and Hi Records originators, producer Scott Bomar,
roots guitarist John Paul Keith, and Al Gamble of St. Paul & the Broken
Bones street date set for April 29.
MEMPHIS,
Tenn. —The
Bo-Keys, a contemporary soul music group that signifies both
tradition and innovation, celebrates the release of a third studio album, Heartaches
by the Number, on Electraphonic
Records
via Omnivore
Recordings on April
29, 2016.
Heartaches by the Number is an exploration of the
intersection of country, folk and soul, combining stunning originals with
inspired interpretations of jukebox classics from Hank Williams, Merle Haggard, Bob Dylan, Swamp Dogg,
Charlie Rich,
and Ray Price.
Recorded
entirely on analog tape at Electraphonic
Recording
in Memphis, the set perfectly captures the classic country-meets-soul
feeling birthed within the musical triangle of Memphis/Nashville/Muscle
Shoals. The core group comprises legendary Al Green drummer Howard
Grimes,
keyboardist Archie
“Hubbie” Turner, horn players Marc Franklin and Art
Edmaiston
of the Gregg
Allman Band,
bassist/producer Scott
Bomar,
saxophonist Kirk
Smothers,
organist Al Gamble, and guitarist Joe Restivo. On this country-soul journey, special guests including
celebrated Hi Records artist Don Bryant, Hi
Records and
American Studios vocal group the Masqueraders, and roots singer-songwriter and guitarist John Paul Keith join the Bo-Keys
in
the studio. Front-and-center is Bo-Keys lead vocalist Percy Wiggins, who comes by the groove honestly — in the 1960s, he
cut sides for RCA and ATCO alongside future Band of Gypsies musicians
Billy Cox and Larry Lee at
Bradley’s Barn, Nashville’s eminent recording studio.
Heartaches
by the Numberis a genre-bending release that sounds like the jukebox
roster at a honky-tonk bar or Mississippi juke joint. Merle Haggard’s “The Longer You Wait” is reinterpreted with
propulsive horns and a searing organ riff, while the band inserts grit and
funk into their interpretation of the Swamp Dogg-penned “Don’t Take Her
(She’s All I Got),” first cut as a soul single by Freddie North before country hit-makers such as Johnny Paycheck, George Strait, and George Jones added twang and swagger to the iconic dive-bar lament.
Heartaches
by the Numberbuilds on the
Bo-Keys’
past catalog and adds a new dimension to the group’s potential by
metaphorically traveling beyond the Memphis city limits to explore an
often-overlooked subgenre of music popularized by Arthur Alexander, Swamp Dogg, Solomon Burke, and Bettye LaVette. The release will also bring new audiences to the Bo-Keys — fans of Adele,
St. Paul & the Broken Bones, and the Alabama
Shakes
will find music that speaks to them on this album.
Whether
or not you recognize the name, you’ve seen or heard the Bo-Keys: That’s
the Bo-Keys setting
the mood in TV episodes of Scandal
and Scorpion; on the big screen playing the
original score for the Oscar-winning film Hustle & Flow and backing Samuel L. Jackson and Bernie
Mac
in Soul Men; and performing on Cyndi Lauper’s Grammy-nominated Memphis Bluesalbum. Since 1998, the Bo-Keys have kept the spirit of classic Memphis music alive
while simultaneously penning a vital new chapter for the sound and style
that are etched into the very fiber of American consciousness.
Heartaches
by the Numberwas produced by Emmy-winning and Grammy-nominated
Scott Bomar,
the Bo-Keys’ bassist (who also produced Memphis Grease). His other career highlights
include working as assistant engineer on Al Green’s 2003 Grammy-nominated
comeback I Can’t
Stop
and its follow-up, Everything’s
OK;
producing the Grammy-nominated
Anthony Hamilton track “Soul Music”; and producing and engineering
Lauper’s Memphis
Blues,
which topped the Billboard blues chart for 13 weeks. In
2005, Bomar composed the score for Hustle & Flow, followed by serving as
executive music producer and composer on Black Snake Moan. He won an Emmy for Best Original Music for the documentary I Am a Man: From Memphis, A Lesson in Life and most recently scored the
film Mississippi
Grind, which features Ryan Reynolds and debuted at the 2015 Sundance Film Festival.