Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Ohio. Show all posts
Showing posts with label Ohio. Show all posts
Friday, October 26, 2012
Sunny - Bootsy Collins with James Brown
William Earl "Bootsy" Collins (born October 26, 1951 in Cincinnati, Ohio, USA) is an American funk bassist, singer, and songwriter.
Rising to prominence with James Brown in the late 1960s, and with Parliament-Funkadelic in the '70s, Collins's driving bass guitar and humorous vocals established him as one of the leading names in funk. Collins is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
With his elder brother Phelps "Catfish" Collins, Frankie "Kash" Waddy and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968.
In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s. (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Bewildered(1970)", "Super Bad", "Soul Power", "Talkin' Loud and Sayin' Nothing", and two instrumental singles, the much-sampled "The Grunt" and "These Are the J.B.'s".
After parting ways with James Brown, Bootsy returned to Cincinnati and formed House Guests with his brother Phelps Collins, Rufus Allen, Clayton "Chicken" Gunnels, Frankie Waddy, Ronnie Greenaway and Robert McCullough. The House Guests released "What So Never the Dance" and another single on the House Guests label, as well as a third as The Sound of Vision on the House Guests label.
Next Collins moved to Detroit, after Philippé Wynne suggested joining The Spinners, for whom Wynne had been singing. However, following the advice of singer and future Parliament member Mallia Franklin Bootsy had another choice. Franklin there introduced both Collins brothers to George Clinton, and 1972 saw both of the Collins brothers, along with Waddy, join Funkadelic. Bootsy played bass on most of Funkadelic and all of Parliament's albums (with the exception of Osmium) through the early 1980s, garnering several songwriting credits as well.
In 1976 Bootsy, Catfish, Waddy, Joel Johnson, Gary "Mudbone" Cooper, Robert Johnson and The Horny Horns formed Bootsy's Rubber Band, a separate touring unit of Clinton's P-Funk collective. The group recorded five albums together, the first three of which are often considered to be among the quintessential P-Funk recordings. The group's 1978 album Bootsy? Player of the Year reached the top of the R&B album chart and spawned the #1 R&B single "Bootzilla".
Like Clinton, Bootsy took on several alter egos, from Casper the Funky Ghost to Bootzilla, "the world's only rhinestone rockstar monster of a doll", all as parts of the evolving character of an alien rock star who grew gradually more bizarre as time went on (see P-Funk mythology). He also adopted his trademark "space bass" around this time.
Bootsy released two 1980 albums, his first "solo" album "Ultra-Wave", and Sweat Band, on George Clinton's Uncle Jam label with a group billed as Bootsy's Sweat Band. He also was credited for producing the debut of P-Funk spinoffs Zapp and Roger.
In 1984, Bootsy collaborated with Jerry Harrison of Talking Heads to produce "Five Minutes", a dance record sampled and edited from Ronald Reagan's infamous "Five Minutes" speech. The record was credited to "Bonzo goes to Washington" (also referenced in the 1985 Ramones song "Bonzo goes to Bitburg", derived from Reagan's starring role as Professor Peter Boyd in the 1951 comedy film Bedtime for Bonzo).
After a nearly five-year hiatus, Bootsy had a comeback in 1988 (with some help from producer Bill Laswell). What's Bootsy Doin? flaunted a new sound that foreshadowed the 90's, such as the dancefloor smash "Party On Plastic". Laswell introduced Bootsy to Herbie Hancock, resulting in Perfect Machine. The techno-funk they recrded featured turnables for scratch appeal, and the smoothly-stylized vocals of Leon "Sugarfoot" Bonner of chart-topping Cincinnati Ohio Players.
In 1990, Bootsy collaborated with Deee-Lite on their massive hit "Groove Is in the Heart" where he contributed additional vocals. Although he also appeared in the music video playing the bass, the bassline in the song is actually a sample of a Herbie Hancock song called "Bring Down the Birds". Bootsy's Rubber Band became the defacto backing musicians for Deee-Lite during a world tour. The Rubber Band also recorded the EP "Jungle Bass", their first recording in 11 years.
In 1992, Bootsy joined with guitarist Stevie Salas and drummer Buddy Miles to form the funk-metal fusion group Hardware. The trio released one album, Third Eye Open, before disbanding.
Bootsy collaborated with bluegrass legends Del McCoury, Doc Watson and Mac Wiseman to form the GrooveGrass Boyz. They produced a fusion of bluegrass and funk.
In 1994, Bootsy contributed extensively to the Soup Dragons' last album, Hydroponic.
Bootsy's New Rubber Band formed this year, releasing "Blasters of the Universe".
In 1995, Bootsy played in the remake of Jimi Hendrix's "If 6 Was 9," for Axiom Funk, a Funkadelic-like one-off supergroup produced by Bill Laswell and featuring (Funkadelic members) George Clinton, Bernie Worrell, Bootsy Collins, (the guitar of the late) Eddie Hazel, Gary Shider and Bill Laswell. The group released only one album, and the song also appeared in the soundtrack of the movie Stealing Beauty.
Bootsy's New Rubber Band put forth the live release "Keepin' dah Funk Alive 4-1995", recorded over two nights in Tokyo.
In 1996, Bootsy collaborated on George Clinton's album "The Awesome Power Of A Fully Operational Mothership".
Bootsy has collaborated extensively with Bill Laswell and made appearances on two Fatboy Slim records Illuminati, as well as reading a poem at the end of FatBoy Slims's release in the LateNightTales DJ mix series. Bootsy provided "vocal spice" on the TobyMac album Welcome to Diverse City. He also appears on Nicole C. Mullens' latest album, Everyday People. He has also worked with the Lo-Fidelity Allstars on the album Don't be Afraid of Love, with Praxis, and with Buckethead on several occasions, for example on Buckethead's first album, Bucketheadland. Bootsy was featured in the 2002 film Standing in the Shadows of Motown. In 2004 he appeared on Snoop Dogg's Rhythm & Gangsta album and on the cover of "The Joker" on the Fatboy Slim album Palookaville. He also performed a cover of "Power of Soul" on Power of Soul: A Tribute to Jimi Hendrix'.
In 2000 Bootsy Collins served as "Heineken's Amsterjam 2005" curator and master of ceremonies on Randall's Island, New York, and appeared with Madonna, Iggy Pop, Little Richard, and The Roots' Questlove, in an American TV commercial for the Motorola ROKR phone.
Since then, Bootsy has also frequently collaborated with fellow bassist Victor Wooten.
In October 2005, Collins co-wrote a song celebrating the resurgence of his hometown team, the Cincinnati Bengals of the National Football League called "Fear Da Tiger" which features "raps" written and performed by several Bengals players, including defensive end Duane Clemons, offensive tackle Stacy Andrews, and center Ben Wilkerson. An edited version of the song was made into a music video which features cameos by many other Bengals players. It has garnered tremendous local airplay and is viewable on Bengals.com Additionally, Cincinnati Bell is offering "Fear Da Tiger" as a free ringtone for its wireless customers in both polyphonic and MP3 formats. Collins appeared with Little Richard, Bernie Worrell, and other notable musicians as the band playing with Hank Williams, Jr. for the Monday Night Football opening during for the 2006 season. Collins was the only all star to return with Williams for the 2007 season.
He also sings "Marshal Law", the theme song of the Cincinnati Marshals indoor football team. He debuted the song on April 29,[year missing] at halftime of a Marshals home game against the West Palm Beach Phantoms.
In 2006, ABC Entertainment / A Charly Films Release released a DVD/CD from Bootsy Collins and the New Rubber Band's concert at the 1998 North Sea Jazz Festival. Soon after the release, Collins split from long-time friend and guitarist Odhran "The Bodhran" Rameriz, citing creative differences as the reason.
Later that same year, Bootsy released the holiday album "Christmas Is 4 Ever". This represents the very first Christmas-themed album made by any member of the P-Funk musical collective. The album features re-workings of Christmas standards as well as original compositions.
Also in 2006, Collins recorded music for the animated television series Loonatics Unleashed. Collins also voiced the character Bootes Belinda in the episode The Music Villain.
In April 2007, Bootsy announced plans to begin a restaurant/club with Cincinnati area restaurateur Jeff Ruby called "Bootsy's." The venue operated 2008-2010 before closing. It featured live musical acts, a museum dedicated to Bootsy's musical career and Spanish, Central and South American cuisine.
In June 2007, Bootsy Collins, along with Phelps Collins, Clyde Stubblefield, John "Jabo" Starks, and Bernie Worrell, participated in the recording of the soundtrack for the movie Superbad. In December of that year they (sans Worrell) went on to perform the first tribute concert remembering James Brown.
In July 2007, Bootsy also told Billboard magazine that he was working on a project by the name of Science Faxtion and an album called Living On Another Frequency in which he serves as bassist and co-producer along with his lead vocalist Greg Hampton. The band also features guitarist Buckethead and drummer Brain.[5] The album was released in November 2008.
Bootsy Collins and Fatboy Slim, 2008
Collins promoted Rock the Vote for its 2008 campaign together with Buckethead.
Bootsy produced Junkyard Waltz by funk band Freekbass from Ohio, which was released in October 2008.
Bootsy has been mentioned in the song "Genius of Love" by Tom Tom Club in the line "Clinton's musicians such as Bootsy Collins raise expectation to a new intention", while "Got more bass than Bootsy Collins" is a line in the song "Rumble in the Jungle" by the Fugees. His influence in popular culture is seen in that he has been referenced by a number of television series. In The Fresh Prince of Bel-Air episode "Sooooooul Train", Geoffrey sneaks into the Soul Train tapings posing as Bootsy Collins, while in The Mighty Boosh episode "The Legend of Old Gregg" an alien creature named 'The Funk' lands on Bootsy's house, giving him his ability to play the bass guitar "like some kinda delirious funky priest", as well as the ability to see around corners. His song I'd Rather Be With You, from the album Stretchin' Out In Bootsy's Rubber Band was featured in the movie Baby Boy and on January 26, 2007, Bootsy, a native of Cincinnati, gave the commencement address at the graduation ceremony at The Art Institute of Ohio - Cincinnati. Red Hot Chili Peppers bassist Flea, who cited Collins as one of his primary influences, appeared in unmistakably Bootsy-esque clothing in the video for RHCP's "Dani California", and Bootsy's "What's a Telephone Bill?" was sampled for 2Pac's "Str8 Ballin'" track off the THUG LIFE album.
In 2009 Collins collaborated with Talib Kweli and Hi-Tek on the track "Internet Connection".
In October 2010 Bootsy was awarded a Bass Player Magazine Lifetime Achievement Award at the Key Club in Los Angeles.
In March 2011 Bootsy and his wife visited Franklin L. Williams M.S #7's Little Kids Rock program.
On 15 April 2011, Bootsy appeared on Later... with Jools Holland, performing a memorable snippet of funk with Jools.
In June 2011 Bootsy played the 10th Annual Bonnaroo Music and Arts Festival in Manchester, TN.
In the Fall of 2011, Bootsy began being featured in a TV commercial for Old Navy, in which he is making "boots", made by boots, made by Bootsy" to be sold at Old Navy.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Bootsy Collins,
James Brown,
Ohio
Tuesday, October 16, 2012
She's Into Something - Chuck Brisbin & Tuna Project
Formed in the Summer of 2007, Chuck Brisbin & the Tuna Project is recognized as one of the best Blues Bands in the area...
But we also play our own mix of Rock, R&B and Blues that we call "Rock-n-Blues". Come on out and get ya some "Tuna".
"...you gotta see this band!"
“To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!
Labels:
Chuck Brisbin and Tuna Project,
Ohio
Monday, October 15, 2012
Chicago Storytellin': Singer-Songwriter Jeff Powers in Concert This Weekend at the Elbo Room
Storytellin': Singer-Songwriter
Makes Chicago Debut At The Elbo Room - Saturday, October 20
"(Powers is a) poet, troubadour,
emigre' returning home with tall tales and hard-lived insights...
from his Hendrix-like blues-based
guitar riffs and sixties references in "13 Seconds 67 Shots (Kent State
Massacre)" to the Buffalo Springfield-like "Gypsy Girl (Ode To Ani DeFranco)" to
the folk simplicity of "Standing In The Rain," the journey is well worth
taking."
Joey Alkes/ALL ACCESS MAGAZINE
"I know I will take some heat for this, but there are times on his
self-titled disc that Jeff Powers sounds like Bob Dylan...maybe not in terms of
how he approaches his vocals, but in lyrical content. On "15 Seconds 67 Shots"
Powers conjures up the right amount of disbelief and angst over the happenings
of that tragic day, and does so in a Dylan-esque manner."
Chuck Dauphin/MUSIC NEWS NASHVILLE
(Chicago, IL)
- Acclaimed Midwest singer-songwriter Jeff Powers makes his Chicago performing debut
at popular live music venue The Elbo Room, 2871 N. Lincoln Ave.,
Saturday, October 20. 8-10 p.m. $5. Info: (773) 549-5549 or www.facebook.com/ElboRoomChicago.
Powers combines vocals strongly reminiscent of Neil Young with the wordsmith abilities of Bob Dylan; as well as the passionate anger and love of the late John Lennon with some Eric Clapton-esque guitar work.
Powers combines vocals strongly reminiscent of Neil Young with the wordsmith abilities of Bob Dylan; as well as the passionate anger and love of the late John Lennon with some Eric Clapton-esque guitar work.
The thirteen tracks on his latest self-titled CD songs encompass elements of
Americana, Roots, Blues and some Rock. "These are songs i felt I needed to put
out first and they work or sit together, if you will, as a whole," explains
Powers.
Each song tells a story - "Wild Child (The Ballad of Brian Power)" is "a remembrance to an urban legend, someone I grew up with and knew very well... he was an exciting and very funny guy who was also crazy dangerous and deeply flawed." "Gypsy Girl (Ode to Ani DiFranco) "was inspired by a radio interview with DiFranco that I happened to hear."
Jeff Powers - Brief Bio
“To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Each song tells a story - "Wild Child (The Ballad of Brian Power)" is "a remembrance to an urban legend, someone I grew up with and knew very well... he was an exciting and very funny guy who was also crazy dangerous and deeply flawed." "Gypsy Girl (Ode to Ani DiFranco) "was inspired by a radio interview with DiFranco that I happened to hear."
Jeff Powers - Brief Bio
While living as an illegal alien and
partying like a rock star in Mexico, City for 7 years, Jeff cut his teeth with
various blues bands. Though he moved to Mexico City to perform and teach
classical guitar, he soon dropped out of the cozy and well-paid classical world
to live and play in the down and dirty clubs, jails and places at the end of
dirt roads.
Barely eeking out a living, Powers would
cross the entire city with guitar and amp in hand by bus and subway to get to a
gig or rehearsal. During his years there he wrote over two-hundred songs and
developed his own style of blues guitar based around his classical
technique.
After returning to his home town of
Cleveland, Jeff formed a blues band and started recording original songs and
performing with the band and as a solo acoustic act. Powers has been playing in
the Cleveland area for fifteen-plus years in Dead Guy Blues and Clarksdale and
also as a solo acoustic artist.
Besides performing his own songs, Power's
sets include music by singer/songwriters like: Bob Dylan, Neil Young and Jeff
Buckley and blues by: Stevie Ray Vaughan, Muddy Waters, Robert Johnson and
Lightnin' Hopkins. Jeff incorporates finger picking, slide and a loop station to
stretch out on lead guitar and give his solo shows a lot of variety.
Mixed in with Power's original songs some
arranging highlights include: a Delta style version of "Voodoo Chile," Jeff
Buckley's magnificent version of "Hallelujah," the Stephen Stills' classic
"Treetop Flyer" and a Dobro slide version of Charlie Daniels' "Long Haired
Country Boy."
Labels:
Jeff Powers,
Ohio
Wednesday, October 3, 2012
FPR News Fall 2012
|
Labels:
Fur Peace Ranch,
Jorma,
Ohio
Subscribe to:
Posts (Atom)