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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Missouri. Show all posts
Showing posts with label Missouri. Show all posts

Saturday, January 28, 2012

Funky Situation - Cash McCall


Cash McCall (born Maurice Dollison Jr., January 28, 1941, New Madrid, Missouri) is an American electric blues guitarist, singer and songwriter. He is best known for his 1966 R&B hit, "When You Wake Up". McCall's long career has seen him evolve in musical styles from gospel to soul to the blues. He is not to be confused with the 1960 film of the same name.
Cash joined the United States Army, and then settled in Chicago where he had lived for a period as a child. In 1964, he played guitar and sang, alongside Otis Clay, with the Gospel Songbirds, who recorded for Excello Records. Cash later joined another gospel singing ensemble, the Pilgrim Jubilee Singers.

Billed under his birth name, his debut solo single release was "Earth Worm" (1963). Three years later he co-wrote "When You Wake Up" with the record producer, Monk Higgins. His initial soul styled demo was issued by Thomas Records, who chose to call him Cash McCall. The song reached #19 on the US Billboard R&B chart. This led to McCall touring with Lou Christie and Mitch Ryder in Dick Clark's Caravan of Stars. However, subsequent releases for both the Thomas and Checker labels failed to chart. These included the song, "It's Wonderful To Be In Love". In 1967, McCall co-wrote "That's How It Is (When You're in Love)", a Top 30 R&B hit for Otis Clay.

Under the tutelage of Willie Dixon, McCall went on to become a session musician and songwriter for Chess Records. In the late 1960s, McCall, along with Jimmy Dawkins and Johnny Twist, played guitar on some of George "Wild Child" Butler's early recordings.

McCall gravitated towards the blues in the 1970s. He issued Omega Man (1973) before relocating to Los Angeles in 1976 and, by 1983, McCall had released No More Doggin'. In 1985, McCall and his band, appeared at the Long Beach Blues Festival. In 1987, Stony Plain Records released the album, Cash Up Front. The collection included notables such as Nathan East and Welton Gite (bass); Chuck Findley (flugelhorn, trumpet); Hank Cicalo (sound engineer) and Bernie Grundman (mastering); Les McCann and Richard Tee (piano); plus Phil Upchurch (rhythm guitar).

McCall co-produced Willie Dixon's Grammy Award clinching Hidden Charms (1988), and played in Dixon's All-Stars band. Since then he has toured as a solo artist, and appeared with the Chicago Rhythm and Blues Kings for whom he has written several tracks. He has also provided backing to the singer known as Big Twist, and performed in the Chicago Blues Review. McCall's songs have been recorded by The Blind Boys of Alabama, The Mighty Reapers, Margie Evans, Tyrone Davis and Mitty Collier
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Wednesday, January 25, 2012

Floyd's Guitar Blues - Floyd Smith Combo

Floyd Smith (January 25, 1917 – March 29, 1982) was an American jazz guitarist.

Born in St. Louis, Missouri, Smith studied music theory as a teenager and learned ukelele as a child before taking up guitar. He spent his early career in territory bands, playing in groups such as the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, Eddie Johnson's Crackerjacks, Andy Kirk's band, and the Brown Skin Models. He enlisted during World War II and following the war led his own small ensembles in soul jazz and straight-ahead settings. He played with Bill Doggett early in the 1960s and then with Hank Marr and Wild Bill Davis.

In the 1970s Smith moved into record production, founding a label in Chicago. Among those he produced was disco star Loleatta Holloway; he married Holloway later in the decade.

Smith died in Indianapolis, Indiana in March 1982, at the age of 65
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Sunday, January 22, 2012

Sister Kate - Eva Taylor


Eva Taylor (January 22, 1895, St. Louis, Missouri — October 31, 1977, Mineola, New York) was an American blues singer and stage actress.

Born Irene Joy Gibbons in St. Louis, Missouri, on stage from the age of three, Taylor toured New Zealand, Australia and Europe before her teens. She also toured extensively with the "Josephine Gassman and Her Pickaninnies" vaudeville act. She settled in New York by 1920. There she established herself as a performer in Harlem nightspots. Within a year she wed Clarence Williams, a producer (hired by Okeh Records), publisher, and piano player. The newlyweds worked together on radio and recordings. The couple recorded together through 1930s. Their legacy includes numbers made as the group Blue Five in the mid-1920s, which included jazz clarinetist/saxophonist Sidney Bechet, trumpet virtuoso Louis Armstrong, and such singers as Sippie Wallace and Bessie Smith.

In 1922 Taylor made her first record for the African-American owned Black Swan Records, who billed her as "The Dixie Nightingale." She would continue to record dozens of blues, jazz and popular sides for Okeh and Columbia throughout the 1920s and 1930s. Although she adopted the stage name of Eva Taylor, she also worked under her birth name in 'Irene Gibbons and her Jazz Band'.

She was part of The Charleston Chasers, the name given to a few all-star studio ensembles who recorded between 1925 and 1930. In 1927, Eva Taylor appeared on Broadway in Bottomland, a musical written and produced by her husband, lasted for twenty-one performances. During 1929 Eva had her own radio show on NBC's Cavalcade, then worked for many years on radio WOR, New York (guesting on Paul Whiteman's radio show in 1932). Taylor stopped performing during the 1940s, but returned in the mid-1960s following her husband's death, touring throughout Europe.
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Sunday, January 15, 2012

Molly Gene Dyer - Bumble Bee


Molly Gene One Whoaman Band is a true one person band. She produces a full band sound all by herself with ferocious slide guitar, harmonica, and sings with a powerful voice, all whilst kicking out beats on her custom Farmer Footdrum. Growing up between the Florida Keys and a rural farm in central Missouri, Molly honed her own unique sound with roots in the deep blues and folk with her own rock n roll edge. In 2009 she found herself playing more and more shows and soon recorded her first studio album "Hillbilly Love", an 11 song romp and stomp on the Solid Audio Productions record label. Immediately following that release she was asked to go on a U.S. tour with one man band legend Bob Log III to much acclaim. This began her trip down the road to share the stage with some of the best in roots music in the following months (Left Lane Cruiser, Sissormen, Reverend Deadeye, Goddamn Gallows, Ten Foot Polecats), including delivering arguably one of the best performances at the 2011 Deep Blues Festival in Cleveland Ohio. In the fall of 2011 Molly returned to the studio to record her much anticipated follow-up album "Folk Blues and Booze". Her second release features 14 songs, a mixture of folk songs recorded on her resonator in an old historic courthouse, her own brand of blues, and her signature whiskey soaked rockers (booze). Immediately after its recent release in late October, Molly was asked along on the road with yet another on the forefront of one man bands, Scott H. Biram. The two teamed up with Joe Buck Yourself for an unforgettable set of performances all over the western United States.
Nowadays Molly Gene finds herself constantly on tour. Endorsed by Farmer Footdrums, she will be touring the west coast landing in Anaheim CA to help show off the latest versions of one man band gear at the 2012 NAMM show, followed by a month of touring with her friend Reverend Deadeye, east coast/Canadian tour, and a summer European tour featuring performances at Blues Rules festival in Switzerland, Muddy Roots Europe, and then back home in time for Muddy Roots 2012 in Tennessee.
Regardless of which of these places one might see her, Molly strives to rock your face off, and stands on her own as one of the best performers out there that needs no band. It's not just a mans world anymore, make way for the Whoaman.
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Wednesday, January 11, 2012

Ain't Enough - MIssissippi Fever



Formed by former Studebaker John (Blind Pig Records) bassist Ted May, former Walker Ranger session guitarist Brent Barker, and veteran drummer Tom May (who has played with members of Allman Brothers), Mississippi Fever members have shared the stage classic blues greats such as Ike Turner, Little Milton, and Chuck Berry. Brent and Ted were both featured in Guitar Player magazine for their inspired playing.

Mississippi Fever combines influences of great classic artists such as Buddy Guy, Cream, Stevie Ray Vaughan, and early ZZ Top into a unique blend of blues and classic rock.

Mississippi Fever was recently selected by Blues Revue magazine to be included in the CD sampler of the May/June 2011 edition. "Too Much Alcohol" from our debut CD was selected from hundreds of other band submissions to be included in the sampler. Be sure to check out this issue of Blues Revue.

Mississippi Fever was recently featured in Buddy Guy's Legends Bluesletter. Needless to say, we are quite honored to be mentioned in a letter from one of their heroes.
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Tuesday, January 10, 2012

Frosty - Leon Estelle"Mr.Blues" and Glenn Patrik"Mr.BluesJr."and friends

Born January 10, 1929, Leon Estelle was given The Mr.Blues of Kansas City Award by The Mayor of Kansas City! In 1958 Leon was Awarded The Best Blues Guitarist in The 5 State area.After spending a few years in Chicago hanging out with musicians such as Elmore James and others he returned to Kansas City.And it seemed like people came out of the woodwork to pick up on what he was laying down.This is a great example of some of the people that would want to see what Leon and his friends/family were up to.K.C.Kelsey and D.C.Belamy and others stop in. Glenn Patrik traveled from California to lay down some guitar work.Other musicians I recognize would be Duck Warner-trumpet,Chris Baker -sax Henry Hart -harp,Jessie "Spoon" Wilson percussion,Steve Shoemaker -trombone to name a few.One thing I would like to mention,Leon adopted 2 young guitar players and I'm proud to say I adopted him as my second Dad as well!The other is Glenn Patrik who he called Mr.Blues Jr.which he titled one of his albums so keep an eye out for my Mr. Blues III that I plan to record in the near future.And as Leon would say at the end of a phone conversation"in a minute"!
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Wednesday, December 28, 2011

Rock Me Baby - Smooth Down Under


Home based in Branson Mo., Smooth Down Under has been performing their blend of Rocking Roadhouse Blues, since early 2010 in the Branson and Springfield Mo area, as well as Northern Arkansas. The membership is comprised of 3 unique artists from different parts of the U.S.A., who found each other in Branson and came together as Smooth Down Under. More recently with shows in K.C., Mo. And Lake of the Ozarks.

On guitar and lead vocals is Richard Lee Wilson, the newest member to the band. Richard comes to us from Blue Springs, Mo. He's been known more recently in the K.C. area with his own band, The Sunday Morning Casualties.
On bass is Steve “Smooth Thunder” Cole. Originally from K.C. Mo. Steve has been playing bass for over 36 yrs. He moved to the Ozarks in 1999 to get away from the fast pace of the city. Along with a the many rock acts he’s performed with, he has shared the stage with many of the legends that makes Kansas City Blues what it is.
On Drums, is Eric Sokol, originally from K.C., Mo. Eric recently moved back to this area from L.A. & has extensive session work under his belt on the west coast.
Smooth Down Under is available for nightclubs, private events, casinos etc. and will provide a fun, high energy, rocking blues experience with a touch of funk, and classic rock thrown in to please everyone who comes to a show.
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Monday, December 26, 2011

Dust My Broom - T.D. Bell & Erbie Bowser


Tyler D. "T.D." Bell (Dec. 26,1922- Jan 1999) Guitarist/vocalist Bell is a local legend, the leader of the hottest band on the East Side, T. D. Bell and the Cadillacs, during the heyday of the Victory Grill in the 1950s. Bell, who came to Austin in the early 1950s, provided early performing experience in his bands for many of the blues and jazz players on the East Side of Austin.

Bell's bands, which generally featured Erbie Bowser on piano, backed up virtually all of the touring blues and R&B acts to come through Austin in the 50s. He had a long association with Victory grill owner Johnny Holmes. One of the few older musicians in town to work full-time during his early years, Bell did not take on outside work until later in life. He now has a small trucking business and had essentially retired from music until Erbie Bower asked him to reform their band for the Victory Grill reunion in 1987.


While Bell has some touring experience, he never worried about making the big time and has been happiest as an Austin musician. Bell, who has lived in the same neighborhood for over 40 years, knows intimately the history of the East Side's decline.

Born 5 May 1918, Davila, Texas, USA, d. 15 August 1995, Austin, Texas. Like his partner, guitarist T.D. Bell, Bowser had to wait until old age to be recognized outside his home state. One of nine children, he taught himself to play the piano after his family had moved to Palestine in east Texas. He first played in public with the North Carolina Cotton Pickers and after high school, the Sunset Royal Entertainers. During World War II, he was seconded to the Special Services band and played USO shows throughout Europe and North Africa. Back in Odessa, Texas, in 1947, he was recruited to join T.D. Bell And The Cadillacs and established a long-standing friendship with the band's leader. Moving to Austin, he worked with local bands and played alongside Robert Shaw and Grey Ghost. Given their advanced years, It's About Time proved to be a worthy memorial to both Bell and Bowser.
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Tuesday, December 20, 2011

News from Stephanie Trick

Newsletter header

Dear Friends,

Happy Holidays!

I just returned from a marathon tour in California -- four fantastic weeks of concerts and festivals.  Highlights included the West Coast Ragtime Festival in Sacramento, the San Diego Thanksgiving Dixieland Jazz Festival, and a fascinating visit to a unique liberal arts college in the high desert of California, just east of the Sierra Nevadas.
West Coast Ragtime Festival
One of the largest festivals of its kind, the West Coast Ragtime Festival always presents some of the best performers of early piano styles, such as Brian Holland, Carl Sonny Leyland, Frederick Hodges, and others.  All of these pianists and I have much respect and admiration for the musical genius of Dick Hyman; here's a composition of his that I performed that weekend.  I also had the opportunity to play a couple of sets with the fantastic drummer Danny Coots, who brought a lot of great swinging fun to the stage.  Here's our version of "Boogie Woogie Stomp," a hot number by Albert Ammons.

On the last day of the festival, I was delighted to again be master of ceremonies for the annual youth concert.  Young performers of stride and ragtime gave formidable interpretations of Fats Waller, James P. Johnson, and Scott Joplin.  It was easy to see how this music will not only be preserved in years to come, but taken to new heights by these inspiring young artists!
College Visit and Concert
Deep Springs College
With members of the Deep Springs community, November 22, 2011.
After the West Coast festival, we headed to Deep Springs College.  This is truly a one-of-a-kind liberal arts college dedicated to instilling a life-long desire in its students to be of service to mankind.  Duties on the campus and ranch, with its awe-inspiring views -- including harvesting crops, herding cattle, and cooking meals (I can attest to how delicious they are!) -- are balanced with a rigorous academic program.  Most continue after their time here at top universities like Princeton, Brown, and Yale.  I was honored to be asked to play for these students who really seemed to enjoy listening to the music of the 1920s and '30s.
San Diego Thanksgiving Dixieland Jazz Festival
Barry Glover
With Barry Glover, the grandson of James P. Johnson.
After Thanksgiving, I spent the weekend in San Diego performing at the big Dixieland jazz festival there.  I love being a part of jazz festivals because I'm able to hear great bands and share sets with other pianists and musicians.  This time I had the pleasure of sharing a duo set each with two stellar pianists, Carl Sonny Leyland and Chris Dawson.  Sonny is one of the leading exponents of boogie woogie.  I love his exciting style, and it's hard not to smile when I play with him.  Doing a duo set with Chris was a treat, because I was already a big fan of his elegant, swinging playing, and we had a ball together.

Another highlight of the festival weekend for me was meeting Barry Glover, grandson of one of my idols, James P. Johnson.  I even got to play a couple of his grandfather's pieces for him!
Nouveau Stride Downloads
Stride sister Lorraine Feather and I got together for a day of rehearsal while I was in southern California.  We've completed some of the tracks for our upcoming album, and the first one will be available for purchase and download on iTunes in the very near future.  Then one more will be released each month until the complete album is finished.  For more information, please see nouveaustride.com.  Stay tuned for more news soon!
Online Radio Interview
Susan Brender recently interviewed Frederick Hodges and me for her weekly show called "V for Vitality" on womensradio.com.  In the episode titled "Masters of Stride Piano," Frederick and I have a conversation about what it is that draws us to early piano jazz.
Tour Finished with House Concerts
For the last week of my California tour, I was able to team up with Paolo Alderighi, the terrific swing and stride pianist from Italy, for a series of duo concerts in the L.A. area.  We had fun putting together several house concert programs that featured our individual styles, as well as a number of four-hand duets.  Get a taste of them here.  I am so grateful to the gracious hosts and sponsors of all the concerts we were able to share during the last week of this amazing California adventure!

I'll be enjoying a little time off for the next couple of weeks, but also learning new material for projects coming up in the next year.  I hope you have a happy holiday season and a new year filled with blessings!

Thursday, December 15, 2011

Don't You Ever Leave Me All Alone - Andrew "Voice" Odom


Eminently capable of serving up spot-on imitations of both Bobby "Blue" Bland and B.B. King, Andrew Odom was also a man of many interrelated nicknames: Voice, Big Voice, B.B., Little B.B., B.B. Junior. Perhaps his chameleonic talents held him back; Odom was a journeyman Chicago singer who recorded relatively sparingly.

Like the majority of his peers, Odom started out singing spirituals but fell in with Albert King and Johnny O'Neal on the St. Louis blues scene of the mid-'50s and began plying his trade there. He made an unobtrusive recording debut in 1961, singing "East St. Louis" with the band of one Little Aaron for the highly obscure Marlo imprint. He arrived in Chicago around 1960, hooking up with Earl Hooker as the slide guitar wizard's vocalist. A single for Nation Records in 1967 (as Andre Odom) preceded his debut album for ABC-BluesWay (cut in 1969, it remained in the can for quite a while before the label finally issued it).

A guest spot on Jimmy Dawkins' encore Delmark LP, All for Business, was a highlight of the '70s for the singer. He cut his own album for the French Isabel label in 1982 in the company of Magic Slim & the Teardrops (reissued by Evidence in 1993), but it was a 1992 set for Flying Fish, Goin' to California (co-produced by guitarist Steve Freund), that probably captured his considerable vocal charms the best.

Odom was a popular attraction on the Windy City circuit right up until the fateful night when he suffered a heart attack while driving from Buddy Guy's Legends to another local blues mecca, the Checkerboard Lounge. He's been missed ever since.

Read more: http://www.answers.com/topic/andrew-odom#ixzz1gcsRALaW
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Friday, December 2, 2011

SPACE AGE BLUES - Devon Allman's Honeytribe


Honeytribe is an American blues rock band formed in Saint Louis, Missouri. The founder and bandleader is Devon Allman, son of Gregg Allman of the Allman Brothers Band, who is the lead guitarist, vocalist, and frontman. The other members are George Potsos on bass, and Justin Hanson on drums.
Honeytribe was formed by Devon Allman in 1999. In 2001, the band broke up so Allman could spend time with his newly born son. They reformed in 2005 and started Honeytribe's path as a career: making records and touring. They have toured throughout North America and Europe.
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Tuesday, October 18, 2011

No Money Down - CHUCK BERRY


Charles Edward Anderson "Chuck" Berry (born October 18, 1926) is an American guitarist, singer, and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.
Born into a middle class family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he served a prison sentence for armed robbery between 1944 and 1947. On his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of blues player T-Bone Walker, he was performing in the evenings with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955, and met Muddy Waters, who suggested he contact Leonard Chess of Chess Records. With Chess he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching #1 on Billboard's Rhythm and Blues chart. By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name as well as a lucrative touring career. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand. But in January 1962, Berry was sentenced to three years in prison for offenses under the Mann Act—he had transported a 14-year-old girl across state lines.

After his release in 1963, Berry had several more hits, including "No Particular Place To Go", "You Never Can Tell", and "Nadine", but these did not achieve the same success, or lasting impact, of his 1950s songs, and by the 1970s he was more in demand as a nostalgic live performer, playing his past hits with local backup bands of variable quality. His insistence on being paid cash led to a jail sentence in 1979—four months and community service for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986, with the comment that he "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several Rolling Stone "Greatest of All Time" lists, including being ranked fifth on their 2004 list of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll included three of Chuck Berry's songs: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". Today – at the age of 85 – Berry continues to play live.

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Monday, July 18, 2011

Mean Old World - Arthur Williams & Marquise Knox




Williams began performing in the mid-1950s and has sat in with blues greats like Muddy Waters and Elmore James. In the mid-1970s, Williams formed the Bluesmasters band, performing throughout the Midwest.

Marquise Knox was born in 1991 in St. Louis while his mother was visiting family. They returned to Granada, Mississippi, but moved to St. Louis for good a couple of years later. Marquise still resides in St. Louis, Missouri, but also spends a lot of time in Grenada, where he loves to fish and visit friends and family.

Marquise hails from a musical family deeply entrenched in the Blues. He learned how to play guitar from his grandmother whose family were sharecroppers and whose great, great grandparents were slaves. He also played with his uncle Clifford, who was a major influence in Marquise's life.

For Marquise, Blues is his heritage and a way of life. He spent his early teenage years in St. Louis mentoring under the late great Blues legend, N.E.A. Heritage Fellowship recipient and Grammy Award winner Henry James Townsend. Marquise's talents have earned him performing rights with some of America’s most notable blues performers such as blues legend and Grammy Award winners B.B. King, Pinetop Perkins and David “Honeyboy” Edwards (the latter two also NEA Heritage Fellows). He has also performed at dozens of festivals, and has toured Germany and played the Baden Blues Festival in Switzerland.

Marquise met Sam Lay during a visit to Clarksdale, Mississippi. Like other statesmen of the Blues, Sam took an immediate liking to Marquise and took it upon himself to help give Marquise's career a boost by insisting that Chad Kassem bring Marquise to the celebrated Blues series "Bluesmasters at the Crossroads", which has showcased a virtual who-who of the Blues at Blue Heaven Studios in Salina, Kansas. Marquise was an immediate crowd favorite, and was adopted by all of the elders of the Blues in attendance that year. His obvious talent along with his deep knowledge of the Blues and vast respect for his elders made it clear Marquise had something special, and Kassem signed him to a three album deal.


Sunday, July 3, 2011

No Money Down - Chuck Berry


Charles Edward Anderson "Chuck" Berry (born October 18, 1926) is an American guitarist, singer, and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.

Born into a middle class family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he served a prison sentence for armed robbery between 1944 and 1947. On his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of blues player T-Bone Walker, he was performing in the evenings with the Johnnie Johnson Trio.[2] His break came when he traveled to Chicago in May, 1955, and met Muddy Waters, who suggested he contact Leonard Chess of Chess Records. With Chess he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching #1 on Billboard's Rhythm and Blues chart. By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name as well as a lucrative touring career. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand. But in January, 1962, Berry was sentenced to three years in prison for offenses under the Mann Act—he had transported a 14-year-old girl across state lines.

After his release in 1963, Berry had several more hits, including "No Particular Place To Go", "You Never Can Tell", and "Nadine", but these did not achieve the same success, or lasting impact, of his 1950s songs, and by the 1970s he was more in demand as a nostalgic live performer, playing his past hits with local backup bands of variable quality. His insistence on being paid cash led to a jail sentence in 1979—four months and community service for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986, with the comment that he "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several Rolling Stone "Greatest of All Time" lists, including being ranked fifth on their 2004 list of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll included three of Chuck Berry's songs: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". Today – at the age of 84 – Berry continues to play live.
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Wednesday, May 18, 2011

If You Remember - Big Joe Turner


Big Joe Turner (born Joseph Vernon Turner Jr., May 18, 1911 – November 24, 1985[1]) was an American blues shouter from Kansas City, Missouri. According to the songwriter Doc Pomus, "Rock and roll would have never happened without him." Although he came to his greatest fame in the 1950s with his pioneering rock and roll recordings, particularly "Shake, Rattle and Roll", Turner's career as a performer stretched from the 1920s into the 1980s.
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