Prison Blues - Neal Pattman, Cootie Stark, Kenny Wayne Shepherd

Neal Pattman (January 10, 1926 – May 4, 2005) was an American electric blues harmonica player, singer and songwriter. Sometimes billed as Big Daddy Pattman, he is best known for his self-penned tracks, "Prison Blues" and "Goin' Back To Georgia". In the latter, and most notable stages of his long career, Pattman worked with Cootie Stark, Taj Mahal, Dave Peabody, Jimmy Rip, Kenny Wayne Shepherd, Guitar Gabriel, and Lee Konitz. Pattman was born in Madison County, Georgia, United States, one of fourteen children. He learned harmonica playing from his father, after an accident involving a wagon wheel at the age of nine left him with only his left arm. Inspired by Sonny Terry's playing and distinctive whoops and hollers, Pattman played on the street corners of nearby Athens, Georgia. He found regular employment in the University of Georgia's kitchens, and gained further experience and local adoration for his regular live performances at various clubs and festivals. However, his more general renown was minimal until 1989, when he performed at the Lincoln Center for the Performing Arts in New York. A meeting in 1991 with Tim Duffy, of the Music Maker Relief Foundation, led to Pattman playing with Cootie Stark, supporting Taj Mahal, on a nationwide Blues Revival Tour. Playing with the British blues guitarist, Dave Peabody, led to Pattman releasing three albums between 1995 and 2001. He also contributed to Kenny Wayne Shepherd's album and DVD, 10 Days Out: Blues from the Backroads (2007). However, Pattman had already died of bone cancer in May 2005, in Athens, Georgia, aged 79. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Jan. 2012 Legendary Rhythm & Blues Cruise Part II - correspondent Stilladog

When we hit St. Croix, USVI, it was just in time for the St. Croix Blues Festival. This festival began at noon and was spread out across various bars all afternoon culminating in a huge gathering at the Verne I. Richards Memorial Park stage in Frederiksted at dusk where the featured artists were Coco Montoya, Shemekia Copeland, and the Low Rider Band (formerly known as WAR... the band can't legally market themselves as WAR, but I can say that).

After a hike of 1.25 miles through "the jungle," as my wife called it, I hit a place called Rhythms At Rainbow Beach. They had a local band called the St. Croix Blues Society playing. These guys jammed and played well beyond the 12-3 time frame. I ended up here due to a prior commitment to deliver some Tom Jenkins BBQ Sauce down from Ft. Lauderdale to the keyboard player of the St. Croix Blues Society, Tom Eimer. And what I discovered at Rhythms is that Harry Nilsson was right. You put de lime in de coconut and drink em bot togetta, put de lime in de coconut den you feel betta. The Lime In The Coconut is their signature drink and it alone was worth the hike!

By the time I got to the festival stage Coco Montoya was just starting up. He did an abbreviated set due to technical sound difficulties but it was very inspired. About half way through, a typical Caribbean rain squall hit the festival. But we all had so many Bushwhackers, Cruzan Confusions, and Voo Doo Juice in us (on top of the Lime In The Coconuts) it didn't really matter. Coco kept jamming and we absorbed it all.

I had never seen Coco Montoya play before and was surprised to find that he is a left handed picker using a right handed guitar, a la Jimi Hendrix.

After a brief respite from the rain, another squall hit and we headed back for the ship where we sat on our balcony and listened to Shemekia Copeland and Low Rider Band.

The next day in St. Maartens, N.V. was spent at the beach but was not without music. We were thoroughly entertained by The Might Dow, aka Isadore York, and his steel pan band. Well known as the Calypso King of St. Maartens, The Mighty Dow proved that what Etta James said is true, "It's all blues."

After his scheduled set, The Mighty Dow continued to jam with the Kenny Neal Band who laid down an awesome groove for a sunny day at the beach! Kenny Neal employs nearly all his family (brothers, sisters, children etc.) in the band. Most noteworthy being his brother Frederick on keys who also hosted late night jams in the Piano Bar along with Mitch Woods and Eden Brent. And you must see Kenny's twin sisters Charlene and Darlene shake their sizable bootays! Let me tell you the James Brown Dancers got nothin' on those girls!!

The next act for review is the Homemade Jamz Band. Another family band which consists of two brothers and their sister, Ryan (vocal and guitar), Kyle (bass) and Taya (drums) Perry. In addition to giving a blues "tutorial" of sorts to public school children on St. Croix, these youngsters really rock it out! They also appear to be very nice and talented young folks who are only going to get better. Again, the blues is in good hands with kids like this playing it! Of note is Ryan Perry's custom guitar made from a Ford muffler and replete with dual tailpipes!!

Also appearing and representing the artwork of the cruise was my old buddy, James "Super Chikan" Johnson. Clearly Super Chikan was by far the most accessible, funny, and generally congenial artist on the cruise as he was on my last Blues Cruise in Jan. of 2010. He takes the time to talk with anyone who strikes up a conversation with him and is more than happy to clown around during an impromptu photo request. His music was great but the man is greater than what he plays.

Also appearing was Rod Piazza & the All Mighty Flyers featuring Rod on harp and his wife, the incomparable Honey Piazza, on keyboards. Rod might have had the tightest band on the ship. Among some very very professional performances, The All Mighty Flyers stood out. Ran into the Piazzas in the elevator where Honey and I reminisced about the time we were backstage for Aretha Franklin's Chesapeake Blues Fest performance. Honey told me that Aretha is getting married. But by the time I was on the plane for home, People magazine informed me that the nuptials were off.

I tried to catch some of Bettye LaVette but something about her rubbed me the wrong way. I think it was her stage presence or personality. At one point she said she was going to sing all her "hits" and ask the audience why they never sold. Bettye's recordings are great but I wouldn't recommend going out of your way to see her live. To be fair, those who stayed said she did a stirring performance on her cover of The Who's "Love Reign O'er Me."

I know Kenny Wayne Shepherd was the feature headliner of this cruise but I never bothered to go see him. I've seen KWS perform numerous times and he can really play. But he doesn't bring anything new to the table. I know Bman doesn't share this feeling but I can just as easily listen to my old Stevie Ray Vaughan records if that's what I want to hear. Word on the ship from those who did see him play was that his special guest, Buddy Flett, was the star of his show anyway. I tried to watch Kenny Wayne's last set from the TV in my stateroom as I packed to disembark, but after 4 tunes I switched over to the Weather Channel.

So that's about it in two nutshells. Bottom line here is that the Legendary Blues Cruise is first and foremost the best vacation you can ever have. And secondly, if you enjoy blues music the cruise is the place to be. They've got another one scheduled for October sailing out of San Juan, PR. If you can, get on it!!

Shame Shame Shame - Kenny Wayne Shepherd

Kenny Wayne Shepherd (born Kenny Wayne Brobst, on June 12, 1977, Shreveport, Louisiana) is an American guitarist, singer, and songwriter. He has released several studio albums and experienced a rare level of commercial success both as a blues artist and a young musician.

While We Cry - Kenny Wayne Shepherd

Kenny Wayne Shepherd (born Kenny Wayne Brobst, on June 12, 1977, Shreveport, Louisiana) is an American guitarist, singer, and songwriter. He has released several studio albums and experienced a rare level of commercial success both as a blues artist and a young musician.
Shepherd graduated Caddo Magnet High School in Shreveport, Louisiana. The guitarist is "completely self taught", and does not read music. Growing up, Shepherd's father (Ken Shepherd) was a local radio personality and some-time concert promoter, and had a vast collection of music. Shepherd got his first "guitar" at the age of three or four, when his grandmother purchased a series of several plastic guitars for him with S&H Green Stamps, which Shepherd has said he would "go through like candy".

Shepherd stated in a 2010 interview that he began playing guitar in earnest at age seven, about six months after meeting and being "pretty mesmerized" by Stevie Ray Vaughan, in June 1984, at one of his father's promoted concerts. His self-taught method employed a process of learning one note at a time, playing and rewinding cassette tapes, utilizing "a cheap Yamaha wanna-be Stratocaster...made out of plywood, basically", learning Muddy Waters, Stevie Ray Vaughan, and Albert Lee licks from his father's vast music collection.

At the age of 13, Shepherd was invited on stage by the New Orleans bluesman Bryan Lee. After proving his abilities, he decided on music as a career. Demo tapes were made and a two-camera video was shot at Shepherd's first performance at the Red River Revel Arts Festival in Shreveport. It was this video performance that impressed Giant Records chief Irving Azoff enough to sign Shepherd to a multiple album record deal.

From 1995 on, Shepherd took six singles into the Top 10, and holds the record for the longest-running album on the Billboard Blues Charts with Trouble Is.... In 1996, Shepherd began a longtime collaboration with vocalist Noah Hunt, who provided the vocals for Shepherd's signature song, "Blue on Black". Shepherd has been nominated for five Grammy Awards, and has received two Billboard Music Awards, two Blues Music Awards and two Orville H. Gibson Awards.

In September 2008, Fender Musical Instruments Corp. released the Kenny Wayne Shepherd Signature Series Stratocaster, designed exclusively by Shepherd. Most recently, he developed a DVD–CD project, 10 Days Out: Blues from the Backroads. This documents Shepherd as he travels the country to jam with and interview the last of the authentic blues musicians. As they tour the backroads, Shepherd, with members of the Double Trouble Band, play with a host of blues greats including Clarence "Gatemouth" Brown and Bryan Lee, Buddy Flett (with whom he jams at Lead Belly's grave), B. B. King, blues harp master Jerry "Boogie" McCain, Cootie Stark, Neil Pattman, John Dee Holeman, Etta Baker, Henry Townsend with Honeyboy Edwards, and a concert session with the surviving members of Muddy Waters' and Howlin' Wolf's bands.

Chesepeake Bay Blues Fest - Blues Ace Reporting

Blues Aficionado Allen "Blues Ace" Anthony was on the scene for the festival as usual and brought us some great photos as well as short commentary. The picture of

Motor City Josh is of him (left) and his brother bringing the house down at the end of their set. What a pleasant surprise that band was! I had no idea how good that guy was.

Mac Arnold made his guitar out of a gas can. While it’s more of a guitar than many of Super Chikan’s glorified Diddley Bows, it also sounds it’s best when played with a slide rather than any primitive attempts at fretting notes or chords. (More to come on Mac Arnold). He spent a lot of time in the LA music scene for much of his career and has semi-retired back to South Carolina where he bases his band, Plateful of Blues. Another interesting thing about him is that he grew up with James Brown and played in high school bands with “The Godfather of Soul.”

John Mayall played a nice set. Did 3 songs off the Bluesbreakers “Beano” albums. Parchman Farm, and a few others. Also did a song, L&M Blues, aka Ridin’ On The L&M, which I know from other blues artists covers of it. But he introduced it as being a Lionel Hampton composition which I did not know.

Little Feat is always interesting every time I’ve seen them and this was no exception. They called out Nighthawks harpist Mark Wenner to play a couple songs, in particular Dixie Chicken, which is what they were playing when the photo was taken. First time I ever heard them play Dixie Chicken “stand-alone.” All of the half dozen times I’ve seen them they have morphed Dixie Chicken into a medley of some sort which almost always included Tripe Face Boogie. But this was about a 12-14 minute rendition of Dixie Chicken by itself. Their set was cut short by the demands that Kenny Wayne Shepherd take the stage at exactly his scheduled time. Fred Tackett looked like he was ready to break the band into Feats Don’t Fail Me Now as an encore, but they swept their carcases off the stage promptly. They even said, “We’d like to play one more but our time is up.” They were having fun and the crowd was heavily into it.

Then Kenny Wayne came on and played a standard set.

Ray Manzarek-Roy Rogers was very good by my estimation but I don’t think too many people got as excited by them as I did. Manzarek at one point played an instrumental solo of The Crystal Ship that was the highlight of their set. They also did Riders On the Storm where Manzarek sang and the crowd loved that but it was just OK. He also announced some kind of 40th anniversary of Jim Morrison’s death concert in Paris next month where they were going to play.

Roy Rogers did not have his guitar coming through the PA like it should have. It was weak so it’s hard to tell how good he was really. It was the only issue I had with the sound production for the whole two days of the festival.

Ronnie Baker Brooks damn near stole the whole show. He was terriffic! Way better than Lonnie Brooks was a couple years back. Looking forward to seeing him on the Cruise.

The Lee Boys were great. It’s a band of all family, either brothers or nephews, cousins, and uncles. They call their music “Sacred Steel” which is a base of gospel with generous portions of blues, jazz, mixed with part soul, r&b, and country. It’s is much like Robert Randolph. This band is basically a top notch rhythm section in support of their centerpiece, keystone, and focal point, Roosevelt “The Dr.” on pedal steel and lap slide guitar. I got to say, in a head-cuttin’ contest with the Devil on pedal steel, and my soul on the line, I might take Roosevelt over anybody alive including Robert Randolph! That dude was awesome.