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Showing posts with label Forty Below Records. Show all posts
Showing posts with label Forty Below Records. Show all posts

Friday, July 8, 2016

Forty Below Records Releases Today a Special 2-LP Gatefold Vinyl Version of "John Mayall's Bluesbreakers Live in 1967 - Volume Two"




Forty Below Records Releases Today a Special 2-LP Gatefold Vinyl Version of John Mayall’s Bluesbreakers Live in 1967 – Volume Two


Second Edition of Previously Unreleased Live Recordings Feature John Mayall, Peter Green, John McVie and Mick Fleetwood

LOS ANGELES, CA – Forty Below Records today (July 8) released  a special 2-LP gatefold vinyl version of the second set of previously unavailable live recordings from newly-elected Blues Hall of Fame inductee John Mayall and his classic 1967 Bluesbreakers band, titled John Mayall’s Bluesbreakers– Live in 1967- Volume Two. The new two-LP set, which follows the May 6 release of the set on CD,  continues the archival blues path blazed in Volume One that captures heralded performances of one of the best of the Bluesbreakers band lineups, featuring iconic musicians John Mayall (vocals, keyboards, harmonica), Peter Green (lead guitar), John McVie (bass) and Mick Fleetwood (drums). (“A welcome second helping” – Rolling Stone; “Essential listening” – Blues Music Magazine; “Raw, uncontested power blues.” – Elmore).

Distributed by Sony/RED, John Mayall’s Bluesbreakers – Live in 1967 – Volume Two showcases a legendary group of players who while only together a short three months, created a lasting legacy, made an immense impact on music and led to the formation of one of the most acclaimed groups of all-time when Green, McVie and Fleetwood left to form Fleetwood Mac. Produced by John Mayall (who also did the cover package photography, artwork and design) and Forty Below’s Eric Corne from one channel reel-to-reel original tapes recorded by Tom Huissen, John Mayall’s Bluesbreakers– Live in 1967- Volume Two contains performances recorded in the Spring of 1967 at such well-known London venues as Bromley, The Marquee Club, The Ram Jam Club and Klook’s Kleek. 

“I am so happy that the remaining usable tracks from these London club dates have been released as a follow-up to the well-received Volume One,” says John Mayall about the new album. “Peter Green as before is on fire throughout and this set includes a great instrumental based on his composition, ‘Greeny.’ There are a couple of Otis Rush tracks that were included on the first volume, but they are from different venues and totally different.  I couldn’t possibly let these slide.  Also, there is another version of T-Bone Walker’s 'Stormy Monday’ that is sung by Ronnie Jones, who would frequently sit in at our gigs. John McVie gets in a great bass solo on ‘Chicago Line’ and Mick Fleetwood drives the whole set with his unique and powerful drumming. With these new tracks added to the collection, it pretty much features all the material we had in our repertoire at that time and I’m very glad that you can now enjoy this great piece of rock/blues history.”

Volume Two showcases three John Mayall originals including the opening track, all-time blues classic “Tears in My Eyes;” “Chicago Line;” and “Please Don’t Tell,” a great example of the power blues sound The Bluesbreakers were revered for around the world. These historical performances were captured for all time and largely unheard for almost fifty years until John Mayall recently obtained the tapes and began restoring them with the technical assistance of Eric Corne. Speaking about the tapes, Corne says, “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The Bluesbreakers live sets at the time of these performances included songs that had originally appeared on the first two band studio recordings with Eric Clapton and Peter Green, respectively, holding down the guitar chair in the group, as well as some that would soon be recorded for the third LP, Crusade, by which time Green, McVie and Fleetwood had left to start Fleetwood Mac and the new guitar player was a young, then-unknown Mick Taylor, who would later go on to further fame and glory as a member of The Rolling Stones.

Of the new album’s 13 tracks, three are songs that first appeared on Volume One, although these new tracks included here were recorded on different nights and ably demonstrate how improvisational the band could be infusing a different feel and tone from night-to-night. Of particular interest is the inclusion of the version of “Stormy Monday,” which features special guest vocalist Ronnie Jones, a former American serviceman and original member of  the first incarnation of Blues Incorporated, a contemporary band to the Bluesbreakers, which included Alexis Korner, Cyril Davies, Jack Bruce and Ginger Baker during its lifetime. Another highlight is the Peter Green instrumental, “Greeny,” which perfectly states the case for why he is still revered as one of the best-ever guitarists. 

John Mayall’s Bluesbreakers– Live in 1967- Volume Two – Track Listing

Side A
1     TEARS IN MY EYES                                                    7:31
                Mayall/Warner/Chappell Music Ltd (PRS)
2     YOUR FUNERAL AND MY TRIAL                          5:32
                Williamson/Arc Music (BMI)
3     SO MANY ROADS                                                     8:18
           Marshall/Arc Music (BMI)

Side B
4     BYE BYE BIRD                                                                              5:02
                Dixon-Williamson/Arc Music-Hoochie Coochie Music (BMI)
5     PLEASE DON’T TELL                                  4:08
                Mayall/Carlin Music (PRS)
6     SWEET LITTLE ANGEL                                              6:10
                King-Taub/Universal Music (BMI)
7     TALK TO YOUR DAUGHTER                   3:00
                Lenoir-Atkins/BMG Platinum Songs obo Arc Music (BMI)

Side C
8     BAD BOY                                                                      5:08
                Taylor/Conrad Music (BMI)
9     STORMY MONDAY                                                  8:21
                Walker/Gregmark Music-Lord & Walker (BMI)
10   GREENY                                                                        6:36
                Green/Unichappell Music (BMI)

Side D
11    RIDIN’ ON THE L&N                                                                2:22
                Hampton-Burley/Trio Music (BMI)
12    CHICAGO LINE                                                          4:34
                Mayall/ Carlin Music (PRS)
13   DOUBLE TROUBLE                                                    6:35
            Rush/Conrad Music (BMI)

For more information, visit www.johnmayall.com and www.fortybelowrecords.com

Thursday, April 14, 2016

Forty Below Records artist: John Mayall's Bluesbreakers - Live In 1967 - Volume Two - New Release Review

I just received the second installment from Forty Below of John Mayall's Bluesbreakers, Live in 1967 in it is spectacular! Like the earlier Volume 1 , this release (May 6, 2016) is the band made up of Mayall along with Peter Green, John McVie and Mick Fleetwood, the core of the later, Peter Green's Fleetwood Mac.
Opening with Mayall composition, Tears In My Eyes, these guys waste no time showing you why this release is important. It is hot, explosive and vital! Mayall's vocals are at his best and Green was disputably the best white blues player in the world. McVie laying down a solid bottom and Fleetwood handling the drums, Green literally scorches the stage with incredible riff and incredible riff. If there is anything wrong with this track, it's too short at over 7 and a half minutes. Excellent!! Sonny Boy Williamson track, Your Funeral and My Trial really hits the groove and Mayall is on it on vocal and harp. This is a great track with that Mayall magic! Classic, So Many Roads, fits so perfectly into this band's style that it's unbelievable. Clocking in at over 8 minutes, Green literally tears it up. Mayall leads the way on vocal and McVie and Fleetwood support strongly but Green is just unbelievable. Excellent! On Dixon/Williamson composition, Bye Bye Bird, Mayall is back up front on harp and shows why he is considered the father of modern blues. His harp playing is inspired and tight. Another original track, Please Don't Tell sets the early British rock sound made popular by the Yardbirds and Foghat. Super rocker. Sure, Green comes in a rips it up but it's the rocking groove that makes this track what it is. Next up is a super BB King track, Sweet Little Angel, and Mayall slides into a real nice vocal groove cushioned by his own keyboard work. Easy paced guitar work by Green is respectful of King's own style, thoughtful and expressive yet compelling. JB Lenoir's Talk To Your Daughter has a rockin' shuffle and balanced instrumentals throughout. Featuring the lead vocal of Mayall and fleet guitar work of Green, a cool track. Eddie Taylor's Bad Boy has a cool Chicago shuffle feel with highlights on harp responding to Mayall's vocals. Green bursts loose with a nice solo as does Mayall on electric keys. T-Bone Walkers well known classic, before it was broadly known, Stormy Monday, is an ideal track to feature Ronnie Jones on vocal as well as Green cutting in. Greeny is a Freddy King style shuffle instrumental with Green just laying it out there.... a 6 plus minute guitar jam with Mayall on keys. Very cool! Riding on the L&N is a great rocker a la Chuck Berry. Without getting too flashy, this track is a rocker! Mayall original, Chicago Line is up next and has classic Mayall sound. McVie takes a great bass solo on this track, an unusual feature and well done. Wrapping the release is Otis Rush's Double Trouble. Mayall is made to sing and play these slow blues tracks and there's no secret that Green knows how to blow them up. His phrasing and emotional output on guitar is spectacular, leading to his ultimate formation of his own band. Excellent show and one that you should definitely hear.

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Thursday, March 10, 2016

Forty Below Records Sets May 6 Release Date for "John Mayall's Bluesbreakers Live in 1967 - Volume Two" CD





Forty Below Records Sets May 6 Release Date for
John Mayall’s Bluesbreakers Live in 1967 – Volume Two CD

Second Edition of Previously Unreleased Live Recordings Feature John Mayall, Peter Green, John McVie and
Mick Fleetwood

LOS ANGELES, CA – Prompted by the critical and commercial success of the 2015 release of previously unavailable live recordings from newly-elected Blues Hall of Fame inductee John Mayall and his classic 1967 Bluesbreakers band, Forty Below Records has announced a second batch of recordings to be released on May 6. Titled John Mayall’s Bluesbreakers– Live in 1967- Volume Two, the new CD continues the archival blues path blazed in Volume One that captures heralded performances of one of the best of the Bluesbreakers band lineups, featuring iconic musicians John Mayall (vocals, keyboards, harmonica), Peter Green (lead guitar), John McVie (bass) and Mick Fleetwood (drums). Distributed by Sony/RED, John Mayall’s Bluesbreakers – Live in 1967 – Volume Two showcases a legendary group of players who while only together a short three months, created a lasting legacy, made an immense impact on music and led to the formation of one of the most acclaimed groups of all-time when Green, McVie and Fleetwood left to form Fleetwood Mac.

Produced by John Mayall (who also did the cover package photography, artwork and design) and Forty Below’s Eric Corne from one channel reel-to-reel original tapes recorded by Tom Huissen, John Mayall’s Bluesbreakers– Live in 1967- Volume Two contains performances recorded in the Spring of 1967 at such well-known London venues as Bromley, The Marquee Club, The Ram Jam Club and Klook’s Kleek. 

“I am so happy that the remaining usable tracks from these London club dates have been released as a follow-up to the well-received Volume One,” says John Mayall about the new album. “Peter Green as before is on fire throughout and this set includes a great instrumental based on his composition, ‘Greeny.’ There are a couple of Otis Rush tracks that were included on the first volume, but they are from different venues and totally different.  I couldn’t possibly let these slide.  Also, there is another version of T-Bone Walker’s 'Stormy Monday’ that is sung by Ronnie Jones, who would frequently sit in at our gigs. John McVie gets in a great bass solo on ‘Chicago Line’ and Mick Fleetwood drives the whole set with his unique and powerful drumming. With these new tracks added to the collection, it pretty much features all the material we had in our repertoire at that time and I’m very glad that you can now enjoy this great piece of rock/blues history.”


Volume Two showcases three John Mayall originals including the opening track, all-time blues classic “Tears in My Eyes;” “Chicago Line;” and “Please Don’t Tell,” a great example of the power blues sound The Bluesbreakers were revered for around the world. These historical performances were captured for all time and largely unheard for almost fifty years until John Mayall recently obtained the tapes and began restoring them with the technical assistance of Eric Corne. Speaking about the tapes, Corne says, “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The Bluesbreakers live sets at the time of these performances included songs that had originally appeared on the first two band studio recordings with Eric Clapton and Peter Green, respectively, holding down the guitar chair in the group, as well as some that would soon be recorded for the third LP, Crusade, by which time Green, McVie and Fleetwood had left to start Fleetwood Mac and the new guitar player was a young, then-unknown Mick Taylor, who would later go on to further fame and glory as a member of The Rolling Stones.

Of the new album’s 13 tracks, three are songs that first appeared on Volume One, although these new tracks included here were recorded on different nights and ably demonstrate how improvisational the band could be infusing a different feel and tone from night-to-night. Of particular interest is the inclusion of the version of “Stormy Monday,” which features special guest vocalist Ronnie Jones, a former American serviceman and original member of  the first incarnation of Blues Incorporated, a contemporary band to the Bluesbreakers, which included Alexis Korner, Cyril Davies, Jack Bruce and Ginger Baker during its lifetime. Another highlight is the Peter Green instrumental, “Greeny,” which perfectly states the case for why he is still revered as one of the best-ever guitarists. 

John Mayall’s Bluesbreakers– Live in 1967- Volume Two – Track Listing

1     TEARS IN MY EYES                                                    7:31
                Mayall/Warner/Chappell Music Ltd (PRS)
2     YOUR FUNERAL AND MY TRIAL                          5:32
                Williamson/Arc Music (BMI)
3     SO MANY ROADS                                                     8:18
           Marshall/Arc Music (BMI)
4     BYE BYE BIRD                                                              5:02
                Dixon-Williamson/Arc Music-Hoochie Coochie Music (BMI)
5     PLEASE DON’T TELL                                                  4:08
                Mayall/Carlin Music (PRS)
6     SWEET LITTLE ANGEL                                              6:10
                King-Taub/Universal Music (BMI)
7     TALK TO YOUR DAUGHTER                                   3:00
                Lenoir-Atkins/BMG Platinum Songs obo Arc Music (BMI)
8     BAD BOY                                                                      5:08
                Taylor/Conrad Music (BMI)
9     STORMY MONDAY                                                  8:21
                Walker/Gregmark Music-Lord & Walker (BMI)
10   GREENY                                                                        6:36
                Green/Unichappell Music (BMI)
11    RIDIN’ ON THE L&N                                                2:22
                Hampton-Burley/Trio Music (BMI)
12    CHICAGO LINE                                                          4:34
                Mayall/ Carlin Music (PRS)
13   DOUBLE TROUBLE                                                    6:35
            Rush/Conrad Music (BMI)

For more information, visit www.johnmayall.com and www.fortybelowrecords.com

Thursday, January 28, 2016

Forty Below Records Sets February 26 Release Date for Vinyl LP Version of "Find a Way to Care" Album from British Blues Godfather John Mayall

Forty Below Records Sets February 26 Release Date for Vinyl LP Version of Find a Way to Care Album from British Blues Godfather John Mayall

New March Tour Dates Announced

LOS ANGELES, CA – Forty Below Records has announced a February 26 release date for the vinyl LP version of the latest album from legendary blues artist, John Mayall, Find a Way to Care, which follows its critically-acclaimed CD launch in September, 2015. John Mayall and his band have scheduled a series of U.S. tour dates starting in early March to help kick-off the LP’s debut.    



To watch the video trailer premiere of the making of the Find a Way to Care album:








Since its release on CD, the reviews of Find a Way to Care have been universally glowing: “Find a Way to Care represents another soulful mile marker on John Mayall’s incredible life journey into the blues” – Living Blues; “The Godfather of British Blues” has been experiencing a true artistic and career renaissance lately and the revival continues with the release of the brilliant new studio album, Find a Way to Care” – Relix Magazine; “A blues traditionalist at heart and a gambler by nature, Find a Way to Care proves that John Mayall still has a few musical tricks up his sleeve.” – Blues Music Magazine.

Produced by John Mayall (who also did the graphic design and artwork for the album) and Forty Below’s Eric Corne, Find a Way to Care was recorded at the House of Blues Studio in Encino, California. In addition to Mayall (vocals, piano, Hammond organ, Wurlitzer, clavinet, guitar and harmonica), featured on the sessions are Rocky Athas (lead and rhythm guitar), Greg Rzab (bass) and Jay Davenport (drums), who collectively are now into their seventh year as John’s band. The group is also augmented by a horn section on several tracks.

About the new album, Eric Corne says, “I really wanted to feature John's keyboard playing on this record. He’s truly one of the most lyrical, economical and underrated keyboardists around. We also wanted to change things up a bit after the success of A Special Life and the addition of a horn section on several tracks was a really fun way to do that. As good as the last album was, I think this one is even better.”

The even-dozen tracks on Find a Way to Care include a scintillating group of new songs and savvy covers of “Mother in Law Blues” (Don Robey),  “The River’s Invitation” (Percy Mayfield), “I Feel So Bad”(Lightnin’ Hopkins), “Long Distance Call” (Muddy Waters), “I Want All My Money Back” (Lee Baker) and Drifting Blues” (Charles Brown).

About his choice of cover songs on the new album, Mayall says, “Every time I make an album, I always feel I owe it to my fans to come up with fresh and varied interpretations of the blues. With this in mind, I chose an assemblage of songs that includes perhaps some slightly lesser-known bluesmen, and that all had either different beats or special instrumental treatments. I also found three songs that would be further enhanced by the addition of horns.”
Added to the mix are original songs that always feature Mayall’s take on the current human condition, as well as universal truths. “As always, I draw from my own experiences and thoughts about things in my life so that from album to album I create on ongoing musical diary of my life,” he explains. “The blues never lets me down!”
Find a Way to Care comes following an especially exciting year-long period of great music from Mayall that included the 2014 release of his first studio album in five years, A Special Life, and the April, 2015, release of John Mayall’s Bluesbreakers – Live in 1967 (Never Before Heard Live Performances). The live album was a critically-lauded archival recording of one of the best of his Bluesbreakers band lineups that featured Mayall, as well as Peter Green (lead guitar), John McVie (bass) and Mick Fleetwood (drums). It showcased a band that was together for only a scant three months, yet created a lasting legacy, made an immense impact on music and led to the formation of one of the most acclaimed groups of all-time when Green, McVie and Fleetwood left to form Fleetwood Mac.

For over 50 years, John Mayall has served as a pioneer of blues music, rightly earning him the title, “The Godfather of British Blues.” In 2013, John signed with producer Eric Corne’s label, Forty Below Records, and the three albums released since continue to raise Mayall’s recognition as a true pioneer and innovator in blues and roots music. He continues to perform extensively both in the USA and abroad, and has an ambitious touring schedule in place for the rest of the summer and fall that was booked by Monterey International Artists (www.montereyinternational.net).



For more information, visit www.johnmayall.com and www.fortybelowrecords.com

John Mayall Current US Tour Itinerary
3/8                         City Winery                                                                         Nashville, TN
3/9                         Variety Playhouse                                                           Atlanta, GA
3/10                       Bijou Theatre                                                                     Knoxville, TN
3/11                       Neighborhood Theatre                                                 Charlotte, NC
3/12                       Lincoln Theatre                                                                 Raleigh, NC
3/13                       Tin Pan                                                                                 Richmond, VA
3/15                       Rams Head on Stage                                                       Annapolis, MD
3/16                       The Hamilton                                                                     Washington, DC
3/17                       Towne Crier                                                                       Beacon, NY
3/18                       Sellersville Theatre                                                          Sellersville, PA
3/19                       Katherine Hepburn Arts Center                                 Old Saybrook, CT
3/20                       Boulton Center for the Performing Arts                 Bay Shore, NY
3/21-3/22            City Winery                                                                         New York, NY
3/23                       Bull Run Restaurant                                                        Shirley MA
3/24                       Colonial Theatre                                                               Pittsfield, MA
3/25                       Flying Monkey                                                                  Plymouth, NH                                   
3/26                       Cabot Theatre                                                                   Beverly, MA
3/27                       Narrows Center for the Arts                                       Fall River, MA

Additional dates forthcoming …