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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Dr John. Show all posts
Showing posts with label Dr John. Show all posts

Tuesday, February 9, 2016

The Prodigal Returns - Keith Stone - New Release Review

I just received the newest release, The Prodigal Returns, by Keith Stone and it's a healthy slice of New Orleans. Opening with Prelude (Just A Closer Walk With The) featuring the incomparable Dr John on piano, Tim Stambaugh on sax, Kevin Clark on trumpet, David Phy on Trombone and Cale Pellick on alto sax. This is the unmistakable sound of New Orleans. Better Things To Do is a funk infused rocker with hi steppin horns and tweaking guitars.Featuring Stone on vocal and guitar, David Hyde on bass, Nelson Blanchard on drums and organ, Lacy Blackledge on trumpet and Mike Broussard on sax. First Love digs down for a smooth blues number and Stone rips some really gripping riffs on this one. With Blackledge and Broussard on horns, Hyde's guiding bass riffs and Blanchard's drum and key contributions, this one's hot! Cindi Leigh has a cool bass rhythm and flavorful accordion work from Bruce "Sunpie" Barnes. With some of the best vocals on the release this track also features a super sax solo by Bobby Henderson. Take Me Home has solid pop R&B style with particularly nice bass runs by Hyde, bari sax work by Broussard and backing vocals by Elaine Foster and Nelson Blanchard. On ballad, New Orleans Moonlight, Stone is really featured up front on vocal with solid horn backing. A pure radio track. Time To Move On has that great New Orleans style funk with hot horn punctuation. Henderson steps up again with a killer sax part and Stone rips loose again on guitar stirring the pot. Very nice! Make Me Feel Alright is a rocker with snappy snare work by Blanchard and another hot sax solo from Henderson. Stone's country flavored guitar riffs and backing vocals by Blanchard give it a rockabilly feel. Buster's Place is driven by a great walking bass line by Hyde and perfect balance between Blackledge and Broussard's horn work and nicely stylized guitar soloing by Stone. With it's solid jazzy feel it's possibly my favorite track on the release. Excellent! Title track, The Prodigal Returns, has a cool N.O. funky feel with a bit of O'Jays and with an open floor gives Stone and Henderson great opportunities for excellent explosive solos. Very cool! Wrapping the release is a full track of Just A Closer Walk With Thee featuring Dr John on piano,Stone on guitar and vocal, Hyde on bass, Joe Krown on organ, Doug Belote on drums, Tim Stambaugh on sousaphone, Kevin Clark on trumpet, David Phy on trombone and Cale Pellick on sax and Elaine Foster with spiritual like backing vocals. With New Orleans style blues phrasing, an excellent closer!

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Wednesday, August 13, 2014

Proper Records artist: Dr. John - Ske-Dat - De-Dat ... Spirit Of Satch - New Release review

I just received the newest release, Ske-Dat-De-Dat ... Spirit of Satch from Dr John and I quite like it. Oh yeah. With a tribute to an older statesman, there are some old time ballads but with a fresh look which is overall very interesting. On opener, What A Wonderful World, The Blind Boys Of Alabama add a different dimension to what is done sixties pop style with a twist of New Orleans. Terrence Blanchard a really nice melodic trumpet solo over what is otherwise a funky orchestral arrangement. Mack The Knife gets a total revamp with a solid New Orleans strut. With very little except lyrics to the original track, this is an ingenious mix with brilliant work from Blanchard. There is a rap break which I don't care for but overall the track is excellent. Tight Like That has a real Latin feel with vocals by Telmary and sweet Spanish guitar and really smart trumpet work by Arturo Sandoval. I've Got The World On A String stays with very traditional arrangement say, Tony Bennett or Frank Sinatra but with a Dr John twist. The good Dr and Bonnie Raitt handle the vocal duet which is very solid. Stylized swing blues guitar work on the bridge is really nice. Gut Bucket Blues has a really cool bari sax bottom and full horn tribute. Dr Johns vocals are as good as any on the release with a gritty feel. Nicholas Payton takes the floor with trumpet on this track blowin some serious brass. On Sometimes I Feel Like A Motherless Child, Anthony Hamilton takes the mic singing a counter melody to the all to familiar track adding mystery and interest. With a neo soul feel to the track, warm backing vocals and horns this track is as fresh as the first time I heard it. On That's My Home, Dr John takes a straight ahead swat and with his relaxed interpretive way weaves a smooth and comforting track with beautiful trumpet highlights from Wendell Brunious. On classic gospel track Nobody Knows The Trouble I've Seen, lead vocals are handled by Ledisi backed by the McCrary Sisters. It still maintains a a spiritual feel but with more of a modern take and less of a "pure spiritual" track as most of us (at least me) have heard. Nice job! Wrap Your Troubles In Your Dreams finds the good Dr back at the mic and also predominantly out front with the piano. The Blind Boys of Alabama are back with both solo and backing vocals and less tight but soulful trumpet work from Terence Blanchard adds a nice touch. Dippermouth Blues comes out with horns blaring and a cool New Orleans march rhythm. The Dr has the keys rolling and the saxs are honking. James Andrews steps up with some authentic feeling NO trumpet styling. This is a great party track and with warm organ work may be one of my favorite tracks on the release. Blues giant Shemekia Copeland joins the Dr on Sweet Hunk O'Trash and with a funky bottom gets you groovin fast. Hot funky instrumentals throughout this track make it another nice add. Memories Of You has Dr John in the lounge mode laid back with his piano with brilliant punctuation by Arturo Sandoval on trumpet. Hot sax work opens the last track on the release, When You're Smiling. With a definite Latin/Mardi Gras feel and the great Dirty Dozen Brass band, the party is leaving town. This is a fun release with some hot trumpet work.

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Thursday, June 26, 2014

Dr John announces Louis Armstrong tribute album ft. Bonnie Raitt, Blind Boys of Alabama and more

ROCK N ROLL HALL OF FAMER, AND SIX-TIME GRAMMY WINNER, DR JOHN GOES BACK TO THE SOURCE WITH SKE-DAT-DE-DAT...SPIRIT OF SATCH

New Orleans musical giant pays tribute to fellow Crescent City legend Louis Armstrong with star-studded, divinely-inspired new tribute disc

Proper Records / September 1st 




Rock and Roll Hall of Fame inductee and six-time GRAMMY®-winner Dr. John is New Orleans' most prominent living musical icon. The embodiment of his hometown's freewheeling creative spirit and multiple musical traditions, he's built a visionary, idiosyncratic body of work that's deeply rooted in the Crescent City's myriad blues, R&B, jazz and rock 'n' roll traditions.

So it's fitting that Dr. John's new album on Proper Records, Ske-Dat-De-Dat...Spirit of Satch, pays heartfelt tribute to another larger-than-life New Orleans legend: the seminal trumpeter and vocalist Louis "Satchmo" Armstrong, whose musical innovations created the template for 20th-century jazz, and whose playful attitude and life-embracing spirit made him a beloved figure whose worldwide appeal transcended music.

"He's the most famous guy that ever came out of my neighborhood," notes Dr. John. "He became a legend all over, for his trumpet playin' and everything else, and he was the United States' ambassador to the world."

Ske-Dat-De-Dat...Spirit of Satch honors Armstrong's musical genius as well as his effervescent personality with 13 classic numbers drawn from various phases of Armstrong's five-decade career, with Dr. John joined by a stellar supporting cast that manages to update the material while maintaining the music's timeless emotional appeal.

The subtitle Spirit of Satch is particularly appropriate given the album's birth cycle, which Dr. John says was set into motion when the late Armstrong—whom he'd only met once during his lifetime, in the office of their mutual manager Joe Glaser—came to him in a dream.

"Louis's spirit came to me and told me to do something, that's how this whole thing started," says Dr. John, who's previously released tribute albums to musical giants Duke Ellington and Johnny Mercer. "Louis told me, 'Take my music and do it your way.'  It was the most unexpected thing in the world to me, to have Louis' spirit show up like that, but he gave me a concept of where to roll with it that was spiritually correct. That made me feel very open to try some different things, because I felt that his spirit had ok'ed this record."

Prior to making the album, Dr. John honored Satchmo on stage, presenting rapturously received tribute concerts, dubbed "Props to Pops," at New York's Brooklyn Academy of Music in March 2012 and at the Hollywood Bowl in July 2013.

In addition to Dr. John's trademark vocals and piano, and backup from some of New Orleans' finest musicians, Ske-Dat-De-Dat...Spirit of Satch features a stellar assortment of guest singers and players. Bonnie Raitt shares the spotlight on a swinging reading of "I've Got the World On A String," Ledisi and the McCrary Sisters lend gospel authority to "Nobody Knows the Trouble I've Seen," Anthony Hamilton is featured on a mournful "Sometimes I Feel Like A Motherless Child," Shemekia Copeland trades verses with Dr. John on a playful reworking on "Sweet Hunk O' Trash," and the Blind Boys of Alabama lend their powerful voices to "What A Wonderful World" and "Wrap Your Troubles in Dreams."

Since Ske-Dat-De-Dat...Spirit of Satch is a tribute to the man who popularized the trumpet for a worldwide audience, it's fitting that the project should feature some of today's greatest trumpeters, namely Nicholas Payton (on "What A Wonderful World" and "Gut Bucket Blues"), Terence Blanchard ("Mack the Knife," "Wrap Your Troubles in Dreams"), Arturo Sandoval ("Tight Like This," "Memories of You"), Wendell Brunious ("Thats My Home") and James Andrews ("Dippermouth Blues"), along with New Orleans' legendary horn ensemble the Dirty Dozen Brass Band ("When You're Smiling").

"The whole thing felt pretty special, and I definitely was in a different zone for this record," says Dr. John, who co-produced the album with his longtime trombonist Sarah Morrow, who also arranged ten of the album's 13 tracks. "I wanted to pull together some of his hits and some of songs he wasn't as well known for, and make them feel fresh and different. Sarah wrote some slammin' charts that kept everything spacious and hip. And everybody played and sang great, and gave it their own spirit."

Ske-Dat-De-Dat...Spirit of Satch is the latest achievement in a singular musical history that stretches back to the 1950s, when Dr. John—then still known by his given name, Mac Rebennack—emerged as an in-demand producer, guitarist, pianist and songwriter on New Orleans' studio scene, working for such local labels as Ace, Ron and Ric, collaborating with the likes of James Booker, Earl King, Professor Longhair, Art Neville and Frankie Ford, and scoring the regional solo hit "Storm Warning."

In the early '60s, he relocated to Los Angeles, where he played on countless sessions before debuting his flamboyant new musical persona, "Dr. John, The Night Tripper," with his first solo album, 1968's Gris-Gris, which introduced the world to his uniquely eclectic voodoo-funk. In the years since, he has remained a distinctly prolific and powerful force, releasing more than 30 albums of his own while collaborating with a broad array of acts including the Rolling Stones, Sonny and Cher, Van Morrison, Aretha Franklin, Gregg Allman, Mike Bloomfield, Levon Helm, Ringo Starr, Rickie Lee Jones, B.B. King and Christina Aguilera. He also performed in such films as The Last Waltz and Blues Brothers 2000, and pursued a successful two-decade songwriting partnership with legendary tunesmith Doc Pomus.

Dr. John was inducted into the Rock and Roll Hall of Fame in 2011, and won the most recent of his six GRAMMY® Awards when 2012's Locked Down was voted that year's Best Blues Album.

Thursday, February 6, 2014

Silver Talon Records artist: Bobby Rush with Blinddog Smokin' - Decisions - New Release review

I just received the newest release (April 15, 2014), Decisions by Bobby Rush with Blinddog Smokin'. Opening with slinky R&B track, Another Murder Down In New Orleans, Rush and Dr. John (Rebenack)exchange really nice vocals and this really strong track is reinforced by nice backing vocals by Linda Gustafson. Distinctive piano work by Dr John is certainly present and Robert Chalo Ortiz also adds substantially with searing guitar riffs accenting a super effort. Title track, Decisions, stays in the R&B style package with more emphasis on rhythm by Chicago Chuck Gullens on drums and Roland Pritzger on bass. Billy Branch chimes in on this track with cool harp accents and the groove continues. Bobby Rush's Bus takes a solid down the funky trail. Pritzger really takes the lead on this track and backing vocals from Eric Bernhardt, Lorenzo Castillo, Yolanda Windsay and Jolynda Philips add to the general feel with warn sax work rolls from the sky complimenting Robertson and Carl Weathersby on guitar solos and Billy Branch on harp. If That's The Way You Like It I Like It Is Simple on lyrics but stinging guitar work and heavy horns from Eric Bernhardt (sax), Alex Blaine (sax), Mindi Abir (sax), Tom Saviano (sax), Rev. Dave Bonuff (sax), Travis Blotsky (sax), Brandon Lewis and Chuck Findley on trumpet and Nick Lane on Trombone. Funky Old Man is a really cool track with heavy horns and great backing vocals. (Think James Brown). Love Of A Woman has a loping blues sound (think Sitting On Top Of The World) with Rush taking control on simple vocals. A stripped down blues sound is very cool with harp solo from Branch and Mo Beeks keeping the keys on target. Simple rudimentary drumming is just right on this track by Gustafson. Stand Back is a fusion of Rap, heavy Caribbean and Latin (think Smooth with more Latin authenticity and spoken vocals). A recurring guitar solo reminicent of Santana's Smooth, by Ortiz gives this track it's more contemporary sound because the percussion by Michael Skinkus and Ronnie Gutierrez is terrific. Skinny Little Woman has a Jimmy Reed feel and Branch and Rush have it pegged. One of my favorite tracks on the release, the groove is just there. Dr. Rush, a straight rap track has an intro by Big Llou Johnson and then is basically samples and percussion. Too Much Weekend takes the lighter road with acoustic guitar and harp under Rush's vocals. As the track develops, the fullness of the band grows with added players. Sitting Here Waiting is a R&B style pop track that could easily get airplay with a cool melody and contagious beat. Included in this deluxe package are extensive liner notes with full lyrics and photos as well as musical credits. A DVD is also included with a cool video of Another Murder Down In New Orleans. This really is a strong track and switching back and forth between street scenes, graphics and music footage is well done and interesting. A short video discussion with Dr John is also quite interesting followed by Rush accompanying himself on harp. Very nice! A third video track shows a full array of photos of the artists performing and backstage imaging.

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Monday, July 15, 2013

Grammy-Winner Cyril Neville Cooks Up a Mojo Musical Gumbo on "Magic Honey," His Ruf Records Debut Solo CD, Coming September 10




Cyril Neville Cooks Up a Mojo Musical Gumbo on Magic Honey, His Ruf Records Debut Solo CD, Coming September 10

Grammy-Winning Singer/Percussionist Dazzles on New Album, Produced by David Z, with Special Guests Allen Toussaint, Dr. John, Mike Zito and Walter Trout




NEW ORLEANS, LA – Ruf Records announces a September 10 release date for Magic Honey, the new album (and first solo outing for the label) from Grammy-winning singer/percussionist Cyril Neville. On the new CD, Cyril steps outside his Royal Southern Brotherhood membership to create a dazzling roots musical gumbo that stirs the pot with many flavors. Produced by David Z (Prince, Etta James, Buddy Guy) and recorded at Studio in the Country in Bogalusa, Louisiana, Magic Honey delivers an amazing amalgam of sounds, all tethered to Cyril’s most-soulful of vocals, and backed by an all-star band that includes Cranston Clements – guitar; “Mean” Willie Green – drums; Carl Dufrene – bass; and Norman Caesar – keyboards. And if that’s not enough, joining in on the fun as special guests are two roots music icons - Allen Toussaint and Dr. John – on piano and organ respectively, plus fellow Royal Southern Brotherhood bandmate Mike Zito and Walter Trout on guitars.     

Cyril also makes the recording a true family affair with the addition of his wife, Gaynielle, and son, Omari, providing a special dash of spice on backup vocals. There’s also a sprinkle of celebrity stardust, with New Orleans veteran Allen Toussaint handling the keys on the cuckolded shuffle of “Another Man,” Dr. John on organ for “Swamp Funk,” ex-Bluesbreakers axeman Walter Trout boiling up “Running Water” and Mike Zito lending muscular riffing to “Money and Oil” and “Working Man.”

“Making this record was a spiritual, musical event,” says Neville about the sessions. “The musicians and I approached it like it was an important gig we were playing. All the tracks are first takes. The atmosphere was just that electric. All the way live! I waited a long time to work with David Z and I feel the wait was well worth it. I love how the record turned out. I was blessed with the best rhythm section for the occasion in ‘Mean’ Willie Green, Cranston Clements, Carl Dufrene and Norman Caesar. And blessed again with the presence of two of my mentors and heroes: Allen Toussaint and Dr. John. I'm extremely proud of this record. It's a tasteful, well-cooked musical gumbo that I think will be pleasing to the musical palates of most music lovers.”
As in any great gumbo – musical or otherwise – Cyril Neville blends many ingredients to create a signature sonic dish that draws from a wellspring of blues, soul, funk, rock and world music, adds some heat to the mix and stirs it up to a beautiful boil. The even-dozen tracks on Magic Honey showcase an incredibly talented songwriter bringing his words to life with a mystical, spiritual honesty and simplicity that transcends any musical categories.
Cyril might have one foot planted in the traditions of the blues, such as the raw emotion on “Something’s Got a Hold of Me” or the slow-burning “Blues Is the Truth, but the other is striding out and kicking the rulebook aside. There’s the spring-heeled, funk-flavored strut of “Running Water,” the snare-cracking groove of “Invisible” and the stinging title track (“My baby is a queen bee… magic honey dripping from her hive”). Then there’s the amped-up socio-political sideswipe of “Money and Oil” (“Don’t matter how you feel, it’s all sell, sell, sell”) and the album’s most overt rocker, “Working Man” (“Got no time for living, ’cause I’m working all the time…”). By the time you reach the silver-tongued reggae of “Slow Motion” and the irresistible dance floor-filler that is “Swamp Funk,” you’ll be reminded that Cyril is a songwriter who combines a clear artistic vision with a wandering eye.
At age 64, Cyril Neville has amassed a creatively varied resume during his four-plus decades in the music industry. Born in late-’40s New Orleans as the youngest of the four siblings who would soon define that city’s R&B sound as The Neville Brothers, Cyril absorbed his parents’ vinyl collection and found his own voice when he turned professional at 19. His first gig was with Art Neville and the Neville Sounds (alongside elder brothers Art and Aaron), and though his subsequent splinter-group Soul Machine never quite achieved the heights it was due, Cyril was on fire, pricking up ears with 1970’s debut solo single, “Gossip,” then arriving in the lineup of Art’s funk outfit, The Meters.

By that point, The Meters were already flying with the release of their 1969 smash-hit, “Cissy Strut.” Cyril added his congas and vocals to the mix on such landmark albums as 1972’s Cabbage Alley and 1975’s Fire On The Bayou, and when unabashed über-fan Mick Jagger invited The Meters to open up the Rolling Stones’ U.S. stadium tour of 1974, Art’s suggestion that Cyril take lead vocals was vindicated by a series of roof-raising performances.

When The Meters dissolved in 1976, it cleared the path for the bloodline to regroup as The Neville Brothers and start a four-decade hot-streak – from 1976’s Wild Tchoupitoulas, through 1989’s Grammy-winning Yellow Moon, to 2004’s Walkin’ in the Shadows of Life – that continues to this day. When critics refer to the Nevilles as New Orleans’ first family of funk, it’s not hyperbole but a statement of fact.

Even with all the success of The Neville Brothers, Cyril remains an artist in constant creative motion, always seeking a new groove and ways to paint musical pictures with his sound. He not only maintains a thrilling solo career that’s given us classics like 1994’s The Fire This Time and 2000’s New Orleans Cookin’, but has also collaborated with icons including Bob Dylan, Bono and Willie Nelson, toured the world with funk act Galactic, led his offshoot band Tribe 13, founded his own record label, Endangered Species, and made TV appearances on Jimmy Kimmel Live! and HBO’s Treme. In 2010, he co-wrote the title-track for Mike Zito’s Pearl River album, which won the Blues Music Award as “Song of Year.” And in 2012, he, along with Devon Allman, Mike Zito, Charlie Wooton and Yonrico Scott formed Royal Southern Brotherhood, a supergroup that promptly took the world by storm and earned a Blues Music Award nomination for their self-titled debut CD on Ruf Records.

An artist with an environmental and social conscience, Cyril has also spread good karma, both through the New Orleans Musicians Organized (NOMO) project that helps fledgling bands navigate the  rock industry, and alongside Tab Benoit on the 2005 Voice of the Wetlands All-Stars tour that raised the profile of the Louisiana Gulf Coast’s environmental plight.

He’ll continue to tour throughout the rest of the year with his own band in support of Magic Honey as well as with Royal Southern Brotherhood. For more information, visit www.cyrilneville.net and www.rufrecords.de.

Tuesday, May 31, 2011

Boogie Woogie Duet - Dr John & Jools Holland

I remember seeing this on David Sanborns show a long time ago. Funny to stagger across it tonight!


Malcolm John "Mac" Rebennack, Jr. (born November 21, 1940), better known by the stage name Dr. John (also Dr. John Creaux), is an American singer/songwriter, pianist and guitarist, whose music combines blues, pop, jazz as well as Zydeco, boogie woogie and rock and roll.

Active as a session musician since the late 1950s, he came to wider prominence in the early 1970s with a wildly theatrical stage show inspired by medicine shows, Mardi Gras costumes and voodoo ceremonies. Rebennack has recorded over 20 albums and in 1973 scored a top-20 hit with the jaunty funk-flavored "Right Place, Wrong Time," still perhaps his best-known song.

The winner of five Grammy awards, Rebennack was inducted to the Rock and Roll Hall of Fame by singer John Legend on Monday, March 14, 2011.