QUENTIN TARANTINO HAND-PICKS BROTHER DEGE'S SONG "TOO OLD TO DIE YOUNG" FOR HIS NEW FILM "DJANGO UNCHAINED"

 

BROTHER DEGE'S SONG "TOO OLD TO DIE YOUNG" HAND-CHOSEN BY QUENTIN TARANTINO FOR THE SOUNDTRACK OF HIS NEW FILM "DJANGO UNCHAINED" (OUT CHRISTMAS DAY)

 

CLICK HERE TO LISTEN TO BROTHER DEGE'S "TOO OLD TO DIE YOUNG"

Brother Dege ("deej") (aka Dege Legg) is one of the best-kept secrets in the Deep South. A musician, writer and Southern enigma, Dege is the haunted face of 21st century Delta blues. Like the possessed offspring of Faulkner and Son House, he plays slide guitar in the age-old tradition of the blues greats, yet manages to breathe new life into this revered Delta idiom.

Well, make that… was one of the best-kepts secrets… as the reclusive Louisiana Cajun's song "Too Old To Die Young" was personally selected by Quentin Tarantino to appear in the soundtrack of his new film Django Unchained, starring Jamie Foxx, Leonardo DiCaprio and Samuel L. Jackson.

Tarantino describes his method of utilizing music (old and new) into the soundtrack of Django Unchained [from the director's press release]: "I want to thank all the artists who contributed original songs (a first for me) to the picture. Most of these contributions came out of the artists' own inspiration and their illustration of the film's soul is invaluable. In addition to the new original songs I am also using a lot of older recordings on the soundtrack - many of which came from my personal vinyl collection. Instead of having the record companies give me new digitally cleaned up versions of these recordings from the '60s and '70s, I wanted to use the vinyl I've been listening to for years - complete with all the pops and cracks. I even kept the sound of the needle being put down on the record. Basically because I wanted people's experience to be the same as mine when they hear this soundtrack for the first time."

The soundtrack for Django Unchained will be released on December 18th before the movie opens on Christmas Day.

 

"DJANGO UNCHAINED" SOUNDTRACK LISTING:

1. Winged
2. Django (Main Theme) - Luis Bacalov, Rocky Roberts
3. The Braying Mule - Ennio Morricone
4. In That Case, Django, After You...
5. Lo Chiamavano King (His Name Is King) - Luis Bacalov, Edda Dell'orso
6. Freedom - Anthony Hamilton & Elayna Boynton
7. Five-Thousand-Dollar Nigga's And Gummy Mouth Bitches
8. La Corsa (2nd Version) - Luis Bacalov
9. Sneaky Schultz and the Demise of Sharp
10. I Got a Name - Jim Croce
11. I Giorni Dell'ira - Riz Ortolani
12. 100 Black Coffins - Rick Ross
13. Nicaragua - Jerry Goldsmith featuring Pat Metheny
14. Hildi's Hot Box
15. Sister Sara's Theme - Ennio Morricone
16. Ancora Qui - Ennio Morricone and Elsa
17. Unchained (The Payback/Untouchable) - James Brown and 2Pac
18. Who Did That To You? - John Legend
19. Too Old to Die Young - Brother Dege
20. Stephen The Poker Player
21. Un Monumento - Ennio Morricone
22. Six Shots Two Guns
23. Trinity (Titoli) - Annibale E i Cantori Moderni

“Too Old To Die Young” is from Brother Dege’s critically acclaimed album Folk Songs of the American Longhair, which in 10 smoking, original tracks, recharges the cannon of the Delta Blues for the next century. Recorded in a shed in southern Louisiana, the album bursts with barn-burning slide and Dobro drenched tunes that reel, rip and scream like a master class in backwoods songwriting, while taking epic swings into the ambient darkness with Paris, Texas-like passages into the great unknown. It’s haunted, it’s harrowing, and it rocks.

Avoiding traditional DIY, indie career moves and following his own quirky southern sensibilities, Dege is known for playing guerilla shows in gigs in the swamps, open fields, low rent motel rooms and even public bathrooms. In addition, he has supported himself at various times by driving a cab, working in auto shops and, more recently, homeless shelters.

Brother Dege is also putting the finishing touches on his second album How to Kill a Horse (due early in 2013) which promises to push the slide and the traditions of the Delta blues far into the darkness of the millennium.  

 

HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT BROTHER DEGE:

 

“Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. Brother Dege is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has‘em all.” – POPMATTERS

“[Four Stars] In lesser hands all this might easily sound contrived, but instead it’s genuinely powerful and compelling stuff. 'The Girl Who Wept Stones' and 'Dead & Gone' might have been ripped from the Son House songbook, though the seven-minute epic 'House of the Dying Sun' is the real keeper.” – UNCUT

“Both ancient and modern, like an indie rock cover of something Lomax may have recorded a hundred years ago.” – BLOGCRITICS

“Brother Dege brings the ghosts of kudzu-covered swamp rats to life in your speakers.  Find the darkest spot in your backyard, light some candles and turn it up.” – THE BIG TAKEOVER

“Those willing to step into the Brother Dege abyss will likely reap its rewards.” – OFFBEAT MAGAZINE

 

FOR MORE INFO ON BROTHER DEGE:
http://degeleggnews.blogspot.com

FOR MORE INFO ON THE "DJANGO UNCHAINED" SOUNDTRACK:

http://www.unchainedsoundtrack.com/

BROTHER DEGE FEATURED ON TONIGHT'S SEASON PREMIERE OF DISCOVERY CHANNEL'S "AFTER THE CATCH"!

BROTHER DEGE'S SONG "HARD ROW TO HOE" FEATURED AS THE THEME SONG FOR DISCOVERY CHANNEL'S "AFTER THE CATCH"

"AFTER THE CATCH" SEASON PREMIERE TONIGHT AT 10PM (EST)!

AFTER THE CATCH Returns – The new season of Discovery Channel's After the Catch (Deadliest Catch mini-series) hits the high seas Tuesday, June 19 at 10PM EST, following the regular airing of The Deadliest Catch. Once again, Brother Dege Legg's "Hard Row to Hoe” is featured as the show's theme song. This is the third year running that the song has been featured as the theme, so give Discovery Channel, Silent Crow Productions, The Deadliest Catch, and Mike Rowe some big, southern "hell ya's" for going with the rawest sound in the underground via Dege Legg's highly addictive and thoroughly mind-blowing 21st century Delta Blues.

After the Catch is the ultimate after-show for the ultimate show. Go behind the scenes with the captains and crews of Discovery’s Emmy (R) award-winning DEADLIEST CATCH with an all new season of AFTER THE CATCH premiering Tuesday, June 19 at 10PM EST. AFTER THE CATCH will air each week after the premiere of DEADLIEST CATCH – taking a deeper look at one of the most dangerous jobs in the world and the men who do it. This year, America’s favorite crab fishermen say Rocky Mountain hi to one another, swapping tales of the Bering Sea and dropping anchor in beautiful Breckenridge, Colorado. Mike Rowe (host of Dirty Jobs and narrator of DEADLIEST CATCH) and the guys huddle at Breckenridge’s famous watering hole – The Whale’s Tail – for best bull session on television. Don’t miss the fireworks.

“Hard Row to Hoe” is the opening track from Brother Dege’s critically acclaimed album Folk Songs of the American Longhair, which in 10 smoking, original tracks, recharges the cannon of the Delta Blues for the next 100 years. Recorded in a shed in southern Louisiana, the album bursts with barn burning slide and Dobro drenched tunes that reel, rip, and scream like a master class in backwoods songwriting, while taking epic swings into the ambient darkness with Paris, Texas-like passages into the great unknown. It’s haunted, it’s harrowing, and it rocks.

Folk Songs of the American Longhair is available on iTunes, Amazon, CD Baby, Emusic and other vendors.

Brother Dege is currently mixing his second album How to Kill a Horse with Tony Daigle and Primo, which promises to push the slide and the traditions of the Delta blues far into the darkness of the millennium.

CLICK THE IMAGE BELOW TO WATCH BROTHER DEGE PERFORM THE THEME SONG FOR DISCOVERY CHANNEL'S AFTER THE CATCH "HARD ROW TO HOE"

 

HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT BROTHER DEGE:

“[Four Stars] In lesser hands all this might easily sound contrived, but instead it’s genuinely powerful and compelling stuff. 'The Girl Who Wept Stones' and 'Dead & Gone' might have been ripped from the Son House songbook, though the seven-minute epic 'House of the Dying Sun' is the real keeper.” – UNCUT

“Both ancient and modern, like an indie rock cover of something Lomax may have recorded a hundred years ago.” – BLOGCRITICS

“Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. Brother Dege is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has‘em all.” – POPMATTERS

“Brother Dege brings the ghosts of kudzu-covered swamp rats to life in your speakers.  Find the darkest spot in your backyard, light some candles and turn it up.” – THE BIG TAKEOVER

“Those willing to step into the Brother Dege abyss will likely reap its rewards.” – OFFBEAT MAGAZINE 

More on Dege

If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

BROTHER DEGE OFFERS FREE "WEHYAH" MP3 / LIVE @ NEW ORLEANS JAZZ FEST MAY 6TH!

BROTHER DEGE OFFERS FANS FREE DOWNLOAD OF HIS NEW SONG "WEHYAH" FROM HIS FORTHCOMING SOPHOMORE ALBUM "HOW TO KILL A HORSE"

CONFIRMED PERFORMANCE AT THIS YEAR'S NEW ORLEANS JAZZ & HERITAGE FESTIVAL MAY 6TH!

[Brother Dege - photo credit: Paul Kieu]

CLICK HERE TO DOWNLOAD & POST BROTHER DEGE'S NEW SONG "WEHYAH" FROM HIS FORTHCOMING ALBUM "HOW TO KILL A HORSE" [OUT FALL OF 2012]

If Robert Johnson were alive…he’d be stealing licks from this cat.

Louisiana born and raised Brother Dege (aka Dege Legg – Louisiana born, swampland mad genius, and also frontman for the Lafayette, LA-based rock band Santeria) is one of the best kept secrets in the Deep South – a writer, musician, artist, and a one-man band, pushing the resonator and slide guitar into the 21st century like some mad lovechild of Robert Johnson and Lou Reed. Mixing the traditional slide playing of the Mississippi Delta Blues masters (Son House, Blind Willie Johnson, Bukka White) with the post-modern expressionism of Sonic Youth, along with some world-class songwriting, Brother Dege’s songs veer from haunted slide-guitar scapes to raw, Delta blues barn burners that take the listener on a trip into the south’s swampy rural past and the great unknown of the future. His previous critically-acclaimed full-length album Folk Songs of the American Longhair was voted one of the top blues and roots albums of 2010 in Europe and the U.S., and his song "Hard Row To Hoe" from this album was also used as the opening theme song for Discovery Channel's popular show After The Catch last year

Dege is currently on a strange roll: working in a homeless shelter (file under: “Gnarly Career Moves”), recording songs for his new album How To Kill A Horse in an empty warehouse, and disappearing for days in the backwoods of his native Louisiana.

Brother Dege will once again be pulled from his reclusive environs to perform at the 2012 New Orleans Jazz & Heritage Festival on May 6th [11:20am at The Blues Tent] along with other acts that day such as Foo Fighters, Bonnie Raitt, Sharon Jones & The Dap-Kings, as well as fellow Louisiana legends like The Preservation Hall Jazz Band, The Wild Magnolias, Rebirth Brass Band, Kermit Ruffins and many others.

Brother Dege will also be releasing his new song "Wehyah" digitally through iTunes, CDBaby and other online music shops on Tuesday, April 17th.

[Brother Dege's "Wehyah" single cover art: Brian C. Miller Richard]

HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT BROTHER DEGE:

“[Four Stars] In lesser hands all this might easily sound contrived, but instead it’s genuinely powerful and compelling stuff. 'The Girl Who Wept Stones' and 'Dead & Gone' might have been ripped from the Son House songbook, though the seven-minute epic 'House of the Dying Sun' is the real keeper.” – UNCUT

“Dege Legg is the Robert Johnson of the 21st century.” - ROOTSVILLE

“Both ancient and modern, like an indie rock cover of something Lomax may have recorded a hundred years ago.” – BLOGCRITICS

“Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. Brother Dege is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has‘em all.” – POPMATTERS

“Brother Dege brings the ghosts of kudzu-covered swamp rats to life in your speakers. Find the darkest spot in your backyard, light some candles and turn it up.” – THE BIG TAKEOVER

“Those willing to step into the Brother Dege abyss will likely reap its rewards.” – OFFBEAT MAGAZINE

CONFIRMED PERFORMANCE AT THIS YEAR'S NEW ORLEANS JAZZ & HERITAGE FESTIVAL MAY 6TH

BROTHER DEGE PREMIERES NEW "BLACK IS THE NIGHT" VIDEO FROM HIS ACCLAIMED ALBUM "FOLK SONGS OF THE AMERICAN LONGHAIR"

If Robert Johnson were alive…he’d be stealing licks from this cat.

Feeling the bite of 21^st century ennui? Hell with it. Strap in, turn on and tune down with some dark-as-a-black hole Delta blues. With 2012 here, the Mayan calendar coming to a close and Planet X swinging over the horizon, you may as well ride it out with some swamp infested, pass-the-Prozac slide-Dobro guitar.

And there’s no better way to ride out the end times than jamming some Brother Dege tunes – the Deep South’s best kept secret since the Georgia Guidestones. Brother Dege (aka Dege Legg – Louisiana born, swampland mad genius, and also frontman for the Lafayette, LA-based rock band Santeria) is on a strange roll: working in a homeless shelter (file under: “Gnarly Career Moves”), recording the follow up to Folk Songs of the American Longhair in a empty warehouse, and disappearing for days in the backwoods of his native Louisiana.

Brother Dege recently teamed up with Louisiana filmmaker Brian C. Miller Richard for a beautifully pro-shot, mini-epic video for his song “Black is the Night.” Shot at various locations, the video – like some haunted nocturne – is a dark meditation on the spooky breed of loneliness, solitude and isolation that characterizes Louisiana.

It’s a big departure from the cult favorite, grainy, zero-budget videos that populate Brother Dege’s YouTube channel

In other news, Brother Dege will once again be pulled from his reclusive environs to perform at the 2012 New Orleans Jazz & Heritage Festival on May 6th along with other acts that day such as Foo Fighters, Bonnie Raitt, Sharon Jones & The Dap-Kings, as well as fellow Louisiana legends like The Preservation Hall Jazz Band, The Wild Magnolias, Rebirth Brass Band, Kermit Ruffins and many others.

HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT BROTHER DEGE:

“[Four Stars] In lesser hands all this might easily sound contrived, but instead it’s genuinely powerful and compelling stuff. 'The Girl Who Wept Stones' and 'Dead & Gone' might have been ripped from the Son House songbook, though the seven-minute epic 'House of the Dying Sun' is the real keeper.” – UNCUT

“Dege Legg is the Robert Johnson of the 21st century.” - ROOTSVILLE

“Both ancient and modern, like an indie rock cover of something Lomax may have recorded a hundred years ago.” – BLOGCRITICS

“Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. Brother Dege is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has‘em all.” – POPMATTERS

“Brother Dege brings the ghosts of kudzu-covered swamp rats to life in your speakers. Find the darkest spot in your backyard, light some candles and turn it up.” – THE BIG TAKEOVER

“Those willing to step into the Brother Dege abyss will likely reap its rewards.” – OFFBEAT MAGAZINE

BROTHER DEGE - BORN ON THE BIO

Louisiana born and raised Brother Dege is one of the best kept secrets in the Deep South – a writer, musician, artist, and a one-man band, pushing the resonator and slide guitar into the 21st century like some mad lovechild of Robert Johnson and Lou Reed. Mixing the traditional slide playing of the Mississippi Delta Blues masters (Son House, Blind Willie Johnson, Bukka White) with the post-modern expressionism of Sonic Youth, along with some world-class songwriting, Brother Dege’s critically acclaimed songs veer from haunted slide-guitar scapes to raw, Delta blues barn burners that take the listener on a trip into the south’s swampy rural past and the great unknown of the future. His most recent full-length album Folk Songs of the American Longhair was voted one of the top blues and roots albums of 2010 in Europe and the U.S., and his song "Hard Row To Hoe" from this album was also used as the opening theme song for Discovery Channel's popular show After The Catch last year (click here to view).

ROADLOG: EUROPE 2011 - PART II - Brother Dege

ROADLOG: EUROPE 2011 - PART II

THE DUTCH & SPRINKLES

11.8.11

Note.

The Dutch love peanut butter.

Theo claims they invented it.
I need to do some research

To see if this is true.
That put it on a lot of stuff.
Even more than they love

Peanut butter,

They love sprinkles.

Little chocolate sprinkles

That you put on cupcakes.

It’s really kind of cute.

When a person from Holland

Asks if you would like

Some “sprinkles,”

You cannot help but smile.

It’s a major part of their food thing.

Upon further research

I discover a Dutchman

Invented chocolate sprinkles.

His name is Gerard de Vries.

Look him up.
The Dutch put sprinkles

On everything.

It’s like everyone is a kid

And wants sprinkles.

Even the way the Dutch

Say the word sprinkles

Is endearing.

They get a contented gleam

In their eyes

And the word rolls

Off their tongue

Like little Christmas bells.

Jingling.

**
Speaking of Christmas.
The Dutch also invented Santa Claus.
Except their Santa Claus
Looks like a hairy version of the Pope.
And his "slave elves" are black.
No bullshit.

BJORN’S HOUSE

11.8.11

Bjorn picks me up.

We roll to his house

Which is near the German border.
I watch the scenery unspool.

The Netherlands.

Autumnal beiges

And the wheat flap.
And the straw barley yapping by

Off the flat track of the land

Spinning off into the distance.
Farmhouses.

Barns.

Windmills.
Canals.

I think of it all
Along with

The blood of revolutions

Plagues and executions

Cradled in the ancient dirt

Of Europe.
What a place.




**

Bjorn and I arrive at his house.

Meet his wife and daughter.

Nice family.
Eat a good meal

Composed of rice, sausage

And peanut butter.

GIG: CULTUURHUIS, HEERLEN, HOLLAND

11.8.11
Gig is at a city arts center.

Community funded.
Nice place. Good sound.

Before gigs,

I try to be quiet and read.

And not talk.

Just to save my voice.

Still dealing with the snot

And scratchy voice.
But for me,
That is near impossible.
I like to talk too much
And vibe with people.
I can't shut up

And just be quiet.

I find a bathroom

On the other side of the building.

I hide out in it

For awhile,

Sitting on the floor

Reading.

Then I play.

Gig. Good.

Attentive artsy crowd.

Finish up.
Load out.

Roll back to Bjorn’s

Where I sleep on a cot

In the computer room.
It’s actually really comfy.

 

BELGIUM

11.9.11

WEDNEDAY
I’m playing at a biker bar in Belgium.
Bjorn the Road Manager
Is my minder for this leg of the tour.
Venue is loud and rowdy.
Lot of chatter.

I take note that
The spacey, slide-scape jams

Might not go over too well here.

The attention span is too short

And the focus is on partying.
Fuck it.
I plug in my gear.

The step-down transformer, once again,

Blows the breaker on the venue.

They flip the lights back on
And find a better outlet

To plug it into,

Which usually solves the problem.
I crank into the set.
About 45 min in,

My stomp box breaks.

It is pretty much just a piece of wood

With a pick-up in it.

When you stomp on it,

It sort of sounds like a kick drum.
Nonetheless,

The thing breaks.
Bjorn unplugs it while

I am still playing

And goes to work on it

At the soundboard with

The soundman and another guy.
I segue into

…drumroll…
Space jam, slide-scape.

Fuck it,
I stretch that thing out

For 10-15 mins

While

In the back of the club

I can see my stompbox

Being operated on
Under a flashlight
By Bjorn and the other guys.
I take a 20 min break.

Check in with Bjorn.

They’re in the middle

Of what looks like

Open heart surgery

On my stompbox.

Glue gun.

Solder.
Duct tape.
Miraculously, Bjorn resuscitates it.
It’s alive, again.
Fucking A.

Here’s to you, Bjorn.


    Open-heart surgery on the Stompbox.

      Bjorn Maessen, leg breaker, P/T road manager.

Bjorn is a road warrior.
Over the past 10 yrs,

He’s been a roadie, stagehand,

And road manager

For hundreds of European

And American band tours.

Punk, metal, rock, roots, folk,

Blues, ska.
He’s done them all.

We met six yrs ago.

He was the European road manager

For that CC Adcock tour

I did in 2005.

On the first day we met, I said,

“By the end of this tour, you will hate

Everyone in this band.

And I will be one of your

Good buddies.”

Such was/is the case

Brother Dege Netherlands Belgium Tour Journal Pt.1

This is my little scrap book
Of my 2011 two-week European tour.
I write these so I don't forget,
Years later,
What the hell happened.
I hope you enjoy reading it.

LAFAYETTE AIRPORT

11.2.11

Check in.

Get the ticket.

I’m flying light on this trip.

Renting a backline amp

In Europe,

So all I’ve got is:
1 hiking back pack
1 effects pedal board
1 Dobro
Airline makes me check in

The pedal board,

Gate check the guitar,

And carry on the backpack.

Fuck it.

Dobro is in a good case.

Hopefully it doesn’t get

Munched.
I go through the metal detector.

It beeps.

Then beeps again.

Each time I go through.

All my shits in the plastic bin.

Not sure why it keeps popping off.

The security people

Steer me off to the side.

A TSA guy puts on rubber gloves

And gives me the full TSA

Pat down.

Balls and all.

Homeland Security, meet my nuts.
This shit is ridiculous.

In my opinion,

The TSA pat downs

Are just a dog & pony show

Meant to train people

To submit

To their masters.

Fuck’em.

The dude doing the pat down

Looks more miserable than me.

Oh well, dude.

Brother Dege Updates

In November Dege did a two week tour of the Netherlands and Belgium. Good shows. Good people. Cranked out a lot of tunes. First time over there solo, doing Brother Dege stuff.
He's still working on the new recording and is about 65% finished doing tracking for the follow up to Folk Songs of the American Longhair. He indicates that it's coming along nicely. "It's the next evolution. Dual-interweaving slide lines, slamming barn barners, strong, air-tight songs and whatever else he think up. All I can say is this album will be like going for a ride in a time machine and pressing forward & reverse at the same time. It'll tug you a lot of different ways. But the main way it'll pull you is in/out."

Sounds cool!!

Dege indicates that all of his videos on YouTube are fairly low maintenance, guerrilla affairs, shot live to maximize vibe and avoid cheese, but a Louisiana-based filmmaker named Brian C. Miller Richard just finished up a 5-day video shoot for his song "Black is the Night." Should be out in early 2012. Pro-shot in HD, this thing is like a mini-movie of sorts with various locations, actors, and a lot of dark is the night type imagery and vibe. I'm really looking forward to seeing that!

He got offered to play the New Orleans 2012 Jazz Fest this year in May. That should be cool.

He reports that he's just living the dream, keeping a low center a gravity, working in a homeless shelter, and trying to treat his fellow humanoids right.

He sent along some in-studio footage of himself that was shot be a buddy of his, while he was tuning up and checking the mics. This is shown here:

Write on our Facebook Wall or post your Photos of great blues events! -  Here

BROTHER DEGE TO KICK-OFF BENELUX TOUR TOMORROW IN THE NETHERLANDS

CAJUN SLIDE BLUES MUSICIAN BROTHER DEGE TO KICK-OFF BENELUX TOUR TOMORROW IN THE NETHERLANDS

IN SUPPORT OF HIS WELL-RECEIVED DEBUT FULL-LENGTH ALBUM FOLK SONGS OF THE AMERICAN LONGHAIR

Get ready for some raw dirt, railroad pounding, swamp-fried, Louisiana Mekong Delta blues music. Like the mad lovechild of Robert Johnson and Jim Morrison, Dege Legg (aka Brother Dege), the Cajun-born and Louisiana-raised leader of the band Santeria, will be performing a November tour of Belgium & The Netherlands in support of his “slide/Dobro record” entitled Folk Songs Of The American Longhair, produced by four-time Grammy-winner Tony Daigle (Dr. John, Sonny Landreth, Gatemouth Brown, Bobby Charles), Legg and Primo (also from Santeria). This is Delta Blues for the 21st Century, raging out of the swamplands of Louisiana. Dripping with atmosphere and backwoods noir. The real deal—death-obsessed, god-fearing, foot stomping acoustic blues steeped in the devilish myths and haunted ambience that permeates every inch of Louisiana. Factor in some Historic longhaired rock & roll influences – from Sabbath to Black Flag – and you’ve got an art project and anthropological study wrapped in one time traveling package.

Folk Songs of the American Longhair takes the listener on a mind-bending, soul-crushing slide guitar journey into the backroads of the Deep South. Legg composed ten original tunes in the Delta-slide tradition, paying tribute to the old masters while pushing into the apocalyptic future. Much like the field recordings of Alan Lomax, the record tunnels into the ancient mysteries of pre-war blues, recorded in sheds, old houses and open fields. It’s like Son House at a surrealist convention.

Dege Legg is one of the best-kept secrets in the Deep South: an award-winning writer & musician from Lafayette, Louisiana. In 1994, he founded the underground southern-psych rock band, Santeria, which toured and gigged for 10 years in relative obscurity, pounding out a strange variety of "southern rock" that relied less on chest-thumping and beer guzzling, and more with concentrating their creative energies on expressing the isolation and loneliness of the modern south - at times loud and overbearing and alternately quiet, subdued and withdrawn. Over the years, he’s explored nearly every corner of weirdness imaginable in the Deep South from jails to homeless camps to driving a taxicab to being a staff writer for the alt-weekly The Independent Weekly.

BROTHER DEGE BENELUX TOUR DATES

Thursday 3 November: The Rambler, Eindhoven, Netherlands - www.therambler.nl

Friday 4 November: Morrison's Pub, Rossum , Netherlands - www.morrisons.nl

Saturday 5 November, middag: JaBo Gumbo Show, Radio 6 - http://gumbo.radio6.nl/ Nix Bluesclub, Enschede, Netherlands - www.bluesclub.nl

Sunday 6 November: De Groot, Eindhoven, Netherlands - www.kaffeedegroot.com

Monday 7 November: private function

Tuesday 8 November: Cultuurhuis, Heerlen, Netherlands - www.cultuurhuisheerlen.nl

Wednesday 9 November: De Bromfiets, Bonheiden, Belgium - www.denbromfiets.be

Thursday 10 November: De Bunker, Gemert, Netherlands - www.bunkergemert.nl

Friday 11 November: De Loods, Aarschot, Belgium - www.knoet.be

Saturday 12 November: Blaublues, Haringe , Belgium (B)- www.blaublues.be

Sunday 13 November: De Brouwerij, Asten, Netherlands - www.blastblues.nl en www.indebrouwerij.nl

HERE’S WHAT PEOPLE ARE SAYING ABOUT BROTHER DEGE:

[4/5 stars] There ain’t anybody else out there doing it like this. Dege Legg (aka Brother Dege) is an anomaly – a one-man slide, country blues Dobro player, born & raised in the Cajun prairielands of southern Louisiana. With no label, no big budget promo, no hype, and no BS, his self-released album 'Folk Songs of the American Longhair' his been making its way around the world like the little engine that could." - UNCUT

“Santeria frontman Dege Legg presents himself here as Brother Dege, a guitar-slidin’ force of nature whose songs could fill a hall with their effortless, mostly-acoustic verve. Ranging from quietly desperate to careening full-tilt boogie, Folksongs of the American Longhair is a testament to the idea that less can, in fact, be considerably more. Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. This outstanding record is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has ‘em all." - POPMATTERS

"... an updated perspective of the age-old Delta blues. Compared to the mammoth sound production of his Lafayette electric-rock groups Santeria and Black Bayou Construkt, here Dege works in an austere one-man band setting reminiscent of his inspirations. After that, it’s his own game: one slide-stinging dobro and a helluva stomping foot." - DAN WILLGING / OFFBEAT MAGAZINE

“Swampy, post-Americana blues…” – RIVERFRONT TIMES / ST. LOUIS

“…offbeat, moaning swamp-guitar gems” – PHILLY.COM

“Great stuff indeed!” - RAVEN’ N’ BLUES RADIO / LONDON

If you’re interested in the evolution of local music, Brother Dege’s show is not to be missed. – THE TIMES / LAFAYETTE, LA

“Really one of the most outstanding CDs I’ve heard this year so far. Great slide guitar, great vocals and production. Outstanding.” – DON CAMPAU / NO PIGEONHOLES RADIO

“Folk Songs Of The American Longhair is in the tradition of the slide guitar Delta blues tradition, but with Legg’s own twist.” – CLASSIC ROCK MAGAZINE / U.K.

“I don’t hear this type of music enough of these days. “ – WTUL RADIO / NEW ORLEANS

“… sounds both ancient and modern, like an indie-rock cover of something Alan Lomax may have recorded a hundred years ago.” – THE MIDNIGHT CAFE

“…harrowing, stripped-down Delta-blues which was recorded in sheds, old houses and open fields for maximum intensity. There’s minimal instrumentation on Folk Songs Of The American Longhair. In fact it is a return to the unprocessed basics, almost all of the tracks feature only one vocal, one slide guitar and one foot stomping. Hard.

If you like Seasick Steve, then this is voodoo drenched genuine article. Think William Elliott Whitmore meets Leonard Cohen at a seance in the swamps.” – MAD MACKEREL / U.K.

"The American Folk Songs Of Long Hair" is an album that continues to captivate with each listen. A must!” – ALT COUNTRY FORUM / NETHERLANDS

“Folk Songs of The American Longhair is a Delta Blues masterpiece and Brother Dege is, dare I say, the Robert Johnson of the 21^st Century.” – ROOTSVILLE / BELGIUM

“Twangy guitar, a foot stomping rhythm and soulful vocals, Brother Dege is pure blues that doesn't layer on anything unnecessary.” – PLUG-IN MUSIC

“Folk Songs of The American Longhair is an iconic, bare bones Delta blues record, just Dege and a Dobro, and the steel on every song echoes like falling tears in a mausoleum. It’s a chilling portrait of death and redemption, an ode to the long road, and each and every slide draws you down into the earth’s waiting dirt.” – BROKEN BEARD

“Dege Legg, from Louisiana, comes armed with a dobro and echoing voice. Ten masterful tunes spiced in Cajun delta blues and steeped in bubbling bayou mushroom tea. Recorded in a shed in Southern Louisiana these sonic vignettes are equal parts foreboding, mysterious, and inspiring. Tunes for the weary eyed freight train hopper or the soundtrack for a rustic Americana slideshow when salvation comes due. Up tempo Gulf coast pyschedelia that even at its bleakest will have your feet tapping. Enough good things can't be said about this album.” - COSMATOMIC BLOG

“Brother Dege writes brilliant visual texts that are at the same time spiritual and macabre, but always with the soul of a Cajun bluesman.” - ROOTSTIME / BELGIUM

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Brother Dege new release coming!!

In talking with Brother Dege he incicated that he is working on the follow up to Folk Songs of the American Longhair in an empty warehouse, working full-time in a homeless shelter, and trying to keep the family happy.

He going on a two week tour of Holland Nov. 3-13, in between recording.

Europe

Nov. 3 Rambler, Eindhoven, Holland

Nov. 4 Morrison's Pub, Rossum, Holland

Nov. 5 Nix bluesclub, Enschede , Holland

Nov. 6 De Groot, Eindhoven, Holland

Nov. 8 Cultuurhuis, Heerlen, Holland

Nov. 9 De Bromfiets, Bonheiden, Holland

Nov. 10 De Bunker, Gemert, Holland

Nov. 11 De Loods, Aarschot, Holland

Nov. 12 Blaublues, Haringe, Holland


Here's Dege's impressions on the new release: "Notes about the new Brother Dege record. It might be great. It might suck. But it won't be boring. I'm picking up where I left off with Folk Songs and charging further out there. There will be some raw barn burners on there, some slide-scape type atmospherics, and a gnarly hybrid of the two. I've got some ace in the hole tunes for this one that will either cement my legend in stone or damn it for an eternity."

I love this guy. Can't wait to hear the next release.

Bman

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House of the Dying Sun - Dege Legg

FROM Brother's Dege's all-slide CD "Folk Songs of the American Longhair" . We reviewed this cd a few weeks back.
BROTHER DEGE On Tour
Apr 29
WTUL Radio Appearance | New Orleans 3:00 p.m.

Apr 29
One Man Machine/Bernard Piece House Party | New Orleans, Louisiana

Apr 30
The Nick | Birmingham, Alabama

May 1
TBA | Athens, Georgia

May 2
The Milestone Club w/Gideon Smith | Charlotte, North Carolina

May 4
The Garage | Winston- Salem, North Carolina

May 5
Market Street Coffee | Leesburg, Virginia

May 6
The Manhattan Room | Philadelphia, Pennsylvania

May 7
Otto’s Shrunken Head | New York, New York

May 8
Goodbye Blue Monday | Brooklyn, New York

May 9
Don Pedro | Brooklyn, New York

May 10
AS220 Art Exchange | Providence, Rhode Island

May 11
The Armory | Somerville, Massachusetts

May 12
Midway Cafe | Jamaica Plain, Massachusetts

May 14
Breakfast Club/HiFi | Cleveland, Ohio

May 15
SouthGate House | Newport (Cincinnati, OH), Kentucky

May 16
Reggie’s Music Joint | Chicago, Illinois

May 18
The Gramophone | St. Louis, Missouri

May 19
Trouser Mouse | Blue Springs/Kansas City, Missouri

May 20
The Lounge on Elm | Dallas, Texas

May 21
Fitzgeralds (8 p.m.) | Houston, Texas

May 29
Grant Street Dancehall (10 p.m., w/ Scott H. Biram) | Lafayette, Louisiana


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Folksongs of the American Longhair - Dege Legg

Long awaited review of Dege's new cd. You won't be disappointed. This cd is not like anything I've ever heard so it's hard to compare it. I know I like it. 10 songs and all enjoyable. It is a mixture of blues, folk swamp and primitive. There are subtle nuances of chants in the background of some songs and foot stomping rhythm... and of course always tasty slide dobro work.

I particularly liked Hard Road to Hoe, House of the Dying Sun, Dead and Gone, World's Longest Hot Dog. Black is the Night is the most straightforward song on the cd and the one most likely to get airplay.

Here's Hard Road to Row which is being used as the Theme Song for Discovery Channels After the Catch 2010.
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Road blog: Brother Dege on tour - pt. 3

A WALK IN THE DARK
Lake Anna State Park, Virginia.
5.5.10
I’ve got a day off between NC and DC
So I’m doing some R&R.
Crashing at Lake Anna State Park in Virginia.
Place is empty, because it’s midweek.
But it’s beautiful.
Big lake. Lot trees and trails.
Only two other
campers in the camping lots.
Everyone keeps to themselves,
Which makes it extra quiet and isolated.
And kind of lonely.
But still pretty nice out here.
Night falls. I build a little fire.
It keeps me company
As the stars bloom and the
night sounds rev up
Like a high-whining nature engine.
I boil water over the fire and cook up some noodles.
Alone.
Looking around.
I question my decision to crash here.
It’s almost TOO quiet.
Like I said, it being midweek,
Everyone is working and the whole park
Is pretty empty.
Around midnight,
To combat the weirdness of being alone out here,
I grab the flashing light and go for a long walk
Down a trail in the woods.
It’s pretty rad.
When you turn the flashlight off,
You’re floating in a sea of darkness
With night critters and tree ghosts
Wandering about you.
It’s fun to try to walk in total darkness
Through the woods.
Strange.
The stars are bold and radiant,
Like a tarp thrown over with
Thousands of pinholes.
I return to the van.
Lay my head down.
Listening to the night sounds
Pressed up against the buzz of AM radio.
Darkness.
Sleep.
I wakehours later
When I hear a crazy noise
A bang of some sort.
Silence.
I realize it must’ve been noise from a dream.

VAN CHORES & PUNK ROCK YOGA
Every morning I wake and do my “van chores.”
Check the fluids on the van.
Change clothes.
Bag the dirty stuff.
Toss the trash.
Gobble some vitamins.
Charge the cell phone.
Eat a breakfast bar or some nuts.
Rearrange the back of van from Sleep Mode to Rolling Mode.
Drain water in the cooler.
Drop in a bag of ice.
Pensively smoke a cigarette and vibe my surroundings
While wondering what the day will bring.
I give thanks to God or the Higher Power Being of Unknownness
For the previous day and the coming day.
I try to tune my body to the natural order of the environment
And fit myself in there somewhere
In a harmonious way.
To where I don’t hurt anyone
And no one hurts me.
It doesn’t hurt to try.
Sometimes I even do some homemade windmill arm, yoga moves
That I made up.
I make sure no one is around while I’m doing them.
So people don’t think I’m crazy and call the cops.
It kind of looks like slow motion slam dancing.
But you’re just standing in place.
Punk rock yoga if you will.

PHILADELPHIA, PA
5.6.10
Philly’s nuts as far as civil engineering goes.
At least from what I can tell.
In order to get from Point A to B,
You’ve got to jump from one nutty highway
Or interstate to the next.
Nerve racking when you’re in a big ass van.
Strangely enough,
Not a lot of people were very gracious
In the Merge Dept.
You’d think if you’re driving a big ass van
With Black Bayou Ministries on the side,
People'd throw you a bone.
No, sorry.
They’re too wrapped up in the Rat Race Hustle
Of surviving.
It’s “me first, you later” mentality
That I really dislike.
It brings out the “manimal” in me,
And I get angry.
Why are people so petty?
What is about driving on a freeway
That brings out the petty stuff in human nature.
Because if you want to play hardball,
We can.
And I will.
And then you can call your lawyer.
Or go home and watch re-runs of Home Improvement
And eat a TV dinner.

Got to the club.
Cool folks.
Philly’s hip.
Four bands on bill.
Unfortunately, I get to play last,
Which means a late night.
Cool dude name Yuri Gohen on the bill.
Play’s rad kind of psychic time machine folk.
Good stuff.
http://www.myspace.com/yurigohen
Check him.
I bang it out.
Late night.
Too much beer.
The Greek owner, Billy, starts giving me
Free whiskey shots.
It gets sloppy from there.
I have to tell him to stop,
Because it could get weird.
I sit out in the back parking lot with the soundguy
After the show, talking 80s hardcore
Till 4 a.m...
Gang Green is playing the same club the night after me.
I park in an abandoned lot behind
A mom & pop corner grocery
And fall to sleep in the van.

9 a.m.
I wake it’s hot.
Step out.
Brush my teeth walking about the abandoned lot.
Old owner of grocery store, with a thick foreign accent, guy in his 70s
Comes out and tells me I have to move
Or leave
or whatever.
I love this side of America.
You can’t park here!
You scare me.
Where is the “This land is your land?”
Gone.
Now it’s “This land is my land and you scare me,
So leave or I will call the cops.”
At one time you could roam
And park and sleep almost anywhere.
Nowadays, you’ve got to creep around
Like a criminal just to find a secret place
To park and sleep.
They see a van and a guy sleeping in it
And they assume you’re Jed Clampett
From the Beverly Hillbillies
And you’ll be staying there a long time.
I tell the old man that I’m working,
I played a gig at the bar next door,
And will be leaving soon.
“Just so you stay on your side of lot,” he says.
“You worry about you and I’ll worry about me,” I tell him.
You gotta love it.
America.
It's not Love it or Leave it, anymore.
It's "Don't park here. Just LEAVE!"

HOW BIZARRE
I stopped at a Chilli’s
To use the bathroom really quickly
And get back on the road north.
As I was walking toward the bathroom,
I noticed the “How Bizarre” song by OMC
Was being piped in over the house stereo system.
OMG.
http://www.youtube.com/watch?v=TfJe8hQ8ha0
It was actually a hit sometime in the 90s.
Possibly the worst and most irritating song
Ever written.
Something about the freaking tune…
It’s so bad…
Whenever I hear it
It doesn’t leave my head for days.
It’s curse.
It’s so awful.
And yet something in my brain
Grabs onto it and won’t let go.
I almost cried when I heard it,
Because I know I’ll be cursed
With it looping in my head for the next couple days.
How did that song ever become a hit???
I urinate and leave,
Trying to shake the song from my head.
But it’s no use.
“How Bizarre…”
Roll the eyes.

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Road Blog: Brother Dege on the Road Pt. II

5.4.10
Somewhere in North Carolina
After the madness of the van dying
And me forgetting my damn amp back in ATL,
I could finally relax.
Because the worst was over.
Now it was time to enjoy the ride.
I hit Winston-Salem, NC on a mission.
Got wrong directions to club.
Ended up in ancient, abandoned warehouse district.
Nothing but pre-war decaying factory buildings
With cracked teeth broken windows
And brick covered with the dust of another era.
Kooky pigeons flapping over head.
Pretty eerie place.
Ghosts of the industrial age when robots were just a dream.
I knew this could not be the club.
Or maybe it was, who knows?
I drove around till I found it on the other side
Of downtown Winston-Salem.
As I pulled up to club,
I see the other band
Unloading their gear from car.
Punk rock & roll band from Pittsburgh.
http://www.myspace.com/atomicdrops
The Atom Drops.
Black T-shirts, tattoos, etc. Good dudes.
I pull up in the Black Bayou Ministry van.
“What’s up, dudes.”
Never fails, that van…for weird reactions.
I play.
Good set.
Sold a bunch of CDs.
The Atom Drops play – they’re a good rocking band.
And more importantly, pretty good dudes.
Night ends.
Alcohol. People wandering off.
I load up, climb in the van, and drive off into the black unknown
Of North Carolina.
I drive two hours
With the wind whipping, my head swirling,
My eyelids growing heavy.
I finally find a truck stop.
Pull in.
Park.
Climb in the back of the van
And quickly fall to sleep.
Not much glory for the rock & roll lifestyle.
But I like it.
But I sure miss my baby at home.

5.5.10 Thornburg, VA
HOW TO LIVE IN YOUR CAR (or van)
1. Have a place to pee. If you’re a dude, an empty Planter’s Peanut Jar will do – my preferred method.
Or a large Gatorade bottle. Women, bring a bucket or park near a public restroom.
2. Eat potato chips. When hunger strikes at 4 a.m., you can reach for the bag of Doritos
stashed under the seat. Trail mix works, too.
3. Block out the windows. Sleeping in your car isn’t so bad, but when morning comes, the cool, night air turns hot and muggy…thus preventing sleep. Fashion some curtains out of vinyl
banners or fabric. Or use a few of those windshield reflector things to block out the sunlight so you can sleep an extra few hours.
4. Don’t drink too much. Might lead to embarrassing situations where you create a public
disturbance in the parking lot of Pilot Truck Stop. Thus risking arrest. Best to avoid all that.
5. Find places to shower. State Parks and truck stops are the best. At truck stops, you can buy
a shower for $10. Camping lots, which usually have shower facilities, are equally rocking. In
addition, you get vibe with nature and dig trees.
6. Divide the car/van into sections, much like a house or an apartment.
Driver’s seat = front door,
Passenger seat = living room
Back seat = kitchen, bedroom, and bathroom.
Trunk = attic, backyard, and closet.
Glovebox = entertainment center
Front hood = dinner table
Rear bumper = smoking lounge
7. Avoid sleeping in your car in populated areas where there is a lot of foot traffic, like
residential neighborhoods. The natives get weirded out when they go for their afternoon walk
and see your dirty ass sleeping in the front seat. Middle class people might want to help the
homeless and transient population on occasion, but they don’t want’em sleeping in THEIR
neighborhood. Not cool! They’ll call the cops on you quick, because they figure you’re a dirty
drifter with nothing to lose…just like in the movies they watch.
8. Don’t ever try to poop in your car…like in a bucket or something. Always go in a public
restroom or the woods.
9. Bring books to read during dead time. After a week of living in your car, you will start to feel
like a loser and will need self help books and the like to keep your spirits up.
10. Make friends with people, keep an open heart, and keep a bat or knife ready in case mean
people try to pull something fishy on you. Good luck.

Road Blog: Brother Dege On The Road

BrotherDege[Editor’s note: Independent Weekly arts/entertainment writer Dege Legg is in the first furlong of a month-long music tour up the East Coast to Boston, west across the Upper Midwest and back down to Louisiana. His tour, in the guise of his latest musical persona, Brother Dege, is in support of his new record, Folk Songs of the American Longhair, a mostly solo undertaking featuring Dege on resonator guitar. He will be filing reports of his experiences from the road throughout the tour. This is the first installment. As best we can we’ve replicated the form in which Dege transmitted the data via Facebook. We have, however, defused a few F-bombs and otherwise made sure it is rated PG. Pray for Dege's safe return, and help support this important contribution to the American song book by buying his record at CD Baby.]

THURS. APRIL 29
NEW ORLEANS
Played KTUL.
Then rolled to
Bernard's house party. Way out in the hood. Marigny.
Pulled up in van.
Thugs on corner yell at me, "YOU A DEADMAN! YOU A DEADMAN!"
I wave at them and walk on.
People love death.
There should be a Kevorkian Fast Food Chain.
Death burgers.
Suicide fries.
Party was kind of a bust so I sat on the stoop
And played guitar with all the little black kids
Of the neighborhood.
They were so fascinated by the slide and dobro,
I let them play it and bang around on it.
They loved it.
Kids are the best.
They haven't turned into the monsters
That adults sometimes become.
Rolled out and slept in van in park.

FRI. APRIL 30brodege
BIRMINGHAM, AL
Cool town, cool people, cool bar.
Can't say enough good things about this place.
I broke down and got a motel cuz I slept like sh** night before.
Slept walked into the window.
Woke pushing and shoving the curtains around.

SAT. MAY 1
ATL, GA
Hot. Sweaty.
Was 30 mins ahead o schedule
Then hit gridlock.
45 mins to travel two miles.
Made it to radio/video thing.
www.indieatl.com
Matt & Crew = good dudes.
Shot 4 or 5 songs.
There was a park behind me where all the hobos
And street people hang out.
I asked one of the handheld cameramen if
he wanted [to go] into the park with me and hang.
Boom. next thing you know, we're playing and hanging
with local old timers.
One guy played a song on my Dobro,
And he KICKED ASS.
Black folks got a lot of soul.
Rolled to club.
Made a new best friend right away,
First dude I talked to, Jay Russo.
From Athens, Ga. Good dude.
Hung, drank two Vodka/7s and called it quits
After two more beers.
played show in a small club downstairs from main club.
Separated by staircase. LOUD upstairs.
It was a volume war between me and the upstairs bands.
I lost.
Hung with my new buddy Jay + Paul and Adrian from The Starbar.
About 1 a.m.
Crashed out.

SH** CREEK AGAIN
May 2
Woke. Cranked van.
Noticed it was cranking slow.
Rolled out of ATL
Then noticed the power/battery meter
Was dipping down and dropping fast.
Can only mean one or two things.
Dying battery or dying alternator.
Made it to next exit.
Pulled into Comfort in Parking lot and van died
right there, middle of parking lot.
Indian owner of motel
came out. Told me, "You must move this van. You are blocking way.
I call POLICE!"
Nice.
The gods love to mess with my Mind sometimes.
Got a guy to jump the van.
Rolled to an Autozone and changed the battery
in the parking lot
Amongst all the local Georgia hayseeds,
Who are pretty rad, by the way.
They love Christian radio
And don't sweat the fact they're missing teeth.
I admire that..
That's gumption.
Cranked van. Meter still dipping and low.
Alternator dead and its sunday.
No place open.
Everybody in Georgia is drunk, BBQ'ing in their backyard,
or in church.
I roll back to Comfort Inn where Indian owner
threatend to call police.
It was the only hotel in Jefferson, GA.
I made friends with him and gave him plastic.
He smiled.
Modern rituals.
I unload my crap, go to room, and plop down on bed.
then I go back to van to grab something.
Open back door.brodege2
Something is missing.
It's too roomy in back of van.
Where's my amp?
Dig around.
HOLY SH**!
I forgot my $1500 Mesa Boogie amp head
Somewhere at the club last night!
I'm such a retard.
Lovely.
Dead van and now I have no amp.
i don't remember what I did with it.
I could be in the club.
Somebody could have jacked it.
or i left it sitting next to van in parking lot
and drove away.
I mentally flagellated myself for being such a space case.
The gods LOVE messing with my MIND!
i get on phone.
Call all the club folks.
Cancel show in Charlotte with my buddy Gideon Smith.
2 hours later I get the call that my amp is in club office.
Bartender grabbed it.
Nice. Thank you.
I spend rest of the night, cussing at myself, the van,
and the gods.
Then I watch TV
And slowly drift off to sleep,
Wish i were immortal and careless
if only for a fraction of a second.

MON. MAY 3
DAMAGE CONTROL
Busy day
Wake at 7 a.m.
Call Auto repair places.
Find one who will tow van to their garage.
Nice folks.
it's raining all day. Flooding in places.
It's beautiful.
I wait two hours for tow truck.
Finally comes.
Roll to garage.
3 hours and $500 later the van is fixed.
I make arrangements to meet
Brian Malone, the Starbar's booker, at the club
to grab my amp.
Back track 1.5 hours back to ATL.
Wait around.
Take a nap in back of van.
he shows and I grab my amp.
I'm back in the saddle again.
Almost broke, but i feel good.
Pulled two rabbits out of the hat.
One of the gods.
and
One of my own making.
I make a vow.
I will never again obnoxiously and boisterously claim to have my sh** together.
But I will enjoy the ride.

ROAD. NIGHT. MAY 3
I drive off into the night.
Pull over in South Carolina.
Shower in a Pilot Truck stop. $10.
Park van in the back lot with all the truckers.
Pensively smoke a cigarette, while listening
to the thresh and swish of I-85 going by.
I make my little bed in the back of the van.
Contemplate the days events.
And lay my head down to sleep.
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