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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Boston. Show all posts
Showing posts with label Boston. Show all posts

Tuesday, January 17, 2012

Paul Rishell and Annie Raines


When 22-year-old harmonica ace Annie Raines first sat in with 42-year-old country blues guitarist Paul Rishell in a Boston bar in 1992, few in the crowd suspected that they were witnessing the beginning of a musical partnership that would span the next fifteen years and counting. As a working team, Paul and Annie have racked up hundreds of thousands of miles on the road in the U.S. and Europe, collaborated on original songs, and released I WANT YOU TO KNOW (Tone-Cool/Artemis 1996), MOVING TO THE COUNTRY (2000), the W.C. Handy Award winner for Acoustic Blues Album of the Year, and GOIN’ HOME (2004), which was nominated for two Handy Awards.

Paul Rishell and Annie Raines’s fifth CD together, “A NIGHT IN WOODSTOCK” will be released on October 21, 2008 and distributed internationally by Burnside Distribution. The pair’s first live release features special guests John Sebastian, Bruce Katz, and Paul and Annie’s own backing band joining the duo for an eclectic, high-energy set of acoustic and electric originals and classic blues songs. Despite the difference in their ages, Paul and Annie are equally passionate about their craft and devoted to the study and performance of a wide range of blues styles, from the syncopated acoustic guitar wizardry of Blind Lemon Jefferson and Son House to Chicagoan “Little” Walter Jacob’s swinging amplified harmonica. Paul has reached what Boston Phoenix writer Ted Drozdowski called “a place deep and resonant as Robert Johnson’s crossroads, where authenticity, soul, and a sense of purpose and commitment ring out in every note he sings and plays.” Annie has added vocals, mandolin, piano, and other instruments to her musical arsenal, while being recognized by top professionals and fans worldwide as the “queen of the blues harmonica.” Says blues legend Pinetop Perkins, “She plays so good it hurts!”

Touring internationally at festivals, clubs, and concert halls, and teaching workshops and seminars, Paul Rishell & Annie Raines have earned loyal fans around the globe. Paul and Annie are featured in the new jug band music documentary, Chasin’ Gus’ Ghost, which debuted at the San Francisco Film Festival in August 2007. They have performed on diverse radio and TV shows including A Prairie Home Companion, Late Night with Conan O’Brien, and PBS’s Arthur. They have performed and recorded with Susan Tedeschi, John Sebastian, Pinetop Perkins, and Rory Block. Susan Tedeschi recorded an “unplugged” version of Paul’s Blues on a Holiday with Paul and Annie for her 2003 release, Wait For Me. Recently, Annie began writing a ‘blog of tales from their road tours for their website, paulandannie.com, garnering a new following in the online community.

Annie Raines was born in 1969 in Boston and grew up in the suburb of Newton, Massachusetts. She picked up the blues harp at 17 and made her stage debut at the 1369 Jazz Club in Cambridge a few months before her high school graduation. Enthralled by the recordings of Muddy Waters, Little Walter Jacobs, Big Walter Horton and Sonny Boy Williamson, she became a fixture at Boston area blues jams. She briefly attended Antioch College and 1988 interned with Washington, DC homeless rights activist Mitch Snyder, who persuaded her to drop out of school to pursue her musical career. One of the few female blues harmonica players in the country, Annie played the New England club circuit with local bands, and traveled to Chicago where she met and played with many of her musical idols including Pinetop Perkins, Louis Myers, and James Cotton. She also enjoyed yearlong stints with the Tarbox Ramblers and the Susan Tedeschi Band, going on to perform on Susan’s first three albums. She lives in Boston with her number one musical hero, Paul Rishell.

Paul Rishell was born in Brooklyn, New York in 1950, descended from a long line of Methodist preachers and Norwegian painters. At the age of ten, he discovered that he could keep time on the drums, though his feet didn’t reach the pedals. He started a band a few years later, playing surf music and rock ‘n roll, until a friend turned him on to the country blues records of Son House, Robert Johnson, Charley Patton, and Blind Lemon Jefferson. He immediately took up the guitar and in the early 70’s Paul moved to Cambridge, Massachusetts and had the chance to play with many of the first and second generation of blues masters — including Son House, Johnny Shines, Sonny Terry, Brownie McGhee, and Howlin’ Wolf. Paul Rishell’s debut recording, BLUES ON A HOLIDAY (Tone-Cool) was released in 1990 to resounding critical acclaim. The album was half acoustic, half electric, and established Paul as a masterful, versatile blues player and as well as a deeply soulful singer and songwriter. He followed that with SWEAR TO TELL THE TRUTH in 1993, which featured heart-stopping solo performances as well as guest artists Ronnie Earl and the Broadcasters and “Little”Annie Raines. Paul’s original music has been used in plays, films, and countless television shows including Friends, Oprah, and A&E’s Biography. He has built up a stellar reputation over 40 years as a performer, teacher, and torchbearer of the country blues tradition. His former students include Susan Tedeschi and Michael Tarbox. Paul’s first instructional video/CD-Rom for Truefire will be released in 2008 with detailed demonstrations and transcriptions of his original songs and songs by Scrapper Blackwell, Blind Boy Fuller, and many others.
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Friday, November 18, 2011

A Ton Of Blues Live


A Ton of Blues was created out of the love for real Blues Music and appreciation for the old school Open Blues Jams that brought tremendous support to the genre. Since then, the band has made it their priority to create quality Blues music, emit a positive presence among the Blues community and rekindle the support of our own American Roots Music: The Blues. A Ton of Blues is a group of musicians who have played collectively and separately over the last 15 years. They eat, sleep & breaths the Blues. "May the spirit of the blues bring you peace & strength to carry on !"
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Saturday, August 13, 2011

A-BAZOUKI VOLUME 1- A - Bazouki



A-Bazouki’s debut release on our own independent label Un-Gyve Records.



BOSTON - A-Bazouki Volume 1 released digitally 3.3.11 is now

available on iTunes.



I must say that this is one of the most original and unusual recordings that I have ever listened to...and I have listened to a lot of stuff. It is a cd and also includes a DVD. After listening to the cd a few times I took the DVD home and watched it in the comfomfort of my living room. I have to say that the films are well done and cohesive.



Got some free time and an open mind??? Check it out!



Recorded entirely in analogue on a small four-track deck in the basement, A-

Bazouki Volume 1 tributes the band’s roots with twelve songs. An

alternate take “Crossroads (For Robert Johnson) - Take 1” is also

included with the DVD, one of five movies, as part of the package

that contains a tape-bound booklet with movie-stills, lyrics, and

sleeve-notes by the man who named A-Bazouki Christopher Ricks

(Dylan’s Visions of Sin): “Modest is the down-to-earth term of high

praise that these songs earn.” The record will also be available on vinyl.



The track-list and playing times:

1. Lucky 4:05 2. Bowlin' Green Blues 6:44 3. 213 Blues 3:54

4. Crossroads (For Robert Johnson) 3:54 5. Back Alley Blues 1:53

6. Buttoned-Down Blues 7:49 7. The Key (To My Door) - for Sonny Boy

4:34 8. The Beldam (No Mercy) 2:10 9. Wrecking Ball Waltz (for

Vincent "Sonny" Scardino; Blind Willie McTell and Curley Weaver) 3:52

10. Basement Blues 5:28 11. Boston or Bust 2:28 12. Saint Louis Blues

(For Blind Willie) 3:33



The twelve original songs are credited to the sisters multi-

instrumentalist (violin, mandolin, ukulele, piano) and cartoonist

(Jule's 'Toons) J. Nemrow and L. A. Nemrow (harmonica and vocals) a

writer currently working on The Probe (a novel) and a Bostonian &

other poems; a contributor to Ricks' (with Leonard Michaels) The

State of the Language, later edition, the essay "Dirty Words" was

called a "tour de force" by The Economist. The two are also

screenwriters/filmmakers collaboratively; their musical lineage

includes uncles Joe and Dom DiBona (Frank Sinatra) and saxophonist

Frank Messina (Lena Horne, Billie Holiday, Claude Thornhill, Frank

Sinatra); and harmonica player Larry Adler.

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Thursday, July 28, 2011

TBNV - Colwell Winfield Blues Band - Live Bust - 1971


Another under rated forgotten band with no video that I am aware of.

1 Cursin' Blues
2 Have A Taste
3 Help Me
4 How Blue Can You Get
5 Eyesight To the Blind
6 Sombrero Sam
7 Don't Start Me Talkin'
8 Stop Breakin' Down
9 Brother Where Are You
10 Willow Weep For Me
11 Drum It

Wednesday, July 20, 2011

Michael Z Cummings New Release Coming

Michael Z. Cummings Pic





Singer-Songwriter-Guitarist Michael Z. Cummings To Release "Storyteller"

Performs Locally: "Art Of Health" Benefit@Hollywood Sunset Free Clinic - Fri. July 22

<>

The Art of Health Poster


(SILVERLAKE) -
Michael Z. Cummings writes songs about people, for people. The Los Angeles-based, singer-songwriter-guitarist grew up in Boston surrounded by music. The deep bluesy music of Son House and Mississippi John Hurt oozed through the cracks of his brother's room. The street performances, live gigs and public performances by the students at Berklee, Boston Conservatory and New England Conservatory were a constant happening. From records, tapes and the radio, Bob Dylan, the Rolling Stones, and the Beatles, and were listened to, synthesized and memorized. This is why Michael picked up a guitar and just started playing.

And play he did. Electric Rhythm Guitar with a flat pick, Classical guitar, Ragtime, Jazz and Country pickin'. Michael also used his vocals and his amazing writing talent to express his observations of the world around him. Becoming a singer/songwriter was about connecting emotionally with listeners. To him it was about becoming less of a guitarist and more of a poet; less of a participant and more of an observer. This, in turn, led to Michael's 2010Los Angeles Music Awards nomination for "Best Male Songwriter." His always-humble demeanor and keen eye for the human experience makes him a musician who moves listeners to both action and reflection.

Catch a very special performance by Michael Z. Cummings at the "Art of Health" special event happening at the Hollywood Sunset Free Clinic , 3224 W. Sunset Blvd., Silverlake, Friday, July 22. 5-10 p.m. Donations graciously and greatly appreciated. Info: (323) 660-7959 or log onto www.hsfreeclinic.org. Organized by FANS - "a creative group of folks who have come together to benefit the Hollywood Sunset Free Clinic." Cummings also performs at the "Rock For Vets 2" Benefit Concert in Long Beach on Saturday, July 30; and has a CD Release Party for Storyteller at the Pig N' Whistle in Hollywood on Saturday, August 20.

MICHAEL Z. CUMMINGS - UPCOMING LIVE SHOWS & SPECIAL EVENTS CALENDAR

July 22 (Fri.) HOLLYWOOD SUNSET FREE CLINIC Silverlake

July 30 (Sat.) SCOTTISH RITE EVENT CENTER Long Beach

Aug. 20 (Sat.) PIG N' WHISTLE (Cd Release Party) Hollywood

Aug. 21 (Sun.) AMERICAN VETERANS RADIO World Wide Web



Tuesday, May 17, 2011

Hey - The Pixies


Do the Pixies have the blues?
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Friday, May 6, 2011

Perdido Street Blues - New Black Eagle Jazz Band


Long popular in the New England area, the New Black Eagle Jazz Band has been quite consistent ever since its formation in Sept. 1971 by cornetist Tony Pringle. The leader, whose style is based on Bunk Johnson, Kid Howard and (to a lesser extent) Kid Thomas Valentine, sets the sound for the group and gives it a primitive oldtime feel. At the time of the New Black Eagle's debut recording in 1972 (for GHB), the personnel also included trombonist Stan Vincent, clarinetist Stan McDonald, pianist Bob Pilsbury, banjoist Pete Bullis, Eli Newberger on tuba and drummer Pam Pameijer. Through the years the group (also known simply as the Black Eagle Jazz Band) has managed to keep largely the same personnel. Only the clarinet spot (which has been occupied by McDonald, Rudi Ballieu, Brian Oglivie, Hugh Blackwell and for quite awhile by Billy Novick) has undergone some turnover. The New Black Eagle Jazz Band, who have appeared at many classic jazz festivals, regularly in the New England area and on several European tours, has recorded extensively for their own Black Eagle label plus GHB, Dirty Shame, Fat Cat Jazz, Philips, Philo and Stomp Off. ~ Scott Yanow, Rovi