I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Ramon, from Christopher McBride, and it's really moves. Opening with Lady D, dedicated to McBride's mother, this track features excellent trumpet lead by JS Williams, Jonathan Edward Thomas on piano and McBride on sax. Backed by Noah Jackson on bass, Cedric Easton on on drums. Excellent opener. Bronx Unchained has a urban syncopation with McBride and Williams working together against the groove yet a sophisticated attack. Thomas' piano work really hits the spot and then in double time Williams' trumpet lead is fleet and McBride's solo intense with an excellent chaser by Easton on drums. Stand Your Ground is a contemplative, 3 part composition. Opening with Jackson setting the scene on bass, the track slowly builds with Williams on trumpet, McBride on sax, Thomas on piano and Easton on drums. In the "Confrontation" segment, Williams and McBride really work it driving the track to an exhilarating frenzy, settling finally into a beautiful "In Memoriam" melody with lush backing by Thomas and and luke Carlos O'Reiley on keys and strong phrasing by McBride on sax. Very nice. Neo soul, Dope, with it's street beat has a contemporary pop feel with melodic setup by Williams and Corey Wallace on trombone and McBride, Williams and Thomas each weaving in lush solos. Wrapping the release is my radio choice for the release Your Eyes Can't Lie. With Williams and McBride carrying the melody and harmony lead and Easton on tom tom. With a inviting bass line by Jackson keeping the feel, Williams takes the first run and his feel is terrific. Thomas on piano keeps the flow and adds some real nice color, a strong solo by Jackson on bass feeds directly to McBride who elaborates on the melody, cranking up the tension. This is a very enjoyable release and one that I'm looking forward to taking home for a full test run.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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