I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Serve It to Me Hot, from Chickenbone Slim and I really like it. Opening with title track, Serve It to Me Hot, Slim and the crew are hitting it hard. This band sound like they're ready for a rumble with the low slung power attack of slinger Laura Chavez on lead guitar and Slim on guitar and lead vocal. Marty Dodson on drums and Andrew Crane round out the band making this crew ready for just about anything. Great opener. On up tempo boogie, Wild Eyed Woman, the band cranks like they're backing HD Taylor or Slim Harpo. This may be my favorite track on the release with a great driving beat and Chavez's relentless guitar attack. Excellent! Harp wizard, Aki Kumar joins the crew on Top of the Clouds, with a solid Texas style. Chavez steps out nicely on guitar and Slim's vocals are nicely complimented by Kid Andersen and Lisa Andersen. Funky, Laying In The Weeds, is a real cool track with a solid exchange between Slim's vocal and Chavez's guitar lead. With funky rhythm by Slim and Dodson and a cool keyboard overlay by Kid Andersen, this is a really cool track. I Will Stand For You is an interesting bluesy rock/country track bringing to mind some of the terrific work of the Band. With it's slinky approach and guitar accent throughout the melody, this track is really nice. Vocal blending by Andersen and Slim and some real nice riffs by Chavez and Andersen make this a strong contender for top track. Wrapping the release is solid blues rocker, Hook Me Up with a pronounced rock and roll guitar lead and plenty of attitude (and cowbell). You want attitude on guitar, Chavez is just the person to deliver it and here she is. Her wicked chops come to the surface here and give this track an excellent slap in the back. This is a really cool release and one you should check out.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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