I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release (September 16, 2016), Porcupine Meat, from Bobby Rush and it's a mover. Opening with I Don't Want Nobody Hanging Around, Bobby Rush has a high steppin funky opener featuring a cooking horn section, great bass lines and of course some fine harp work. With a smooth R&B feel, title track, Porcupine Meat, is a real cruiser with Vasti Jackson laying down some tight riffs on guitar over a solid bass line. Very cool. Slow blues number, Got Me Accused, really gives Rush the opportunity to show his deep blues roots. With his soulful vocals and crying harp playing, this track is heavy. Again the strong bass lines really anchor the track and salted lightly with guitar, this track is smokin. R&B track, Snake In The Grass, has strong radio play sound with a catchy hook and a solid beat. Funky track, Funk o' de Funk, has really super bass line and the funk is so deep you can smell it. Punched up horns, keyboard and nicely placed harp work. This track hits the groove. Me, Myself and I is a smooth, jazzy number with a rock solid bottom and clean guitar riffs added by Joe Bonamassa. Catfish Stew is a cool pop jam with a rolling bass line. Light hearted feel and cool horn work make this track sail. It's Your Move has a nice BB King like feel that almost glides across the airwaves. Dave Alvin lays in some really nice guitar work over a solid bottom and a strong keyboard cloud. Keb' Mo' slips on the slide hitting Nighttime Gardener running over a blues riff. Rush does his thing lyrically, and with no pause. A sure crowd pleaser. R&B track, I Think Your Dress Is Too Short, has a real nice feel. With it's super cool bass line, snappy drums and horn punctuation, Rush just rides the wave. Very nice! Standing On Shaky Ground is pure soul and the horns sound like they are pure from the 70's. Rush has seen it all and knows the way with billowy keys and clean accents. Cool track. Wrapping the release is I'm Tired, a high water stepper with nice harp work, slide guitar and light percussion. Rush's harp work is instinctual and gives this track a cool modern feel. Nice closer.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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