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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Thursday, August 18, 2016

VizzTone artists: Katy Guillen & The Girls - Heavy Days - New Release Review

I just had the opportunity to review Heavy Days, the latest release from Katy Guillen & The Girls and I really like it. Opening with Driving To Wake Up, Katy Guillen & The Girls let you know right up front that they mean business. Guillen on lead vocal and guitar is joined by Claire Adams on bass and vocal and Stephanie Williams on drums producing an authoritative rock sound with edge. Guillen's vocals may be similar to Chrissie Hynde with healthy attitude but with more clarity and blending with the vocals of Adams, a new fresh sound. A stripped down 3 piece sound is all you need and these ladies show that big time. Guillen is also no wall flower when it comes to guitar attitude laying it out there pretty nicely. Heavy Days has an essential blues rock sound and raw energy but with just the right amount of melodic backing harmony to pull you in. These girls are putting on the heat and Williams kicks ass on drums... and that adds real weight as they swing from sweet vocals to heavy axe wielding. Absolutely excellent! Waking Up From You shows a more pop side with really smoothly crafted melody and instrumentation. This track could see solid radio play across genres with J. Santiago like guitar work. Don't Need Anyone is a solid rocker with straight forward beat and aggressive guitar soloing. Very nice. The Load has really nice bass lines by Adams under rhythm and vocals by Guillen. With it's more indie sound, it still has solid rock framework and excellent drum work leading to some less structured guitar work. Very interesting. Humbucker is a real nice blues rocker with standout lead vocals and a solid guitar riff. I am really blown away by how tight this band is and how powerful the rhythm section is. Really solid! Ballad, Cold Was The Night, is a brilliant showcase of Guillen's voice with traces of Amy Winehouse ... I mean seriously? This girl can really sing and her guitar playing is powerful... the entire band is. Mike "Shinetop" Sedovic adds some really nice key work on this track making this already super track even fatter. I mean, check out the rich guitar soloing on this one... think torment...think Big Brother. Excellent! Hot rocker, Can't Live Here Anymore, has a definite power pop feel with plenty of kick and solid rock. Big Joe Williams' Baby Please Don't Go has a sultry edge that I've never heard on any of the previous covers. Guillen really knows how to bring it and Guillen's original guitar vamp is perfect to frame her vocals. Raw and explosive this track is hot! This is a perfect example of how the blues continues to be vibrant in contemporary rock music. Love it! Wrapping the release is Pulling Up From The Grooves, a really sweet track, again based solidly on the strength of Guillen's beautiful voice and very complimentary backing by Adams. Adams' bass work, with light guitar rhythm, Ryan Heinlein's contributions on trombone and the ever sensitive drum work by Williams makes this an extremely memorable closer for a fine release. A definite keeper!

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Wednesday, August 17, 2016

Dirty Cat Records artists: The Lucky Losers - In Any Town - New Release Review

I just had the opportunity to review the newest release, In Any Town, from The Lucky Losers and it's a cool blend of pop, country and blues. Opening with So High, a blend of country funk and pop, Vocalists Cathy Lemons and Phil Berkowitz harmonize over the rhythmic work of Marvin Greene on guitar, Chris Burns on keys, Tim Wagar on bass and Robi Bean on drums. Kid Andersen rips a cool lead guitar solo to close track one with Berkowitz on harp. Cool. It Ain't Enough features Lemons on lead vocal and it's a slinky, swampy soul track. Possibly my favorite track on the release, it has warm backing vocals and Andersen lays down some real nice Rhodes lines. Excellent! On classic track Jackson, made popular by Johnny Cash, finds Cathy and Phil exchanging lead vocals making it a solid radio player with a nice harp solo by Phil. Another Lemons penned number, Don't Let 'Em See Ya Cry, is a solid blues ballad with sensual horn work from Michael Peloquin on tenor and bari sax, Mike Rose on trumpet and Mike Rinta on trombone. Greene's featured guitar solo on this track is real nice as is Phil's harp solo and Peloquins sax work. Excellent! Blind Man In The Dark has a distinct Mickey Thomas R&B style. Terry Hanck steps up with a nice sax solo surrounded by warm horn work by Rose and Rinta as well as really nice keyboard work by Burns. I Can't Change Ya is a peppy 2 stepper featuring Lemons on lead vocal. Frank Goldwasser rips some really super slide guitar riffs setting this track out really nicely. Funky, Still Enough Time To Cry, has a real nice groove with particularly nice bass work by Wagar bringing to mind the cool work of Sly Stone. Great groove with excellent piano lead by Burns. Berkowitz uses his harp nicely giving the track bit of edge. Ballad title track, In Any Town, is really a showcase for Lemons on vocal with nicely woven harp and keyboard work over a subtle rhythm. Wrapping the release is Small Town Talk, a smooth pop track featuring Lemons and Berkowitz on harmony backed by a rich horn section of Peloquin, Rose and Rinta, Andersen on bass, D'Mar on drums and nice keywork by Burns. A particularly nice trombone solo by Rinta closes the release.

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Tuesday, August 16, 2016

Cleopatra Records artist: Kenny Neal - Bloodline - New Release Review

I just received the newest release, Bloodline, from Kenny Neal and it has strong blues and R&B roots. Opening with country blues influenced, Ain't Gon Let The Blues Die with it's Elvin Bishop/country flavored gospel flavor. This track is off and running with Kenny Neal on slide guitar and lead vocals, Tom Hambridge on drums, Tommy Macdonald on bass and Syreeta, Tyrell, Jazzy, Brine', Kaydence Bates, Tahj Mosby and Darien Neal as well as the McCrary sisters. Title track, Bloodline, has a deep groove with a funky bottom and Kenny on lead vocal and harp. Cool loping Plain Old Common Sense is one of my favorite tracks on the release with great guitar work, supeer vocal phrasing, nice piano lines and strong horn backing from Quentin Ware on trumpet, Billy Huber on trombone, Tyler Summers on sax and Dana Robbins on sax. Very cool. On Willie Nelson's Funny How Time Slips Away, skillful piano work and crafty vocals give this track the weight of a serious R&B/country ballad. Coming out with horns blazing, Keep On Moving, has a funky R&B feel and the electric key work of Lucky Peterson is a perfect setting for strong soloing by Kenny. With tight horn work by Ware, Huber, Summers and Robbins. With it's BB King style phrasing, I Go By Feel, is a real cool track along the lines of The Thrill Is Gone with soulful vocals by Kenny and nice horn work by Ware, Huber, Summers and Robbins. Kenny takes a relaxing guitar solo that has really nice grip. R&B style, I'm So Happy, is really a super horn track with prime radio vocals by Kenny and crew. Blues Mobile is an uptempo shuffle with Kenny leading the way on harp. Kevin McKendree on piano and Ware, Huber, Summers and Robbins on horns give this track a bright feel and Kenny's vocals are super. With a much more acoustic feel, I Can't Wait, has Kenny way upfront on vocal and harp with Steve Dawson on Weissonborn, Bob Britt on guitar, John Lancaster on keys and Hambridge on percussion. Really digging in on an R&B feel, Real Friend, has a super Wilson Pickett kind of feel with Kenny on vocal, Ware, Huber, Summers and Robbins on horns. Ware takes a smooth trumpet solo followed by a soulful sax solo that really sits nicely. Neal's own guitar solo is tight and warm giving the track a cool Memphis feel. Wrapping the release is Thank You BB King, a track that could be right out of BB's song book with BB vocal and guitar phrasing styles. Kenny of course puts his own spin on the guitar work making and with Peterson on organ, this a super wrapper for a cool release.

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Saturday, August 13, 2016

David "Honeyboy" Edwards - I'm Gonna Tell You Somethin' That I Know - New Release Review - CD/DVD

I just received the newest release, I'm Gonna Tell You Somethin' That I Know, by David Honeyboy Edwards and it's terrific! Opening with Howlin' Wolf's Ride With Me Tonight, Honeyboy is accompanied by Jeff Dale and Michael Frank. Honeyboy, a young 95 years old at the time, plays solid lead LP jr. as he sings. If you haven't had the pleasure to see and hear Honeyboy, he is the real deal ... in my mind, one of the few, first generation pure delta blues men alive during our current generation. Singing blues like few men in modern times, Honeyboy keeps his own time. On That's Alright, Honeyboy shows real spark and enjoyment playing his trade in a private and up-close environment. Robert Jr. Lockwoodhas a more's Little Boy Blue and Jimmy Rogers' You're The One and really cool blues jams and Honeyboy's vocals are emotional and raw. Edwards cover of Oden's Goin' Down Slow is more uptempo but no less sensitive. His guitar riffs are ragged but fluid and expressive. Muddy Waters' Country Boy is one of my favorite tracks on the release with Honeyboy grinding it out. Robert Petway's Catfish Blues and Apron Strings is a particularly lively jam with Honeyboy flexing his guitar prowess. Expressive and authentic. Honeyboy slips on his slide for Sweet Home Chicago using an Elmore James guitar riff and his classic vocal style, this is a super groove to wrap the concert. Included on the release is a short conversation with Honeyboy about his younger life and Robert Johnson. You want the first hand info...this is as first hand as it gets.

Wednesday, August 10, 2016

Gonzalo Bergara - Zalo's Blues - New Release review

I just received the newest release, Zalo's Blues from Gonzalo Bergara and it's terrific! Opening with instrumental, Drawback, a quick paced shuffle, you'd swear you were listening to Gatemouth Brown featuring Gonzalo on Guitar, Mariano D'Andrea on bass and Maximiliano on drums. These guys are hot and flaming! On rock and roller, Drinking, Chuck berry Style, Gonzalo steps up to the mic and shows his appreciation of fine rock. This stuff is pure and fun ... dig the riffs! This release doesn't have any weak spots and this is one of my favorites on the release. Singing My Song puts me in mind of a song, Made Into A Movie, from one of the best (sleeper) ZZ Top albums, XXX. If you don't have it....get it! This is a dramatic ballad with smoking hot emotional blues guitar soloing. Excellent! Opening with Jimmy Reed himself, You Don't Have To Go is augmented by the band and Gonzalo's vocals are sticky and the pace is amazing. This is the blues...yes! Excellent! Dirty Socks is a great track with like a blend of like Jeff Beck and ZZ Top sounds with a funky beat and excellent bass work. Gonzalo really gets into a great groove showing just a band is supposed to do with an instrumental track! Really switching gears, Gonna Go, is full out country truck driving music with "chicken pickin" and "train drums". Guitar soloing is nothing less than great. Yes...this is cool! Nice Texas style blues with a rocking lope is what makes No More click with solid vocals and fresh guitar riffs from Gonzalo over a tight bottom. Super. Another flame thrower, Been Runnin' is just scorching with jazz lines coming like a freight train. I would have loved to have seen this guy on stage with Gatemouth. Excellent!!! Woosh is a super track that sneaks up on you. Dynamics to burn, this track has super vocals, a great melody and raw guitar riffs that will throw you back. Excellent! Levi has a great groove and builds over a twist on a simple riff. An excellent instrumental, this is a super showcase of what a talented guitar player and writer can do, given the freedom to express himself! Bulls-eye! Ines is a beautiful instrumental track, subdued in nature but with a haunting melody and twin guitar leads blended just perfectly. The lead soloing is tight and expressive. How many times can I say excellent! Wrapping the release is Won't Stay With You, a cool acoustic number with Zalo accompanying his own vocals. Done in more of a modern Piedmont style, it has traces of Jimmy Cox's Nobody Knows You When You're Down And Out. Excellent closer. This may be the best release that I've heard this year. With the excellent album cover, this is the entire package... get it now and tell your friends. You can thank me later!


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Tuesday, August 9, 2016

Greenwell Records artist: Smoky Greenwell - South Louisiana Blues - New Release Review

I just received the newest release, South Louisiana Blues, from Smoky Greenwell and it's solid. Opening with Animal Angels, a modern blues based rocker, features Smoky Greenwell on harp and lead vocals, Jack Kolb on guitar, David Hyde on bass, Joe Krown on B3 and Doug Belote on drums. With slippery slide work by Kolb and harp work by Greenwell, a cool opener. Canned Heat's Let's Work Together, maintains the community feel with Greenwell on lead vocal and harp adding Johnny Neel on piano and Lynn Drury and Dana Abbott on backing vocals. Boogie Twist is a hot smoker with Greenwell on harp and sax, Kolb throwing down on guitar, Neel on B3 and a super driving bottom by Belote and Hyde. Very cool. Lonesome Lonely Blues has a more moderate pace featuring nice piano work from Krown, warm sax work from Greenwell and clean guitar soloing by Kolb. Shuffle track, You Can't Take It With You, has a real nice Chicago groove and traditional blue style harp. Nice. Pick It Up has a bit of a Boogaloo feel making it a particularly cool track on feel. Think a James Brown instrumental... featuring harp. Swing track, I Had A Dream Last Night, has a sweet bass line by Hyde and features really nice lead guitar work by Kolb and sweet harp lines by Greenwell. Very cool. Jimmy Reed style, I'm Glad She's Mine, has a real nice lope and features Greenwell on sax as well as lead vocals and clean guitar lines from Kolb. Willie Dixon's Two Headed Woman, gets nicely into the Chicago groove with a minimal of adornment. Nice harp work and a cool melodic solo by Kolb and a few "electric" bends give this track a cool sting. The Hunch is one of the most complex tracks on the release with organ, sax and harp in tandem sounding a bit like a War track. As an instrumental, Neel on organ takes a nice solo as does Greenwell and Kolb. Possibly my favorite track on the release. Bob Dylan's Dirt Road Blues is an easy shuffle with light country styling on drums, guitar and harp. Nice change up. Wrapping the release is Lee Allen's Walking With Mr. Lee, a nice jazz style blues number. With Greenwell showing some of his best sax chops on the release, this is a great closer for a pleasurable release.
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Monday, August 8, 2016

Heralded Austin Musician Johnny Nicholas Brings a Breath of "Fresh Air" with New Blues/Roots CD Coming September 2






Heralded Austin Musician Johnny Nicholas Brings a Breath of Fresh Air with New Blues/Roots CD Coming September 2


AUSTIN, TX – Acclaimed roots musician Johnny Nicholas has announced a September 2 release date for his new CD, Fresh Air, which showcases his multiple talents on various guitars and soulful vocals for an album surely to be one of the best musical revelations of the year.


Watch the Johnny Nicholas video that includes musical excerpts from the Fresh Air album:





Fresh Air was produced by Bruce Hughes and recorded at Arlyn Studios in Austin. Featuring an all-star cast that includes Scrappy Jud Newcomb (guitars, mandolin, mandocello), John Chipman (drums, percussion, vocals) and Bruce Hughes (bass, vocals, percussion), plus a guest list that includes Cindy Cashdollar (lap steel and additional guitars), the new CD creates a satisfying statement of true American roots music at its finest and most authentic.
Fresh Air is a collection of stories and melodies that have haunted me for some time,” says Johnny Nicholas. “There are some different styles here but all of this is the blues as I know it—as all American music and rock and roll has sprung from the same source. I don’t understand a whole lot of what is going on in the modern world, but I do know I could use a little ‘fresh air.’ I hope you dig these tunes.”

Containing a baker’s-dozen 13 tracks, Fresh Air covers a wide swath of Johnny’s roots – everything from the Delta blues of the album’s opener, “Moonlight Train,” to the Chicago-style city blues of the Howlin’ Wolf classic, “Back Door Man,” along with sojourns into swampy Cajun styles, Americana and everything in between.  The constant throughout all these songs is Johnny’s high-lonesome blues vocal style, lithe harmonica playing and soulful string work on an assortment of guitars. Other than “Back Door Man” and the Sleepy John Estes chestnut, “”Kid Man Blues,” Johnny Nicholas had a hand in writing all of the other songs on Fresh Air.
“Johnny Nicholas is one of the best bluesmen ever, black or white.” – Stephen Bruton. When it comes to Americana roots music and especially the blues, the late, great Stephen Bruton knew what he was talking about. His description of his long-time friend and musical comrade in arms is succinct and quite a heady compliment, but then, Johnny Nicholas is an amazing talent.
For four decades, Johnny’s consummate musicianship and vocal skills have graced live music scenes across the country and abroad. He has toured, performed and recorded with many true blues and Americana roots music legends, including Mississippi Fred McDowell, Robert Lockwood Jr., Johnny Shines, Big Walter Horton, Roosevelt Sykes, Nathan Abshire, Robert Pete Williams, Eddie Taylor, Hound Dog Taylor, Johnny Young, Houston Stackhouse, and Boogie Woogie Red.
Johnny recorded and toured with Johnny Shines and Snooky Pryor, producing and playing guitar on their W.C. Handy Award-winning album, Back to the Country. He was one of the lead vocalists with Asleep at the Wheel when they won their first of many Grammy Awards. He gave blues guitar icon Ronnie Earl his first gig in the now legendary band, Guitar Johnny and the Rhythm Rockers. He has also performed with the likes of Howlin’ Wolf, B.B. King, Muddy Waters, Bonnie Rait, Eric Clapton, Pops and Mavis Staples, Delbert McClinton, Willie Nelson, Merle Haggard, Marcia Ball and Jimmie Vaughan, among many others. He can wow a festival crowd of thousands or a small room of devotees.
Born in Rhode Island, Johnny discovered the blues at an early age, grooving to the great R&B that was blasting from the airwaves in the late ‘50s and early ‘60s—Jimmy Reed, Lightnin’ Slim, Lloyd Price, Slim Harpo, Larry Williams, Little Walter, Ray Charles and Howlin’ Wolf were all big blips on this impressionable young man’s radar screen. Like fellow Greek-American Johnny Otis had a generation earlier, this Johnny easily made the leap into the soulful world of the blues. He was high school friends with Duke Robillard and the two of them shared licks and records after school, as well as each leading their own band (Duke’s was called the Variations and Johnny’s was called the Vikings).
In 1966, he hopped the train to New York City to see his idol, Howlin’ Wolf. He ended up hanging with Wolf’s band at the Albert Hotel by day (where Wolf, the Muddy Waters band and Otis Spann were all staying), and at Ungano’s nightclub by night, where the Wolf was holding musical court while on a two week prowl of the Big Apple. This experience cemented his love of the blues while providing inspiration and a gateway to friendships and musical adventures that would help mold a successful career, and still smolder in this talented and restless soul
In 1980, Johnny decided to take time off from touring in order to raise a family. He married Brenda Schlaudt, one of the co-founders of Antone’s night club; and played music at (and helped manage) what became a Texas culinary and music legend: Hill Top Café (housed in a former 1920s-era gas station - “inconveniently located in the middle of nowhere”) near Cherry Spring, not far from Austin. Hill Top’s eclectic menu includes items that reflect his and Brenda’s Greek, Cajun and Texas influences.   
After fathering three sons, Nicholas stepped up his music ventures, highlighted by Back to the Country in 1991.  Since then, he has released several more albums and returned to a more rigorous touring, songwriting and performance schedule.
Johnny Nicholas will support the release of Fresh Air with a series of dates in the Texas area, as well as showcase venues and festival dates around the country.

Diana Rein & Papermoon Gypsys Perform at Real Blues Festival 7












SoCal's Coolest New Blues-Rock Band!


PERFORMING LOCALLY AT:



Sunday, Aug. 14, 4 pm - COACH HOUSE, San Juan Capistrano



"Diana Rein and the Papermoon Gypsys brought a rollicking show to the Blue Beet. Diana's bluesy voice and Kenny 'Big Daddy' Williams' blistering lead guitar on their version of Jimi Hendrix' classic "Stone Free"  showed why they're one of the hottest new groups on the scene today. Rein's guitar propels the music with a rocking sound, the interplay of her guitar carrying both rhythm and some excellent solo work. All told, Diana Rein and the Papermoon Gypsys provide a hard driving blues sound that's hard to beat"                         - Ed Simon, LOS ANGELES BEAT





   (SAN JUAN CAPISTRANO, CA) - SoCal's coolest new blues-rock ensemble is Diana Rein & Papermoon Gypsys, perform locally at the Real Blues Festival of Orange County 7, taking place at The Coach House, Concert Hall, 33157 Camino Capistrano, Sunday, August 14. Showtime: 4 pm. Tickets $20. Info: (949) 496-8930 or http://www.orangecountybluessociety.com/TICKETS.html.


                     About...Diana Rein & Papermoon Gypsys

   The new group is co-led by vocalists-guitarists, Diana Rein and Kenny "Big Daddy" Williams, along with Joe Dolci on bass and Rich Smith on drums. Rein, also known as the "Six-String Siren," has just released a new album, Long Road (Rude Mood Records). "Rein proves herself multi-talented by not only writing, recording, and producing Long Road, she also sings and plays lead, bass, and rhythm guitars, " writes National Blues Review. On Long Road, Rein - a big Stevie Ray Vaughan  fan who moved to Southern California from a hotbed of the Blues, Chicago - displays a sharp tongue, driving blues-based guitar, and melodic solos. Conversely, Williams is a longtime SoCal musician who, in addition to Papermoon Gypsys, also fronts OC-based blues-rock trio, Bluespower. "Big Daddy," as Williams is commonly called, is also co-owner of Kenny's Music in Dana Point in addition to the Host of the weekly "Laguna Blues" radio show every Friday night on KX93.5 FM. "Big Daddy is one of those guitarists whose showmanship comes naturally," writes Ed Simon of the Los Angeles Beat






          

                         



          Upcoming Live Shows: Diana Rein & Papermoon Gypsys


August 14 (Sun.)       REAL BLUES FESTIVAL OF OC7           SJ Capistrano, CA
August 31 (Wed.)     TEMECULA VALLEY MUSIC AWARDS    Murrieta, CA
Sept. 3 (Saturday)     NEW BLUES FESTIVAL III                      Long Beach, CA

 





                                         dianarein.com
                                        papermoongypsy.com/music.html
                            facebook.com/papermoongypsys







    

The Kat Kings - Swingin' In The Swamp - New Release Review

I just had the opportunity to review the most recent release, Swingin' In The Swamp, from The Kat Kings and it does swing! Opening with hot potato, When I Say Jump, Kevin McQuade has this band hopping with his super lead vocals and tight lead guitar work, backed by Teddy Leonard on guitar and vocal, Chuck Keeping on drums and vocal, John Dymond on bass and Wayne Dagenais on keys. Great start. Up beat emphasis and walking bass work on Poppin At Party Time really sets it out with cool piano work from Degenais and McQuade plays bold guitar strokes. Nice. On B Flat Kat, a cool boogie woogie, the band keeps the groove rolling without a hitch cranking out intensity. On easy loper, I Work For You, the band takes a little break and Dagenais breaks out the organ giving the track nice balance. Hot rocker, Juke Joint Jimmy, has a great beat, solid piano and some hellacious hot guitar riffs. Excellent! Two stepper, Before I Found Him, has a JJ Cale feel with a rocky bluesy country pop sound. Cool. Ridin In Style is a really cool track with a 50's rock sound. I really like it with it's Carl Perkins style. Ballad, I'm Just A Shadow, is nicely composed and executed with McQuade up front and smooth key work by Dagenais' organ under the melody. Jimmy Rogers like, Til it Feels Alright, has a cool Chicago sound with primary soloing by Dagenais on piano. McQuade's vocals carry the bulk of the track with firm work by Keeping on drums. I Got The Fuse has a really cool "swampy" feel with a sassy guitar solo and nice guitar backing by Leonard. Latin influenced, Late Night Thing, is spiced up by Keeping's drum work and a nice clean piano solo by Degenais. McQuade throws down a nice guitar solo giving the track a beefier flavor. Wrapping the release is a boogie cool rocker, Baby You Can't Drink. I think this is one of the best tracks on the release with flashy guitar and piano and some of McQuade's best vocals and well and a great hook. Excellent!

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