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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label R.W. Grigsby. Show all posts
Showing posts with label R.W. Grigsby. Show all posts

Monday, April 25, 2016

Electro-Fi Records artists - Golden State Lone Star Blues Review - New Release Review

I just received the newest release from the Golden State Lone Star Blues Review, and it's terrific! This all-star band opens with Gatemouth Brown's loping Texas style blues, Midnight Hour, featuring Mark Hummel on lead vocal, Anson Funderburgh and Little Charlie Baty on guitar, RW Grigsby on bass and Wes Starr on drums. This track is a great opener with reinforcements by Eric Spaulding and Jack Sanford on sax. Billy Boy Arnold's, Here's My Picture, is up next and Hummel takes a super sweet harp break during a break in the primarily Latin rhythm track. Prove It To You is a cool swing blues track with Hummel driving the train on vocal, a nice walking bass line by RW Grigsby and tight drums by Wes Starr. Little Charlie hits the strings with a slick guitar solo and Hummel's phrasing is top notch. Slow NO style blues, Cool To Be Your Fool, features beautiful piano interplay by Jim Pugh and a solid bass line by Grigsby. Very nice! Lowell Fulsom's, Check Yourself, has a real nice vocal and piano swing and tight drum snap from Starr. Hummel bears down on the harp for one of his finest features on the release. Funderburgh takes center stage with some of his trademark riffs giving the track a real hot sound. Excellent! Mose Allison's, Stop This World, has a nice easy jazz feel and Hummel's vocals blend nicely with organ work by Pugh. Guitar and harp riff trading is clean and sparkling. Shuffle track, Take A Chance, has some choice drum riffs and with Hummel leading on vocal and harp, Funderburgh and Pugh each stretching. Very cool. Lucky Kewpie Doll has a beach rock sound and Baty really lays out some cool riffs. Pugh lays in some nice piano work as well over a solid rockin' beat. Pepper Mama opens with a really hot guitar riff by Funderburgh. Hummel's vocals blend nicely with Pugh's piano work but it's Anson's turn to shine and his guitar riffs on this track are top notch. Lee Allen's Walking With Mr. Lee is a smooth shuffle and a great showcase for Hummel on harp. A cool walking bass line from Grigsby, keys by Pugh and tight drums by Starr round out the track. Detroit Blues is a cool loping blues number with vocal harmony. Hummel takes this track to task with solid red hot harp tone making it one of my favorites. Jimmy McCracklin's, Georgia Slop, has an upbeat R&B feel with great sax work on the bottom and rock drums. Grigsby drives a great bass line on this one and Hummel breaks loose for another super solo (Stilladog... this one's for you). Excellent! JB Hutto number, Dim Lights is up next with a super swagger and Hummel sets a good pace on vocal and harp. Funderburgh plays cool under the track with traditional riff and Baty hit the slide with fire in his eyes. Very super! Wrapping the release is End Of The World, an absolutely excellent blues track highlighted by Pugh's piano work, Hummel's vocals, Baty's, JL Hooker like guitar riffs and tension building sirens etc over basic drums and bass by Grigsby and Starr, peppered with harp. This is an excellent release with more joint contributions and only a few individual blow out solos making it walk like a silent giant.

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