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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Eric Corne. Show all posts
Showing posts with label Eric Corne. Show all posts

Thursday, March 7, 2024

Forty Below Records artist: John Mayall's Bluesbreakers - Live In 1967 Vol. 3 - New Release Review

 I just had the opportunity to review the most recent release, Live In 1967 Vol. 3. from John Mayall's Bluesbreakers and it's terrific. Over the years I've embellished upon how much the British blues had on me personally and my personal taste in music. I's remarkable that these early tapes have come to light, featuring Green, Fleetwood, McVie and Mayall in their raw glory. It would have been a rare find when recorded and it's a real treat today. Opening with Brand New Start, Mayall on vocal, harmonica and organ is the leading force, with solid bottom by Fleetwood on drums,  and the driving bass line of McVie but of course it's Mayall's harmonica and vocal, punched into oblivion by the sensitive hands of Green that make these cuts so vital. Listen to Green just rip away on Tear In My Eyes, a slow blues justcrafted excellently for Green's phrasing and style. He doesn't waste a phrase, making every impulse count, framed by Fleetwood. Brilliant! There's no question that the fidelity on some of this old tape is marginal, without it, these excellent examples of this band's work, which is not very plentiful would be all but lost. On Your Funeral And My Trial, it's all Mayall with some of his best harmonica and vocal on the release. Freddie King's Stumble is of course a real standout for Green with one fiery riff after another. This band truly was amazing.  Wrapping the release is a strong cover of Otis Rush's Double Trouble, which translates to dark blues. Rush had an incredible ability to create more intensity per note than most any blues player in his time. Mayall not only had a nose for the best blues music happening anywhere in the world, but the ability to find and attract the best talent to join his quest, putting together the best functioning bands to spread the blues worldwide ... bar none, and to do over and again. Congratulations John on an excellent set and thanks to Forty Below for putting it together. 


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Friday, April 14, 2023

Forty Below Records artist: Joe Louis Walker - Weight Of The World - New Release Review

 I just had the opportunity to review the most recent release, Weight Of The World, by Joe Louis Walker, and it's a cool uncompromised blues release. Opening with title track, The Weight Of The World, Joe Louis Walker on lead vocal and guitar leads the way on this R&B soaked track. His funky approach and with Eric Corne and Gia Ciambotti on backing vocals gives it even a gospel like feel. His guitar work is great, surrounded by Scott Milici on organ and backed by John Medeiros Jr on drums, Eddie Jackson on bongos, and Geoff Murfitt on bass. Strong opener.  Soul track, Hello, It's The Blues, really has a rich approach with smooth backing vocals and Eric Gorfain on violins and tasty nylon string guitar work by Walker. Very nice. Blues rocker, Blue Mirror is my favorite track on the release with a strong feel of Chuch Berry or Keith Richards. Walker puts his own signature on it complimented by great riffs and great driving rhythm by Milici on piano, Murfitt on bass and Medeiros Jr on drums. Great! Wrapping the release is boogie, You Got Me Whipped, with a firm bass line by Murfitt and warm organ by Milici. I think Walker has held his best vocals for the last and really shines on this track and his guitar riffs are snappy and bluesy. Excellent closer. 


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Tuesday, January 4, 2022

Forty Below Records artist: Sugaray Rayford - In Too Deep - New Release Review

 I just had the opportunity to review the most recent release, In Too Deep, from Sugaray Rayford and it's chocked full of R&B style blues. Opening with funky, Invisible Soldier, Sugaray Rayford is upfront with his powerful voice, backed by Rick Holmstrom on guitar, Drake Hunkikaid Shining on keys, Taras Prodaniuk on bass, Matt Tecu on drums and a powerful horn section consisting of Aaron Liddard on trumpet and Tom White on trombone. I really like the slinky bass line on No Limit To My Love  blended with the subtle guitar lead of Eamon Ryland and vocal backing by Gia Ciambotti and Eric Corne. Very nice. Please Take My Hand is a really warm vocal track with sonic roots in field hollers or work songs. Nicely paired vocal backing by Rayford and Corne sets the lead vocal off nicely. My favorite track for radio play is One with it's smooth bottom and rich vocal. I like Prodaniuk's bass line on this one and the violin and cello work of Eric Gorfain and Richard Dodd. Wrapping the release is Booker T style United We Stand, with it's funky bottom and high stepping beat. Steve Cropper like guitar riffs from Holmstrom and punchy horns from Finch and White make this a solid closer. 


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Monday, March 25, 2019

Provogue artist: Walter Trout - Survivor Blues - New Release Review

I just had the opportunity to review the most recent release, Survivor Blues, from Walter Trout and it's his most mature and cohesive release to date. Opening with powerful slow blues number, Me, My Guitar and the Blues Trout is back locked and loaded. I love his command of the volume swell, using it like an old master, making his guitar cry like a baby and his prasing is magical. With Michael Leasure on drums, Johnny Griparic on bass and Skip Edwards on keys, this is a terrific opener. On Woman Don't Lie, it's a slink funky beat that gives this track traction.Trading lead vocal with Sugaray Rayford and adding Teddy Andreadis on Wurlitzer really sets this one up or a guitar slam and Trout is all over it. Gone are the days of cramming every note into one measure and real feel and biting riffs carry this track high. Shuffle track, Please Love Me has great feel and tension with relaxed riffs with excellent punctuation work on a heavily pumped up BB King like style. Red Sun is a drum driven blues rocker with excellent bass lines by Griparic and relentless guitar soloing by Trout. very strong. Elmore James' Something Inside Of Me is one of my favorite tracks on the release with both sensuous blues attack and explosive note full barrages giving the track really nice dynamics. Very nice. Otis Rush's It Takes Time has super pace and allows Trout space to lay down some really nice solo lines. There's no question that he's laying it all out here. Robbie Krieger (The Doors) is featured on slide on Mississippi Fred McDowell's Goin' Down To The River and lays down smooth, mellow and cohesive blues riffs. Very nice. Wrapping the release is J.B. Lenoir's God's Word and Trout sings the words like he wrote them. Sounding very personal and focused while singing the lyrics he puts his shoulder into the guitar solo, driving hard and soaring with reckless abandon. Excellent closer for a very strong release. 

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Wednesday, March 14, 2018

Forty Below Records artist: Eric Corne - Happy Songs for the Apocalypse - New Release Review

I just had the opportunity to review the most recent release (4/20/18), Happy Songs for the Apocalypse, by Eric Corne and I really like it. Opening with Mad World, a British feeling folk tune with contemporary sensibility, it is acoustic and ethereal featuring Corne on vocal, acoustic and electric guitar, Eamon Ryland  on pedal steel and Sasha Smith onWurlizter, Ian Walker on bass, David Ralicke on horns and Andrew Crosby on drums. Ridin' With Lady Luck is a simple Neil Young like rocker featuring Walter Trout on lead guitar, Corne on lead vocal and harp. One of the strongest radio tracks on the release is Locomotion with it's seductive rhythm, full horn work of Ralicke, tight drums by Blair Sinta and cool slide work by Eamon Ryland . Solid ballad, History Repeats, has a real nice symmetry. It puts me in mind of some of the strong tracks written by the band in the 70's with Skip Edwards on particularly nice pedal steel and keys, Ted Russell Kamp on bass and Matt Tecu on drums. Ashen Heart is one of my favorite tracks on the release with a strong melody some of my favorite vocals on the release. Corne, who sings, whistles and plays acoustic guitar on the track shows influence of Harry Nilsson...a strong compliment. Wrapping the release is Sing, Little Darlin' Sing, a solid track featuring Corne accompanying himself on Ukelele. This is a really understated release but one that has a memorable feel. Check it out!



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