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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Eller Soul Records. Show all posts
Showing posts with label Eller Soul Records. Show all posts

Thursday, April 23, 2020

Eller Soul Records artist: Andrew Alli - Hard Workin' Man - New Release Review

I just had the opportunity to review the most recent release, Hard Workin' Man, from Andrew Alli and it's a solid slice of blues. Opening with title track, Hard Workin' Man, a great blues number sounds like it's right out of the Elmore James songbook. Andrew Alli, who covers vocals and harmonica shows all of the raw edge of old school blues. Backed by Jon Atkinson on guitar, Carl Sonny Leyland on piano, Danny Michael on guitar and Devin Neal on drums, this is a super opener. AA Boogie is a real foot stomper and gives Alli a great platform to blow his harp. Excellent! With a Latin rhythm, Going Down South is a cool blues number with what sounds like Alli singing through his harp mic, answered with his harp. Cool slide work by Atkinson gives the track a warmup and Alli joins back with raw harp tones. Very nice. Walter Horton's, Walter's Sun is a great instrumental with fleet fingered guitar work and particularly nice harp riffs. 30 Long Years is a really nice, slower blues with great depth. This is authentic stuff here and between the strong guitar riffs, and the rich harp and vocal work by Alli, how could you want more! Chron-A-Thick is another instrumental blast with really strong harp playing. Alli is really cooking on this one...sit back and enjoy! Up tempo, Easy Going Man, has a great groove with strong guitar accents. Alli's vocals are clean and clear on this one and Atkinson's guitar literally sings. Alli has a choke hold on his harp and he isn't letting go. Michael's guitar work is tight and straight adding nicely to the track. Very very nice! Wrapping the release is So Long, a cool Chicago style shuffle. Leyland steps up on piano with a nice rhythm and again really nicely phrased guitar soloing. Alli carries the track on his solid vocals and strong harp playing. This is a really cool release. If you love pure electric blues, this is your ticket.  

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Friday, September 20, 2019

EllerSoul Records artist: Jason Ricci & The Bad Kind - My Chops Are Rolling! - New release Review

I just had the opportunity to review the most recent release, My Chops Are Rolling! from Jason Ricci and The Bad Kind and it's really great! I really like Ricci's work and every time I get the chance to review one of his releases I remember why I do this. There is always something great coming around the bend! Opening with Break In The Rain, a drum heavy rocker with cool slide work and easy vocals Ricci is off to a super start his fluid harmonica styling...uniquely his. Backed by John Lisi on guitar and vocal, Andy Kurz on vocal and bass, John Perkins on drums and Kaitlin Dibble on vocal, the band is hot. On Don't Badger The Witness, Ricci's vocals are haunting and Lisi's guitar work outrageous. Excellent! F_ck The Falcons (Who Dat Nation) is presented in two forms on this release and this is the non edited version. I bit blunt maybe but in good spirit and in New Orleans style...this track is terrific! On Barbara Lynn's classic, If You Should Lose Me, Dibble is up front with terrific vocals and with rich guitar work and healthy harmonica by Ricci, this is the standout radio track. Very nice! Title track, My Chops Are Rolling is a cool, jam... James Brown, funky, boogaloo style. With a heavy bass line by Kurz and with a tight bottom courtesy of Perkins, Lisi and Ricci tear it up. Excellent! Funky foot stomper, Snow Flakes And Horses is hot and heavy with a George Clinton meets Frank Zappa feel... Wow!  Settling down into the blues, old style, Lisi lays down some gripping guitar lead on The Way I Hurt Myself. Ricci's vocals on this track scream pain and I am a believer. Nothing like feeling real blues in a contemporary world. His harp filler behind his vocal is perfect and Lisi's guitar support couldn't be better (think Big Brother's Ball and Chain). This is as perfect a setting I can think of for Ricci to reach inside and pull out the blues and he is reaching. Terrific! Closing the release is the edit version of Who Dat Nation and the rhythm is absolutely terrific. This is an excellent closer for one of best I've heard in a long time.


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Monday, February 4, 2019

Eller Soul Records artist: Big Al and the Heavyweights - World Full Of Trouble - New Release Review

I just had the opportunity to review the most recent release, World Full of Trouble, by Big Al and the Heavyweights and it's a lot of fun. Opening with title track, World Full of Trouble, Lance Younger on lead vocal hits it hard with Destin Thibodeaux on hot harp and crisp guitar riffs from Bob Margolin. Tight drumming by Big Al and bass by Dean Galatas keep a tight groove under the rumbling keys of Wayne Lohr making for a solid opener. With a funky bass line by Galatas and a real R&B sax line by Lance Ellis, Fool For You has a nice groove. Wath, BB King like guitar phrasing by Younger on Testify, over gospel like backing vocals by Donna Slater and Cathy Pace give younger great traction for top radio track on the release. Very nice. Country funk on Big Old Rusty Car really works nicely with Billy Preston like  organ by Lohr, and hot sassy sax work by Ellis. Very cool. Conjuring the bluesy soul of Blood Sweat and Tears, Two Wrongs Don't Make A Right, has a swaying rhythm and Thomas like vocals with a great bass line, nice harp work by Thibodeaux, chasing drums by Big Al and really tasty guitar riffs by Younger. Wrapping the release is bluesy, Something Got To Change. Ellis lays back and wails on sax and Younger's always super vocals make this an excellent closer for a really nice release. 

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Wednesday, October 31, 2018

Eller Soul Records artist: Doug Deming & The Jewel Tones - Complicated Mess - New release review

I just had the opportunity to review the most recent release, Complicated Mess, from Doug Deming and the Jewel Tones and it's really strong. Opening with title track, Complicated Mess, guitar man and vocalist, Doug Deming sets the table for a blues feast. His vocals are solid as always and using machine gun and trem bend, his riffs are hot! Joining are Andrew Gohman on bass and Marty Dodson on drums. Super opener. Kim Wilson's harp work adds great depth and Demings riffs are rich and jazzy on Sweet Poison, a cool bluesy ballad. Sam Theard's classic, You Rascal You, has great wings with Little Charlie Baty on guitar, joining Deming with clever lyrics and an extremely active rhythm section. Excellent! Shuffle, Need My Baby has a great lope and Madison Slim's harp work is strong giving the track a nice edge. My favorite track on the release is slow blues, Deep Blue Sea, with soulful vocal by Deming and smoldering guitar riffs, playing against Bon Welsh's piano workout. Excellent! Bright jazzy instrumental, Captain's Quarters is bass driven by Gohman and Little Charlie and Deming really give it a strong workout. Very nice! Shuffle track, Cookin' At The Kitchen has a great feel with Welsh on piano, Slim on Harp, and tight trums work by Dodson. Wrapping the release is horn soaked instrumental Rat Killin', with Tino Barker on lush bari sax, Sax Gordon on tenor sax, Gohman getting loose on bass and some terrific flight finger work by Deming. Excellent closer for a really strong release. 

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Monday, September 10, 2018

Eller Soul Records artists - Blue & Lonesome duo - Pacing the Floor - New Release Review

I just had the opportunity to review the most recent release, Pacing the Floor by Blue & Lonesome duo (Li'l Ronnie & Gordon Harrower) and it's solid. Opening with Honeyboy Edwards' Drop Down Mama, Ronnie Owens on vocal, foot drum and harp and Gordon Harrower on vocal and guitar digging deep in fertile delta roots. Wine Headed Woman is a rumbling boogie with a driving guitar rhythm and strong harp chants. Very nice. On Muddy Waters' Mean Red Spider, Harrower's vocals are inspired and his guitar work spot on providing perfect balance for Owen's harp riffs. Original track, Too Fast For Conditions is a cool blues rocker with rich slide work by Harrower on resonator guitar and featuring Owens on harp. Super nice. Another original and title track, Pacing the Floor is a traditional boogie, stripped down with a solid guitar line and vocal by Harrower and harp soloing by Owens. This band really does create the magic of  Sonny and Brownie, Cephas and Wiggins or Siegel Schwall. Tight! Eddie Taylor's Country Boy has a super rhythm line with just the perfect amount of R&B. This is likely my favorite track on the release with just the right amount of everything. Super. Jimmy Roger's Out on the Road is another solid choice with some of Owen's fullest harp work on the release. Wrapping the release is another original, More Than Eye Candy featuring the vocal work of Owens with just the basics of guitar and foot drum, leaving you wanting more. A solid ending for a solid release.


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Wednesday, June 28, 2017

Eller Soul Records artist: Jason Ricci & The Bad Kind - Approved By Snakes - New Release Review

I just had the opportunity to review the most recent release, Approved By Snakes, by Jason Ricci & The Bad Kind and it's quite good. Opening with My True Love Is A Dope Whore, a salty, stinky, slinky, funky track with tight instrumentals and intelligent, sassy vocals (think Jim Morrison meets Frank Zappa or Klaus Doldinger's Passport meets Peter Wolf). Andy Kurz lays down a sweaty bass line and Ricci blows great harp over frantic guitars by John Lisi and Sam Hotchkiss and solid drums by Adam Baumol....what an opener! With a more "contemporary", maybe Chili Peppers influenced, Something Just Arrived, the band is a bit more contained but by no means tame. This band is rocking but and taking names. Bluesy and theatrical, Broken Toy, follows a more conventional road but Ricci's vocals warp the senses and his harp playing is sensational, paired squarely with wild guitar. Very cool. Kurz sets up a really nice bass line to open Eddie Harris' Listen Here. This track  exceeds 10 minutes and is an exceptional jam featuring a really nice solos by the band members. Excellent!  Terrors Of Nightlife features almost country like vocals and cool electric slide work over a quiet bottom and finely crafted harp soloing. With a loosely funky attack, I'm Too Strong For You, bounces in and the music rolls out...big time. A great funky guitar solo backing Ricci's crafty vocals and solid harp work makes this track one of my favorites on the release. A funky jazz number, Disconnect, showcases harp and guitar runs further "jacking you up" in a good way. Wrapping the release is 515, which hovers like a cloud, just waiting for the lightning to strike. With it's funky bass line and rhythm guitar, Hotchkiss lays out frantic guitar solos and Ricci pulls him back with his harp, only to reel him out again with Jim Morrison like vocals. This band is in your face good. It may not be what you are expecting...but you need to open your ears. This shit is hot!

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Tuesday, January 3, 2017

EllerSoul Records artist: Rev. Billy C. Wirtz - Full Circle - New Release Review

I just had the opportunity to review the most recent release, Full Circle, from Rev. Billy C. Wirtz and it's a blast. Opening with a Rock n Roller, Too Old, Wirtz takes the lead on piano and vocal with great flair. Joined by Mark Wenner on smoking harp, Mark Stutso on drums, Johnny Castle on bass, and with Paul Bell ripping some hot riffs, this is a great opener. On Smokie, Part 2, a swinging boogie, Wirtz and Bob Driver on guitar lays down some really nice instrumental lines. One Point Five is a clever track about not being number one in someone's life but the alternatives that aren't all bad. With it's country flavor and some cool country riffs, this is funny. With it's stripped down piano accompaniment, Mama Was A Deadhead, Wirtz tells a clever story of the live of Dead fan's children. Another rock n roller, Rockin' Up To Gloryland has a great feel with a tight bottom and cool lead soloing by Bell and Wenner. With it's somber, ballad pace, Floyd Cramer's Your Last Goodbye is a real nice instrumental track featuring clean piano melody by Wirtz. Charlie Rich's Breakup is a real kicker with super pace and a driving rhythm. Rewritten lyrics to the Chi-Lites, Have You Seen Her, I'm A Senior makes light of the growing old and pulling no punches in a light hearted way. Another piano boogie, Wine Spo-Dee-o-Dee, written by Stick McGhee is a natural for Wirtz with his piano style featuring Bob Driver on guitar, Steve Riggs on bass, a cool guitar solo by Paul Bell and super harp by Li'l Ronnie Owens. Another sacrilegious track, Mennonite Surf Party is a cool piano boogie with stinging guitar riffs and piano to compliment it's vocal attack. Excellent! John Butler's The Hand Of The Almighty pulls no punches at all and tells it straight. (Stilladog, this is for you). This is a really strong release front to back. If a little crudity offends you, better shy away but if you like it in the spirit that it was delivered, this is a super release.

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Wednesday, July 27, 2016

Eller Soul Records artist: Little Charlie And Organ Grinder Swing - Skronky Tonk - New Release review

I just had the opportunity to review the newest release, Skronky Tonk, from Little Charlie and Organ Grinder Swing and it's massive! Little Charlie Baty has teamed up with Lorenzo Farrell on Hammond and J. Hansen on drums to put together a really swinging blues/jazz release. Opening with title track, Skronky Tonk, Little Charlie takes a departure from the blues of the Nightcats with this groove swing track instrumental showcasing Little Charlie at his best. Charlie plays long flowing nicely formed guitar phrases stacked up nicely with Farrell on Hammond. Excellent! Morgan Lewis' How High The Moon really made popular in recent times by Les Paul is really ripped by Little Charlie who cranks it up and lets it fly. Another excellent Hammond solo by Farrell and these guys deliver. Latin influenced, Receita de Samba shows yet another side of Baty with sensitive yet quickly articulate playing. Hansen is tight on drums and Farrell's organ work is clean. Gypsy jazz favorite, Nuages, by Django Reingardt is quiet and precise with feeling. Very nice! Arthur Johnson's, Pennies From Heaven, has a cool swing in very much a 50-60's jazz style. Baty and Farrell nicely jam over the solid bottom for an extremely well done cover of an old standard. High energy, Gerontology, is a Baty original and he absolutely dances on the fretboard. Farrell provides a super match for baty and Hansen balances them out for a great trio. One of my all time favorite jazz melodies is Django by John Lewis. Lindsay Buckingham and John McLaughlin with Jeff Beck covered it and now Baty. This is a terrific improvisational tune and showing just how deep Baty goes...terrific! Charlie Christian's, Swing To Bop, covers a lot of ground with Baty tested to produce. Everyone knows that he's a master bluesman but not everyone knows he's a masterful guitar player...well, they will now. Excellent! Henri Woode's Broadway has a solid groove bottom that will really keep you tuned in. Farrell and Baty both take nice solo passages keeping the feeling tight and Hansen busting a few heads himself. Another Latin track, Um A Zero, penned by Pixinguinha really has a great beat. Baty really captures the moment with his light finger work emphasizing the beat. Super. Breaking into an original swing blues, Cobalt Blues, Baty, Farrell and Hansen are solid. This is what most fans know Baty for and he delivers in spades. Erroll Garner's Misty gets a total make over with a jazzy swing feel with a touch of Latin under the bottom. Farrell leads the way on melody but Baty does shows his chops a number of times with nicely placed solos. Wrapping the release is Lionel Hampton's Flyin' Home is a cool closer with Baty and Farrell each showing a super solos to close out this hot instrumental release.
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Monday, March 7, 2016

EllerSoul Records - New Release: Blues for Big Walter





website
EllerSoul Records - New Release:
Blues for Big Walter

This is a record that I’ve wanted to make for some time now. Big Walter Horton has been a major influence on all of the great blues harmonica players of my generation and beyond. We wanted to do our part in spreading the blues genius of Big Walter Horton.

This is a non-profit project with proceeds going to the Blues Foundation and HART Fund. We know they will put the money to excellent use. Artists involved donated music for the cause. We’re very excited about the record and are so grateful for the stellar lineup. We'd also like to thank all the musicians, labels, studio's and promoters involved.
 
- Ronnie




Friday, October 9, 2015

Eller Soul Records artist: Andy Poxon - Must Be Crazy - New Release Review

I just received the newest release, Must Be Crazy, from Andy Poxon and it's terrific. I had reviewed Poxon's earlier releases, most recently Red Roots. and I can tell you without question the kid is getting better by leaps and bounds! Opening with the title track, You Must Be Crazy, Poxon is smoking right out of the gate. With a hell of a swagger and killing the Elmore James riff, this track is super. Poxon, who plays lead guitar and takes lead on vocal, is joined by keyboard ace, Kevin McKendree and the connection is golden. Poxon sounds really relaxed but plays with fiery intensity. I've heard comparisons drawn to Johnny Lang but I'd say shoot higher...say Sean Costello! Kenneth Blevins on drums, Steve Mackey on bass and Jim Hoke on sax makes this one powerful opener. Living Alone is a mid paced boogie woogie track featuring a more vocal feel and McKendree showing his fine piano flair. Kicker jump track, Next To You, really moves and Poxon pulls out some really hot riffs. Sit still listening to this one...can't do it! Excellent! Radio oriented track, Give Me The Chance, adds the McCrary Sisters on key backing vocals. Poxon only shows a few flashes of guitar spark but with solid lead vocals and certain piano body delivers a nice air track. Slow cooker, Cold Weather, opens with really excellent blues guitar articulation. Playing heart felt guitar lead against his solid vocals, this track stands out as one of the top tracks on the release. Ouch! With a definite R&B/New Orleans kind of sound, Don't Tell Your Mama, gets a super sax push from Hoke over McKendree's fancy finger work. Soulful ballad, Harder Everyday, has such a warm sound between sax and the backing vocals of the McCrary Sisters it almost sounds fully orchestrated at times. Nicely written with a solid melody, this could be a cross radio track as well. Very nice! With a light jazz touch, I Want To Know, shows Poxon's understanding of vocal phrasing and certain maturity. Solid sax work from Hoke gives the track a definite boost and Poxon steps back up with some really nicely executed guitar soloing. Very cool! On Already Gone, Poxon shows a nice blend of Cornelius Brothers style soul and country rock for a unique ballad. His vocals, blended nicely with McKendree on keys makes for a very solid track. Making A Fool is another track with a bit of New Orleans feel and McKendree is just the guy to roll the piano. Poxon injects tight guitar riffs into the roll this time and Blevins nicely jazzes up the bottom on drums with a solid bass line from Mackey. Very nice! Don't Tell Me What To Do is a cleverly disguised blues track with an almost soul feel vocally but with only faint cues to it's exact intention. McKendree injects organ giving it a gospel feel and Poxon's own guitar work having more of a rhythmic country feel. A subtle guitar solo gives definite blues intention leaving you with an overall feel of solid work. Light jazzy number, Too Late, has a real nice feel and showcasing Poxon's vocals, McKendree on piano and strummed chords on guitar gives this track an absolute platform for lush jazz/blues style guitar soloing. Sweet! Wrapping the release is Rebound, an easy paced instrumental with it's blend of country style guitar picking and jazz inflections. Addition of Yates McKendree on organ and a bright melody makes this a solid conclusion to a top flight new release.



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Tuesday, July 21, 2015

Eller Soul Records artist: John Cocuzzi - Ding Dong Daddy - New Release Review

I just received the newest release, Ding Dong Daddy, from John Cocuzzi and it's a mix of swing, boogie woogie, blues, ballads and big band giving it quite a bit of flavor. Opening with piano boogie instrumental, Swanee River Boogie, Cocuzzi shows that he's serious about his boogie woogie. Rattling the keyboard Joe has the place hopping. Next up is Reconsider Baby with nice guitar work from Kevin McKendree complimented by Paul Keller on bass, Frank Cocuzzi and of course John on piano and vocal. Very nice! Ding Dong Daddy features hot solos from Dan Levinson on clarinet, John on vibes and Jerry Krahn on guitar. Slow swing blues, That's Alright, shows John's capability as a serious blues piano player as well who really has the track swinging low. An excellent bass solo from Paul Keller is a real nice touch. Just Call Me has a real nice New Orleans, Dr. John funky kind of feel. Quiet jazzy instrumental ballad, Come Sunday, shows John's sensitivity on vibes, complimented nicely by subtle bass work from Keller and warm sax tones from Dan Levinson. A real New Orleans piano boogie, Ballin' The Jack is up next and John shows just how versatile his style is. Accompanied mostly by tight percussion from Frank Cocuzzi and a real nice bass solo by Keller this is a cool track. Sassy blues track, Kambucha Boogie has a real nice walking bass line and a cool groove. John gets his piano swing on making this a real nice track. Big band style swing track pairs Levinson on tenor sax with John on Hammond and vibes for a real cooker. Wrapping the release is ballad, They Say It's Wonderful for that perfect 40's mood. Featuring John on vocal and vibes this track is a solid closer for a pretty lively release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, May 4, 2015

Eller Soul Records artist: The Nighthawks - Back Porch Party - New Release Review

I just received the newest release, Back Porch Party, from The Nighthawks and I really like it. Recorded live at Montrose Studio in Richmond Virginia, this release keeps the volume nice and easy but the enthusiasm is high. Opening with Rock This House, Mark Wenner has got the harp cooking and, Wenner, Paul Bell (guitar), Johnny Castle (bass) and Mark Stutso (drums) harmonize nicely on vocals. Bell tosses in his own jazz filled riffs on guitar for a nice topper. Hot start! On Walkin' After Midnight, The Nighthawks get a easy pace, Wenner taking center stage on vocal and harp. Down In The Hole has a Latin rhythm with Bell emphasizing the tempo. The band breaks into a smooth shuffle and Wenner carries a nice harp solo throughout. Ike Turner's Matchbox is up next with a R&B swing. I really like Wenner's harp solo on this track which almost takes off. Bell gets a cool swing going on guitar as well with some dynamic chords. Super! Willie Dixon's Tiger In Your Tank is up next with it's fast paced rock beat. Bell takes one of his nicest solos on the release on this track blending picking and slide for a hot run. Bassist Johnny Castle's Jana Lee is a real rock and roller with a solid driving beat. The Nighthawks preserved a lot of Muddy Waters Rollin' Stone track with it's honest original feel. Swing rocker, Guard Your Heart, has Wenner back center stage with a real nice harp roll. Certainly one of my favorite tracks on the release. Down To My Last Million Tears is an old school blues rockers. Stutso's drum work does a lot to emphasize the pace and both Wenner and Bell take nice leads on the track. Fast paced rock a billy track Hey Miss Hey really lets Wenner cook on harp. A fast paced blues run by Bell and Castles driving bass runs pushed by Stutso gives this track a tight feel. Otis Hicks' Rooster Blues is a great rocker with Bell taking guitar solos and Wenner punctuating his phrases and then Wenner dishing out his own heat. Very nice! Wrapping the release is Back to The City, a smoking rocker with Wenner leading the way. This is a really nice jam with a great pace set by Bell and Wenner going over the top on harp and even a cool bass solo by Castle. Hot!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Friday, January 23, 2015

Eller Soul Records artist: Mike Henderson Band - If You Think It's Hot Here... - New Release Review

I just received the newest release, If You Think It's Hot Here..., from The Mike Henderson Band and it's quite good! Opening with I Wanna Know Why, a creeping blues number with some great Fender guitar tones. Michael Rhodes lays down a real serious bass lead and Henderson has a voice that is just right for this type of blues rock music. Kevin McKendree really hammers the piano and Henderson gets down serious with some tasty blues riffs making this a great opener. Send You Back To Georgia is a great rock and roller with a serious rocking beat (Pat O'Connor - drums) and McKendree really takes the opportunity to bring this baby to it's knees. Henderson whips out the slide and rides the lower fretboard with some deep grinding grooves. Excellent! On shuffle track, Houndog Taylor's It's Alright is a great 12 bar number with a serious lope. McKendree takes the first leg and Henderson the second on slide for a super romp in blues land. Title R&B style track, If You Think It's Hot Here, has a taste of Soul Serenade by McKendree on piano with a a nice B3 wrth on gospel. Chris and Morgane Stapleton add the cool vocal backing. Henderson takes a nice slide solo on the track and McKendree reall shines as well. Very nice. One of my picks for this release is Weepin' And Moanin'. With a smooth slower pace and "just right" key accents against Henderson's guitar riffs, this track is hot! Muddy Water's Mean Red Spider gets a funky under beat with a great pace set by O'Connor. Another tasty piano solo by McKendree and well paced phrasing by Henderson both vocally and on guitar makes this track shine. On Robert Johnson's If I Had Possession opens with Henderson on acoustic slide laying down some of the hottest riffs on the release. Slowly building the track gains a New Orleans strut with the aide or McKendree on piano and snappy drumming by O'Connor. Henderson steps back uyp but on electric guitar this time leading the track to a close. Very cool! Sonny Boy Williamson's Unseen Eye has a real nice bass line by Michael Rhodes and Henderson lays out some of the blusiest riffs on the release. I really like this track. The extended guitar work on this track really hits it! Blind Lemon Jefferson's Matchbox gets a Carl Perkins' or Ronnie Hawkins' feel but with Jerry Lee Lewis spin and Chuck Berry guitar riffs. Very cool! Melvin Jackson's Gamblin' Blues has a serious Texas feel. I particularly like Henderson's vocals on this track and O'Connor and Rhodes really drive the bottom. McKendree takes a cool barrelhouse piano solo and Henderson steps up with a fat solo of his own. Hot track! Wrapping the release is Rock House Blues, a slow, harp led blues (Henderson) with McKendree on piano. This is a really nice conclusion to a particularly cool release!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Here's a taste of Henderson if you don't know his work:

Monday, June 16, 2014

Eller Soul Records artist: The Nighthawks - 444 - New Release review

I just received the newest release (June 17, 2014), 444, from the Nighthawks and it's a lot of fun. Opening with the Du Droppers' Walk That Walk, the Nighthawks are really swinging with really nicely blended vocal harmonies and super harp work from Mark Wenner. On Livin' the Blues, a traditional 12 bar with a casual lope to it, vocal harmonies are again a key part of the track. Wenner again lays down some nice harp riffs joined by Paul Bell on vocal and guitar, Johnny Castle on bass and vocal and Mark Stutso on drums and vocal. Title track 444 A.M. is a real rocker with flaming guitar riffs from Bell pulling out some really cool rockin solos. You're gone has a twist of country and a radio style arrangement. Honky Tonk Queen continues along with a country flavor and an even stronger radio presence. Got A Lot of Livin' has strong Rockabilly roots with cooking bass work by Castle and crisp riffs from Bell. Authentic roots style vocals punctuate the track. Crawfish has a swampy feel with a repetitive guitar chime and tom tom work. Wenner echo's the vocals nicely on harp. Price Of Love has a stomp to it with nice over driven slide work. The most straight forward blues rocker so far, gives Bell a lot of room to slide and Wenner plays back a nice compliment for each hot riff from Bell. High Snakes is possibly the coolest track on the release with a slow tex/mex rhythm and creative writing. Bell plays subtle but sensuous guitar riffs on this track and Wenner compliments him well. Very nice. Nothin' But The Blues gets into a solid blues groove. The lead vocals are really super on this track and Bell takes a really nice guitar ride on this track. Wenner also steps up with icing for a nice cake. No Secrets is a more prominent blues rocker with Stutso leading the way on drums. Bell cuts it loose again on slide and this track simmers on white hot sliding action. Wenner knows how to work the harp and does a really nice job on this track. On Morganfield's Louisiana Blues, the band is just a few steps from stripped down with fairly raw acoustic guitar and harp. Wrapping the release with Roadside Cross the band is joined by Akira Otsuka on mandolin. A quiet acoustic ballad this is a nice close to a nicely done release.  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Could not find a clip from this release but this is the Nighthawks:




Monday, May 5, 2014

The Nighthawks Are Back with a New CD, "444," on a New Label, EllerSoul Records, Coming June 17



The Nighthawks Are Back with a New CD, 444, on a New Label, EllerSoul Records, Coming June 17

In their Fifth Decade, America’s Seminal American Roots Music Band Remains Vibrant & a Must-See Live Performance Group



WASHINGTON, DC – America’s favorite roots music band, The Nighthawks, announce a June 17 release date for their latest album, 444, on EllerSoul Records, their label debut. Produced by the band and recorded at Montrose Studio in Richmond, Virginia, 444 is jam-packed with 13 tracks of blues, soul, rock ‘n’ roll and roadhouse country music – all given the trademark Nighthawks combination of talent, passion, energy and showmanship that has made the Blues Music Award winners a truly one-of-a-kind live listening experience, conveniently packaged on disc and ready to take home to enjoy.

Now in their fifth decade of recording and live performing, the 21st century Nighthawks are a tight, cohesive unit – the kind that comes only from years and miles. Guitarist Paul Bell and bassist Johnny Castle have been in the band for more than a decade; drummer Mark Stutso, the “new kid,” is starting his fifth year; and singer/harmonica player Mark Wenner is counting 40-plus. The nightly consensus from fans is that this version of The Nighthawks is the best ever. The concept that was mapped out in the liner notes of their 1974 debut recording, Rock and Roll, has grown into a powerful expression of the American musical tradition.
    
444 draws from the deep roots the band has always mined: an organic mix of originals and classic cover tunes. Some are well known, like Muddy Waters’ “Louisiana Blues,” and some more obscure, like the Du Droppers’ “Walk That Walk.” But they all blend to make a rich American stew. “Honky Tonk Queen,” a Wenner original that sounds as if it could have come from an old Rolling Stones’ session outtake; “No Secrets,” (another Wenner song) and “Price of Love” (written by The Everly Brothers) are previously recorded Nighthawks songs presented here with new depth and breadth. “The King” is well-represented on the new disc, as well. Two early Elvis Presley movie numbers -- “Got a Lot of Livin’” the final song in his 1957 film, Lovin’ You (which Elvis sings out in the audience that includes his mother Gladys) and “Crawfish,” which opens his 1958 movie, King Creole -- date from the magic period in the 1950s when Mark Wenner was most under the spell of the radical new star.

Johnny Castle contributes three originals to 444, including the hard-charging “444 A.M.” that gives the new CD its title. “High Snakes,” a swampy, haunting cry of lost love, was written and recorded by Johnny and his former DC-cohort, guitarist Bill Kirchen. Johnny’s lovely “Roadside Cross,” is unusual for The Nighthawks and gives the otherwise rockin' CD a gentle and beautiful finish. It also features the only guest appearance on the album, the delicate mandolin part by Akira Otsuka, a pal of Johnny’s from his bluegrass days.

Mark Stutso borrowed a bluegrass original from his brother-in-law and turned it into a Texas funk groove in “You're Gone.” For “Nothin' but the Blues,” he drew on his friendship with Grammy-winner Gary Nicholson. The band had learned “Livin' the Blues” backing up on a tour with Tracy Nelson, who co-wrote it with Gary. Mark Wenner takes the lead vocal on the “Hawks version, with just one little word change.

As always, the essential flavors and textures of this rich American stew come from the electric and acoustic guitar work of the incomparable Paul Bell, who continues to thrive in his role as lead guitarist, forever expanding his horizons on the instrument with the best of tone and taste.

Almost every Nighthawks recording has featured at least one Muddy Waters tune, and 444 is no exception. This time the band showcases its acoustic version of Muddy's “Louisiana Blues” (staying close to the country blues tone of Muddy’s original version), recalling their Blues Music Award-winning acoustic release, Last Train to Bluesville, and Muddy's live introduction on the band’s Open All Night album. As the legend said that night way back when, “They have a beautiful name. They are THE NIGHTHAWKS.”

The Nighthawks are booked by Blue Mountain artists (www.bmatours.com). To watch the trailer for their upcoming 2015 documentary film, “The Nighthawks: That Band on the Blue Highway,” directed by Michael Streissguth, click on this link: https://vimeo.com/88276223

For more information on the band, visit www.thenighthawks.com.

THE NIGHTHAWKS TOUR ITINERARY

5/7                         The Zoo Bar                                                                                        Lincoln, NE
5/8                         21st Saloon                                                                                          Omaha, NE
5/9                         Uncle Bo’s T-Town Bar – Ramada Inn Downtown              Topeka, KS
5/16                       Bright Box Theatre                                                                          Winchester, VA
5/7                         Poolesville Springfest                                                                     Poolesville, MD
5/29                       34th Annual Herndon Festival                                                      Herndon, VA
5/30                       Ramshead Tavern                                                                            Annapolis, MD
6/7                         National Whitewater Center                                                       Charlotte, NC
6/20                       The Birchmere                                                                                 Alexandria, VA
6/22                       Capital Ale House Music Hall (CD Release – 6pm)               Richmond, VA    .
6/26                       Thunder in the Valley                                                                     Johnstown, PA
6/27                       Blues, Brews & BBQ Festival                                                        Charleston, WV
6/28                       The State Theatre                                                                            Culpepper, VA
7/4                         Evenings on Main                                                                            Luray, VA
7/5                         High Tides on Potomac                                                                  Colonial Beach, VA
7/6                         A Blues Night Out – Bethesda Blues & Jazz                           Bethesda, MD
7/20                       Gilligan’s Pier                                                                                     Newberg, MD
7/26                       Peekskill Rock & Blues Festival                                                   Peekskill, NY

Thursday, April 24, 2014

Eller Soul Records artist: Li'l Ronnie & the BlueBeats - unfinished business - New Release Review

I just received the newest release, unfinished business, from Li'l Ronnie & the BlueBeats. Opening with Bring Your Fine Self Home, an easy swing blues track featuring Claudia Carawan on lead vocals, and the sure hand of Ericson Holt on keys. Li'l Ronnie has a strong harp overtone and also adds vocal harmonies. On Too Fast For Conditions, Stu Grimes sets a steady beat on drums and Li'l Ronnie rides high on harp. Jim Wark steps up with some cool guitar riffs and Carawan adds some nice sax work as well. R&B styled track Get Tough seems to best suit Carawan's vocal style backed by Almeta Ingram-Miller and Cheryl M. Beaver and Mike Moore hits some cool bass lines on this track. I Feel A Heartache Coming On, a solid ballad, blues style, is an easy hit for the group with Carawan carrying the bulk of the load with terrific backing from Almeta and Cheryl. Wark takes a tasty guitar solo backed by Holt on piano. Jump Jive, Then You Wail sticks very close to the original and shows a level of energy kicked up by Wark and Owens who really shine on this track. Li'l Ronnie takes the lead on title track, Unfinished Business. Carawan takes the second lead and harmonizes with Owens. A nice easy track, Holt and Owens play a piano/harp solo duet that is particularly nice on this track. Ray Charles' Hard Times has a really cool sax intro from Carawan. Bringing out her soul attributes, Carawan not only does nice vocal parts on this tune but also sultry sax soloing. Cold Hard Cash has a bit of swamp funk with Li'l Ronnie on harp and lead vocal. Li'l Ronnie steps forward again for a featured harp solo on this track and Grimes' addition of percussion gives the track another dimension. Thick & Thin has a funky R&B sound like Muscle Shoals or Tower of Power. Funky guitar riffs and a really nice piano solo from Holt over cool bass riffs from Mike Moore make this track smoke. Stop Cheatin' Me Blind has a standard 12 bar format with cool piano lead throughout. Li'l Ronnie has the lead on vocal and also punctuates with harp. You Don't Have To Go Home is a swinging shuffle track with rich harmonies from Almeta and Cheryl and nice harp work under the vocals. Wark steps up again on this track with a tasty guitar solo and some ultra cool trem bends. That's What A Girl Wants To Hear is a slow R&B style ballad mostly showcasing Carawan's vocals. Swing track, I Just Met A Man is playful and features light vocals and horn work. Wark shows a nice light hand on guitar riffs and additional horn work from Carawan. Wrapping the release is traditional blues style track, I Had A Warden for a Woman. Li'l Ronnie digs in oh harp and also takes the lead on vocals. Likely my favorite track on the release, this track is a solid blues track.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

This isn't a track from the latest release but is a good example of Li'l Ronnie's Work: