CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Sunday, February 3, 2013

Wet it - Frankie "Half Pint" Jaxon

Frankie "Half Pint" Jaxon (February 3, 1895 – 1944?) was an African American vaudeville singer, female impersonator, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, United States, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, Illinois, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver and Freddie Keppard among others. He also performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s he was often on radio in the Chicago area, and led his own band, Frankie "Half Pint" Jaxon and his Quarts Of Joy. Jaxon appeared with Duke Ellington in a film short called Black and Tan Fantasy (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). His recordings, such as "Fan It" (later recorded by Red Nichols and Woody Herman), are mostly filled with bawdy comedy, double entendres and hokum. Blues fans reserve a special place in their hearts for his orgasmic parodies of "How Long How Long Blues" and "It's Tight Like That", louche collaborations with Tampa Red, Georgia Tom and assorted jugbandsmen. In 1941 he retired from show business and worked at The Pentagon in Washington, D.C. He was transferred to Los Angeles, California, in 1944 where, according to most sources, he died in the veterans hospital, although according to Allmusic he lived in Los Angeles until 1970. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

No comments:

Post a Comment