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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Tuesday, December 18, 2012

C-Jam Blues - Harlem Blues & Jazz Band

Lawrence Lucie (December 18, 1907 – August 14, 2009) was an American jazz guitarist. Lucie was born in Emporia, Virginia. He learned banjo, mandolin, and violin as a child and played with his family at dances. Lucie's father, a barber, also played jazz music. He studied banjo in New York City at the Brooklyn Conservatory of Music, but switched to guitar when he started a professional career. Lucie spent his career as a rhythm guitarist, seldom taking solos. In 1931, he subbed for Freddy Guy of Duke Ellington's band, being the last surviving musician to have played the Cotton Club with Ellington. He then became an original member of Benny Carter's band in 1932. This association lasted through 1934, including the opening of the Apollo Theater, where Carter's was the house band. He also performed with Fletcher Henderson (1934, 1936-39), the Mills Blue Rhythm Band (1934-36), Coleman Hawkins (1940), and Louis Armstrong (1940-44); he was also the best man at one of Armstrong's weddings. He recorded with all of them except Ellington. He can also be found on record with Teddy Wilson and Billie Holiday, Spike Hughes, Putney Dandridge, Big Joe Turner, Red Allen, and Jelly Roll Morton. After the big band era passed, he played in a quartet with his wife Nora Lee King, also a guitarist as well as a singer. In the 1950s he played with Luis Russell, Louie Bellson, and Cozy Cole, in addition to copious session work. Lucie continued to record with his wife for his own label, Toy Records, into the 1980s. Lucie taught at the Borough of Manhattan Community College for three decades, retiring in 2004. He died at age 101, in New York City. At the time of his death, he was the last surviving musician to have recorded with Jelly Roll Morton. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

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